Tremaine Collection artworks and designs in publications (compilation; 1945-present)

With her extensive communications experience from the 1930s, Emily Hall Tremaine marshalled those skills for the benefit of the artworks and designs that she worked with, 1945-87.

ADC staff
artdesigncafé - art / Emily Hall Tremaine / Collection | 13 January 2020 | Updated 22 July 2023

This compilation focuses on publications concerning the former Tremaine Collection’s artworks and associated designs from the period of 1945-91. Selected publications after Tremaine ownership are also listed, as are general mentions of the Tremaines with an art / design focus.

To see additional, extensive information about the artworks and designs, see the artwork / design webpages listed towards the bottom of the Emily Hall Tremaine / Collection overview page.

For Miller Company / Painting toward architecture-era publications (1945-52, up to 1958), make sure to see the compilation Painting toward architecture: Documentation and historical information webpage.

This compilation is in development. In the meantime, also make sure to check the compilation of Tremaine Collection artworks in exhibitions with some listings of exhibition catalogues, brochures, and media coverage.

Emily and Burton Tremaine - general art / design-focused articles and mentions

For publications mention Emily and Burton Tremaine, see section G. "Publications mentioning Emily Hall Tremaine (1944-present)" on the Emily Hall Tremaine / Tremaine Collection overview page.

Please note, many articles that mention Tremaine-owned works also mention the Tremaines. Researchers interested in this are welcome to contact artdesigncafe.com .

A

Josef Albers. Homage to the square: Arrival, (1963).

> Baro, Gene. (15 February 1969). Decisive art collection [on Tremaine art collection with many photos of works in Tremaine interiors]. Vogue, pp. 132-35, 136-37 (illustrated), 138-41, 150, 152. (K01215-16).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 20-1, illustrated). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00679-80).

> Rizzo, Frank. (10 November 1988). Madison couple’s "White flag" brings banner price at auction [mention]. Hartford Courant, p. A4. (K00623). (For more selected coverage on the 1988 auction, see at bottom the Tremaine Collection artworks in Tremaine auction catalogues (1988, 1991) webpage.)

Josef Albers / Serge Chermayeff / Emily Hall Tremaine (?). Miller Company logo (letterhead, mailing label, signage), (c. 1947).

> Troy, Nancy. (2013). The afterlife of Piet Mondrian, [p. 50, illustrated, fig. 1.20, Miller Company mailing label, (c. 1947)]. University of Chicago Press: Chicago and London. (K01223-25; K01235).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Jean Arp. Collage (arranged according to law of chance), (1918).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, p. 21, [illustrated, probably this artwork, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. (K01311).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52), [illustrated, probably this artwork, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. Sculpture magazine, (online reprint with additional installation photo on artdesigncafe.com), (illustrated). (K01319).

Jean Arp. Geometric torn paper, (1918).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, p. 21, [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. (K01311).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. Sculpture magazine, (online reprint with additional installation photo on artdesigncafe.com), (illustrated). (K01319).

Jean Arp. Mirr, (1936 / 1960).

Jean Arp. Three navel man, (1920).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s, (illustrated, probably this artwork, Tremaine glass barn interior view, Madison, CT). New York Times, p. 39. [EHT-08-04-78].

> Baro, Gene. (15 February 1969). Decisive art collection [on Tremaine art collection with many photos of works in Tremaine interiors]. Vogue, pp. 132-39, 140-41 (illustrated), 150, 152. (K01215-16).

Richard Artschwager. Relief I, (1965).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 46-7, illustrated, pl. 19). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00706-07).

Historical European design - Austrian putti (two), (undated).

> Baro, Gene. (15 February 1969). Decisive art collection [on Tremaine art collection with many photos of works in Tremaine interiors]. Vogue, pp. 132-33, 134-35 (illustrated), 136-41, 150, 152. (K01215-16).

B

Harry Bertoia. Composition, (1944).

Georges Braque. The black rose, (1927).

(19 Feb 1949). Mrs. Tremaine lends Braque painting [Tremaine has lent The Black Rose by Braque for a retrospective exhibition at the Cleveland Museum of Art and also for its viewing at the Museum of Modern Art, New York]. Meriden Daily Journal, p. 1. (Viewed 22 July 2023. N2-00036).

(21 Feb 1949). City items [mention: Mrs. Burton Tremaine, Jr. has lent The Black Rose by Braque for a retrospective exhibition at the Cleveland Museum of Art and also for its viewing at the Museum of Modern Art, New York]. Meriden Record, p. 12, col. 4. (Viewed 22 July 2023. N2-00037).

> Hudson, Andrew. (26 September 1965). The show’s simply too large for the gallery [mention]. Washington Post, G9. (K01211).

> Tully, Judd (Special, New York, Nov. 9). (10 November 1988). $37 million contemporary art sale [mention, as example of early artwork purchase by Emily Hall Tremaine]. Washington Post, Style section, pp. B1 & B20. (K00763-64).

> Reif, Rita. (7 June 1991). 50 paintings to be sold from Tremaine estate [mention]. New York Times, p. C3. (K00738). (For more selected coverage on the 1991 auction, see at bottom the Tremaine Collection artworks in Tremaine auction catalogues (1988, 1991) webpage.)

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

> Preece, R. J. (30 December 2017). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Frank Lloyd Wright. Project for Meteor Crater & Painting toward architecture, [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01306-07).

> Preece, R. J. (30 December 2017). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Oscar Niemeyer / Roberto Burle Marx. Tremaine House & Painting toward architecture, [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01306; K01308).

Historical African art - (Burkina Faso). Antelope-shaped mask, (20th century).

> Baro, Gene. (15 February 1969). Decisive art collection [on Tremaine art collection with many photos of works in Tremaine interiors]. Vogue, pp. 132-33 (illustrated), 134-41, 150, 152. (K01215-16).

Roberto Burle Marx. Design for a garden, (1948).

> Adams, Brooks. (November 1991). Biomodernism (p. 144, illustrated). Art in America, pp. 144-45. (K00977-78).

> Rohter, Larry (Rio de Janeiro). (21 January 2009). A new look at the multitalented man who made tropical landscaping an art [mention]. New York Times, The Arts section, pp. C1 & C5. (K01168-69).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

> Preece, R. J. (30 December 2017). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Oscar Niemeyer / Roberto Burle Marx. Tremaine House & Painting toward architecture, [illustrated, two thumbnail photos; illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01306; K01308).

C

Alexander Calder. Bougainvillea, (1947).

> Read, Herbert. (1964). The art of sculpture, (p. xxx & after p. 123, illustrated, pl. 211), (2nd ed.). Bollingen Foundation: New York. (K01030-34).

> Read, Herbert. (1977). The art of sculpture, (p. xxx & after p. 123, illustrated, pl. 211), (2nd ed., paperback version). Princeton University Press: Princeton, NJ. (K01025-29).

> Martin, F. David & Jacobus, Lee A. (1978). The humanities through the arts, (p. 155, illustrated, fig. 5-25), 2nd ed. McGraw-Hill: New York. (K00818-20).

> Wire and staff reports. (13 November 1991). Tremaine painting sells for $4.4 million [mention]. Hartford Courant, p. A6, (illustrated). (K01180).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Mary Callery. Amity (study), (1946).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, pp. 18 & 21, [illustrated, two views, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. (K01311).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52), [illustrated, two views, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. Sculpture magazine, (online reprint with additional installation photo on artdesigncafe.com), (illustrated). (K01319).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

Mary Callery. Water ballet, (1947).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

John Chamberlain. Arch Brown, (1962).

> Piene, Nan R. (May - June 1966). New York: Gallery notes, (illustrated, p. 109). Art in America, pp. 108-11. (K00940-43).

> Sylvester, Julie. (c. 1986). John Chamberlain: A catalogue raisonné of the sculpture, 1954-1985, (no. 66, illustrated). Hudson Hills Press: New York. (K00691; K00786) [unconfirmed]

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 32-3, illustrated, pl. 12). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00691-92).

Attributed to Serge Chermayeff. Graphic designs for advertisements for Miller Company showing interior design concepts, (c. 1948).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Attributed to Serge Chermayeff. Interior design concept utilizing Miller Company lighting, (c. 1948).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Christo. Double store-front, (1964).

> Bourdon, David. (1972). Christo, (no. 76, illustrated). Abrams: New York. (K00716; K00781) [unconfirmed]

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 54-5, illustrated, pl. 23). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00716-17).

Chryssa. Fragment for the gates to Times Square, (1966).

> Baro, Gene. (15 February 1969). Decisive art collection [on Tremaine art collection with many photos of works in Tremaine interiors]. Vogue, pp. 132-37, 138-39 (illustrated), 140-41, 150, 152. (K01215-16).

Architecture / interior design - Le Corbusier. Villa Savoye, Poissy, France, (1928) (photo mural).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, p. 18, [illustrated (small partial view of photo mural probably of interior stairwell), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. (K01311).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52), [illustrated (small partial view of photo mural probably of interior stairwell), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. Sculpture magazine, (online reprint with additional installation photo on artdesigncafe.com), (illustrated). (K01319).

> Preece, R. J. (30 December 2017 / 8 January 2018). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Piet Mondrian. Victory boogie woogie & Painting toward architecture, [illustrated (small partial view of photo mural probably of interior stairwell), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01306; K01309).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, small partial view of photo mural probably of interior stairwell, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

Ralston Crawford. Lights in an aircraft plant, (1945).

> Carlsen, G. Robert et al. (1985). American literature: A chronological approach, (p. 685, illustrated). McGraw-Hill: New York. (K00928-30).

> Tully, Judd (Special, New York, Nov. 9). (10 November 1988). $37 million contemporary art sale [mention of artwork at National Gallery of Art, Washington]. Washington Post, Style section, pp. B1 & B20. (K00763-64).

D

Salvador Dalí. Grasshopper child (Enfant sauterelle), (1933).

> Richard, Paul (Washington Post). (23 June 1974). National Gallery acquires new works [mention]. Austin American Statesman (Texas), p. F4. (K01194).

Stuart Davis. For internal use only, (1945).

Robert Delaunay. Premier disque, (1912).

> Benoist, Luc et al. (1961). Handbook of Western painting; from cave painting to abstract art, (p. 292, illustrated). Thames & Hudson: London. (K00821-24).

> Muller, Joseph-Émile. (1961). Cubism, [p. 292, illustrated (turned 45 degrees to the left)]. In Robert Maillard, (General Editor), Masterpieces in the history of painting, (pp. 280-93). Holt, Rinehart and Winston: New York. (K01103-07).

> Seuphor, Michel. (1964). Abstract painting: 50 years of accomplishment, from Kandinsky to the present, [p. 19, illustrated (turned 45 degrees to the left), pl. 5, and p. 179]. Dell Publishing Co.: New York. (K00897-99; K00903-04).

> Delaunay, Robert. (1 January 1973). Light (1912). [Reprint of text in: Chipp, Herschel B. (1968). Theories of Modern art: A source book by artists and critics. University of California Press. Photo of artwork added.] The Structurist, pp. 42-3, (illustrated). (K01173-79).

> Bourdon, David. (1 February 1984). People are talking about... collectors courageous [mention; feature on The Tremaine Collection - 20th century masters: The spirit of modernism exhibition at the Wadsworth Atheneum, Hartford, CT]. Vogue, p. 56. (K01161-62).

> Berry, Heidi L. (21 November 1991). Any price in a storm [mention]. Washington Post, pp. 9-12. (K01181).

Jim Dine. Crescent wrench, (1962).

> Wolff, Theodore F. (7 October 1980). The many masks of modern art. Christian Science Monitor, p. 20 (illustrated). (K01198).

Jim Dine. The hammer acts, (1962).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 66-7, illustrated, pl. 30). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00728-29).

Jim Dine. Little black screwdriver, (1962).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 26-7, illustrated, pl. 9). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00685-86).

Theo van Doesburg. Composition XX, (1920).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), (illustrated). artdesigncafe.com. (K01310).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Theo van Doesburg. Space-time construction #3, (1923).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, p. 21, [illustrated (thin strip visible), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. (K01311).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52), [illustrated (thin strip visible), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. Sculpture magazine, (online reprint with additional installation photo on artdesigncafe.com), (illustrated). (K01319).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated; photo with Harry and Penelope Seidler; and installation photo of copy of artwork in Harry Seidler: Painting toward Architecture, Bernard and Anne Spitzer School of Architecture, City College of New York (September - November 2017).] artdesigncafe.com. (K01310).

Marcel Duchamp. Boîte-en-Valise, (1961).

> Richard, Paul (Washington Post). (23 June 1974). National Gallery acquires new works [mention]. Austin American Statesman (Texas), p. F4. (K01194).

Marcel Duchamp. Marcel Dechire, (1967).

E

Max Ernst. A beautiful day, (1948).

F

Attributed to Jose A. Fernandez. Interior design concept utilizing Miller Company lighting, (c. 1948).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Perle Fine. Analytical charts concerning Victory Boogie Woogie, (c. 1948).

> Troy, Nancy. (2013). The afterlife of Piet Mondrian, (p. 57, illustrated, fig. 1.23). University of Chicago Press: Chicago and London. (K01223-25; K01237).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, p. 18, [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. (K01311).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

Perle Fine. Copy / oil transcription of Piet Mondrian’s Victory boogie woogie, (1947).

> Troy, Nancy. (2013). The afterlife of Piet Mondrian, (p. 55, illustrated, fig. 1.21, with Mondrian’s Victory Boogie Woogie). University of Chicago Press: Chicago and London.

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

> Preece, R. J. (30 December 2017 / 8 January 2018). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Piet Mondrian. Victory boogie woogie & Painting toward architecture, [illustrated, installed in Painting toward architecture, partial view with Henry-Russell Hitchcock and others, Walker Art Center, Minneapolis, MN, (20 January - 22 February 1948); illustrated, partial view in Miller Company boardroom, Meriden, CT, with three generations of Tremaine leadership, this artwork is either Perle Fine’s copy / oil transcription of, or the interpretation of a completed, Victory boogie woogie by Piet Mondrian, (mid-1980s)]. artdesigncafe.com. (K01306; K01309).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, with Serge Chermayeff and others. Artwork is either Perle Fine’s copy / oil transcription of, or the interpretation of a completed, Victory boogie woogie by Piet Mondrian, (January 1951), installed in Painting toward architecture at University of North Carolina, Chapel Hill, (c. 21 January - 25 February 1951)]. artdesigncafe.com. (K01310).

> (October 2019). [Series of selected photos of artworks in installation contexts]. Postdocument (Paris, France), 14, p. 10, [illustrated, installed in Painting toward architecture, partial view with Henry-Russell Hitchcock and others, Walker Art Center, Minneapolis, MN, (20 January - 22 February 1948)]. (K01301-02).

Perle Fine. Interpretation of a completed Victory boogie woogie, (1948).

> Troy, Nancy. (2013). The afterlife of Piet Mondrian, (p. 57, illustrated, fig. 1.22). University of Chicago Press: Chicago and London.

> Preece, R. J. (30 December 2017 / 8 January 2018). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Piet Mondrian. Victory boogie woogie & Painting toward architecture, [illustrated, partial view in Miller Company boardroom, Meriden, CT, with three generations of Tremaine leadership, this artwork is either Perle Fine’s copy / oil transcription of, or the interpretation of a completed, Victory boogie woogie by Piet Mondrian, (mid-1980s)]. artdesigncafe.com. (K01306; K01309).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, with Serge Chermayeff and others. Artwork is either Perle Fine’s copy / oil transcription of, or the interpretation of a completed, Victory boogie woogie by Piet Mondrian, (January 1951), installed in Painting toward architecture at University of North Carolina, Chapel Hill, (c. 21 January - 25 February 1951)]. artdesigncafe.com. (K01310).

> (October 2019). [Series of selected photos of artworks in installation contexts]. Postdocument (Paris, France), 14, p. 11, [illustrated, in Palm Beach interior, c. 2013)]. (K01301-02).

Dan Flavin. Monument 7 to V. Tatlin, (1970).

> Stein, Judith E. (2016). Eye of the sixties: Richard Bellamy and the transformation of Modern art, [p. 272 (mention regarding Tremaines and Dan Flavin)]. Farrar, Straus and Giroux: New York. (K01288-95).

G

Alberto Giacometti. Homme qui marche sous la pluie / Man walking quickly under the rain, (cast c. 1947).

> Reif, Rita. (8 September 1988). Christie’s to auction works from two art collections [mention]. New York Times, p. C20. (K00739). (For more selected coverage on the 1988 auction, see at bottom the Tremaine Collection artworks in Tremaine auction catalogues (1988, 1991) webpage.)

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (p. 73, illustrated). [Introduction by Tracy Atkinson, Curator of the Tremaine Collection; note: this lot was auctioned in a later sale, Impressionist and Modern paintings and sculpture (Part I), (15 November 1988).] (K00635; K00666-68; K00736).

> Reif, Rita. (16 November 1988). Choppy night at Christie’s: Records and failures. New York Times, p. C22, (illustrated). (K00771).

Juan Gris. Pears and grapes on a table (or Still life with pears), (1913).

> Seuphor, Michel. (1964). Abstract painting: 50 years of accomplishment, from Kandinsky to the present, (p. 19, illustrated, pl. 6, and pp. 181-82). Dell Publishing Co.: New York. (K00897-99; K00902; K00904).

James M. Guy. Three figures, (1944).

H

Raoul Hague. Swamp pepperwood, (1956).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s, (illustrated, Tremaine glass barn interior view, Madison, CT). New York Times, p. 39. [EHT-08-04-78].

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 38-9, illustrated, pl. 15). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00697-98).

Hilary Heron. Girl with pigtails, (1950).

Charles Hinman. View across down to the left and right, (1964).

I

Robert Irwin. Untitled, (1970).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 62-3, illustrated, pl. 28). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00724-25).

J

Neil Jenney. Husband and wife, (1969).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 64-5, illustrated, pl. 29). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00726-27).

Jasper Johns. Device circle, (1959).

> Shirey, David L. (20 October 1969). Super-show. Newsweek, pp. 80-84 (illustrated). (K01185-90).

> Gagosian Gallery, New York. (September 1987). Advertisement: "Exhibitions since fall of 1985: Pop art from the Tremaine Collection...", (p. 9, illustrated). Art in America. (K00975-76).

> Wire and staff reports. (13 November 1991). Tremaine painting sells for $4.4 million. Hartford Courant, p. A6, (illustrated). (K01180).

> Berry, Heidi L. (21 November 1991). Any price in a storm. Washington Post, Washington Home section, pp. 9 (illustrated), 10-12. (K01181).

Jasper Johns. Grey numbers, (1963).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 18-9, illustrated, pl. 5). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00677-78).

Jasper Johns. Three flags, (1958).

> Preston, Stuart. (21 March 1963). On display: All-out series of Pop art. New York Times (Western edition), p. 8, (illustrated). (K01208).

> (1 April 1963). Pop goes the easel. Newsweek, p. 80 (illustrated). (K01209-10).

> Ronnen, Meir. (20 September 1964). Biennale of junk art [on Venice Biennial, American Pavilion, exhibited artwork]. Jerusalem Post (Israel), p. 7, (illustrated). (K01212).

> Hudson, Andrew. (26 September 1965). The show’s simply too large for the gallery. Washington Post, G9, (illustrated). (K01211).

> Rose, Barbara. (1967). American art since 1900, (second printing, 1968; illustrated, front cover, pp. 217-18 & back cover). Praeger: New York. (K00917-20).

> Gruen, John. (10 December 1967). Down the mainstream [book review of American art since 1900: A critical history by Barbara Rose] [mention]. Chicago Tribune, pp. O14-15. (K01315-16).

> Andreae, Christopher. (27 April 1970). Americans. Christian Science Monitor, p. 12, (illustrated). (K01317).

> Richard, Paul. (1 September 1971). Moving into the 20th century [article about the National Gallery of Art, and discussions about acquisition of Tremaine Collection]. Washington Post, Style section, pp. D1 (illustrated), D8. (K01206-07)

> Lukacs, John. (5 December 1971). America may be in its last phase of adolescence. New York Times Magazine, pp. 48, 51 (illustrated), 53-54, 56, 58, 60. (K01191).

> Marcus, Robert D. (1975). A brief history of the United States since 1945, (cover, illustrated, partial view). St. Martins Press: New York. (K00990-92).

> Garigner, Joanna M. (18 August 1975). Interviews... with the people in the Bicentennial year. Christian Science Monitor, pp. 24-5, (illustrated). (K01195).

> Besset, Maurice. (1976). Art of the Twentieth century, (p. 166, illustrated, pl. 183). Universe Books: New York. (K01035-40).

> Tighe, Mary Ann and Lang, Elizabeth E. (1977). Art America, (p. 293, illustrated, fig. 214). McGraw-Hill: New York. (K01118-21).

> AP (New York). (27 September 1980). Johns’ painting sold for $1 million [no photo]. Washington Post, p. A8. (K01167).

> Glueck, Grace. (27 September 1980). Painting by Jasper Johns sold for million, a record. New York Times, pp. 1 (illustrated), 12 [published purchase invoice, 1959 (USD$900)]. (K01163-64).

> (New York). (27 September 1980). Whitney Museum pays $1 million for Johns painting [no photos]. The Morning Call (Allentown, PA), p. 66. (K01165).

> Possible wire service. (27 September 1980). Museum pays $1 million for painting [Jasper Johns’s Three flags] [mention]. Atlanta Constitution, p. 3B. (K01318).

> Krieger, R. E. (28 September 1980). People in the news [mention: Mr. and Mrs. Burton Tremaine, regarding sale of Jasper Johns’s Three flags for USD$1 million]. Hartford Courant, p. A2, (illustrated). (K01166).

> UPI (New York). (29 September 1980). Johns work sold for $1 million [no photo]. Los Angeles Times, part VI, p. 5. (K01170).

> (29 September 1980). $1-million art sale amuses the artist [no photo]. The Morning Call (Allentown, PA), p. A14. (K01171).

> Wilson, William. (1 October 1980). Record art sale poses question. Los Angeles Times, pp. I1 (illustrated), I4. (K01172).

> Janson, H. W. with Cauman, Samuel. (1981). A basic history of art, (p. 369, illustrated, pl. 336), (2nd ed., revised by Anthony F. Janson). Abrams: New York. (K00866-70).

> Saltzman, Cynthia. (31 July 1981). Meet Arnold Glimcher, who links the worlds of art and commerce [mention]. Wall Street Journal, p. 1. (K01213).

> Janson, H. W. & Janson, Anthony F. (1987). History of art for young people, 3rd edition, revised and expanded, (pp. 395-96, illustrated, pl. 419). Abrams: New York. (K00812-14).

> Kurtz, Bruce D. (1987). Visual imagination: An introduction to art, (p. 54, illustrated, fig. 3-30). Prentice-Hall: Englewood Cliffs, NJ. (K01153-55; K01157).

> Janson, H. W. (1991). History of art, (4th ed., revised and expanded by Anthony F. Janson), p. 749, (illustrated). Abrams: New York. (K01284-87).

> Tamplin, Ronald (Ed.). (1991). The arts: A history of expression in the 20th century, (p. 141, illustrated). (Oxford University Press: New York). (K01045-51).

> Reif, Rita. (7 June 1991). 50 paintings to be sold from Tremaine estate [mention of artwork, sold in 1980 to Whitney Museum, New York]. New York Times, p. C3. (K00738).

> Myers, Bernard S. & Copplestone, Trewin (General Eds.). (1992). The history of art; architecture, painting, sculpture, (p. 905, illustrated, pl. 102), Barnes & Noble: New York. (K00826-28).

> Seitz, William C. (1992). Art in the age of Aquarius 1955-1970, (p. 28, illustrated, pl. 19). Smithsonian Institution Press: Washington, DC. (K01074-77).

> Craven, Wayne. (1994). American art: History and culture, (p. 573, illustrated, fig. 37.8). Brown & Benchmark: London and New York. (K00886-87; K00889-91).

> (2001). The best test preparation for the NYSTCE (New York State Teacher Certification Examinations), (p. 325, illustrated). Research & Education Association: Piscataway, NJ. (K01001-04).

> DenBeste, Michelle et al. (2005). The best teachers’ test preparation for the CSET multiple subjects (California Subject Examination for Teachers), (p. 368, illustrated). Research & Education Association: Piscataway, NJ. (K00993-96).

> Charney, Jean O. et al. (2008). The best teachers’ test preparation for the CSET multiple subjects (California Subject Examination for Teachers), 2nd ed., (p. 368, illustrated). Research & Education Association: Piscataway, NJ. (K00997-1000).

For more publications, see the artwork webpage for Jasper Johns’sThree flags.

Jasper Johns. White flag, (1955-58).

> Hoving, Thomas. (September 1983). 101 top collectors [mention: "93, Emily and Burton Tremaine... White flag"]. Connoisseur, pp. 108-18. (K01114-17).

> Gagosian Gallery, New York. (1987-88). Advertisement: "Exhibitions since fall of 1985: Pop art from the Tremaine Collection...", (p. 5, illustrated). Art in America: Guide to galleries, museums, artists. (K00973-74).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 70-1, illustrated, pl. 32). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00732-34).

> Lipson, Karin. (10 November 1988). Record price raised for "White flag". Newsday (Long Island, NY), p. 9. (K00754-55).

> (New York). (10 November 1988). Johns’ painting brings record $7 million. The Journal-News (Nyack, New York), Metro section, p. B5. (K00759-60).

> New York (Reuter). (10 November 1988). Jasper Johns’ painting White Flag sold for record $7.04 million [no photo]. Toronto Star (Toronto, Canada), Section D, p. D1. (Viewed 19 January 2020. K00762).

> Reif, Rita. (10 November 1988). Jasper Johns’s ’White flag’ is sold for record price, (illustrated). New York Times, p. C26. (K00737).

> Rizzo, Frank. (10 November 1988). Madison couple’s "White flag" brings banner price at auction, (illustrated). Hartford Courant, p. A4. (K00623).

> Associated Press (New York). (12 November 1988). Johns’ painting sets new high for living artist. Democrat and Chronicle (Rochester, NY), p. 5C. (K00768). (For more selected coverage on the 1988 auction, see at bottom the Tremaine Collection artworks in Tremaine auction catalogues (1988, 1991) webpage.)

Architecture / interior design - Philip Johnson. Glass barn, remodel, Tremaine property, Madison, CT, (1951-55).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s. New York Times, p. 39. [EHT-08-04-78].

Architecture / interior design - Philip Johnson. Meteor Crater visitor center, Arizona, (1954-56).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s [mention]. New York Times, p. 39. [EHT-08-04-78].

Architecture / interior design - Philip Johnson. Swimming pool and farmhouse remodel and extension, Tremaine property, Madison, CT, (1951-55).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s, (illustrated). New York Times, p. 39. [EHT-08-04-78].

Architecture / interior design - Philip Johnson and Landis Gores. Meteor Crater pavilion, Arizona, (1949-51).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s [mention]. New York Times, p. 39. [EHT-08-04-78].

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Product design - Philip Johnson for the Miller Company. Designs for fluorescent lighting systems, (c. 1948-51).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

K

Wassily Kandinsky. Animated stability, (1935).

Paul Klee. Departure of the ghost, (1931).

Paul Klee. Structural II, (1924).

> Jaffé, Hans L. (Ed.) (1967). 20,000 years of world painting; a comprehensive historical survey from cave painting to Modern art, (p. 330, illustrated). Abrams: New York. (K00871-74).

Franz Kline. C & O, (1958).

> Seuphor, Michel. (1964). Abstract painting: 50 years of accomplishment, from Kandinsky to the present, (p. 120, illustrated, pl. 72, and p. 183). Dell Publishing Co.: New York. (K00897-900; K00902; K00908).

> Zellman, Michael David (Compiler). (1986). American art analog, (vol. 3), (p. 981, illustrated). Chelsea House Publishers: New York. (K00877-80).

Franz Kline. Four square, (1956).

> Wilmerding, John. (1988). American masterpieces from the National Gallery of Art, (p. 190, illustrated), (revised and enlarged edition). Hudson Hills Press: New York. (K00932-35).

> The Clark, Williamstown, MA. (15 August 2014). Advertisement: Make it new: Abstract painting from the National Gallery of Art, 1950-1975 (exhibition). New York Times, p C25, (illustrated). (K01199).

Franz Kline. Lehigh, (1956).

> O’Hara, Frank. (1975). Art chronicles 1954-1966, (p. 43, illustrated). George Braziller: New York. (K01068-71).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 44-5, illustrated, pl. 18). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00703-05).

Franz Kline. Untitled, (1950).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 22-3, illustrated, pl. 7). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00681-82).

Willy Koch. Copy of Piet Mondrian’s Victory Boogie Woogie, (1946). (Not part of the Tremaine Collection, but related to it.)

> Troy, Nancy. (2013). The afterlife of Piet Mondrian, (p. 45, illustrated, & p. 46, illustration, fig. 1.17, partial view, in background). University of Chicago Press: Chicago and London. (K01223-25; K01233-34).

> (October 2019). [Series of selected photos of artworks in installation contexts]. Postdocument (Paris, France), 14, p. 10, [illustrated, installed in Modern art new and old, Stedelijk Museum, Amsterdam, (1955)]. (K01301-02; K01304).

Willem de Kooning. Villa Borghese, (1960).

> Wire and staff reports. (13 November 1991). Tremaine painting sells for $4.4 million [mention, Villa Borghese sold for $2 million]. Hartford Courant, p. A6, (illustrated). (K01180).

Willem de Kooning. Yellow woman, (1952).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 50-1, illustrated, pl. 21). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00710-11).

> Reif, Rita. (10 November 1988). Johns’s ’White flag’ is sold for record price [mention]. New York Times, p. C26. (K00737). (For more selected coverage on the 1988 auction, see at bottom the Tremaine Collection artworks in Tremaine auction catalogues (1988, 1991) webpage.)

> Muchnic, Suzanne. (11 November 1988). Record-setting sales kick off art auction [mention]. Los Angeles Times, Part IV, pp. 1 & 15. (K00756-57).

Interior / product design - Attributed to Allen and Edwin Kramer, architects. Interior design concept utilizing Miller Company lighting, (c. 1948).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Kunisada. Japanese actor, (1805).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Yasuo Kuniyoshi. Picking horses, (1937).

> Zinsser, William K. (15 October - 1 November 1966). The Pop collectors [mention]. The East Village Other [New York], pp. 7-8. [EHT-08-04-02(-03); K01313].

L

Interior / product design - Attributed to Morris Lapidus. Interior design concept utilizing Miller Company lighting, (c. 1948).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

> (2 January 2018). Morris Lapidus / Serge Chermayeff (attributed). Miller Company advertisement for Ceilings Unlimited (1948), (illustrated). artdesigncafe.com. (K01312).

The following photo works by Louise Lawler are listed, as the Tremaine Collection was the subject of the works, and contribute to communicating its legacy.

Louise Lawler. Board of directors, (1988-89). B/W photograph. Edition of 5 and 1 artist’s proof.

> Swenson, Kirsten. (December 2006). Louise Lawler looks back (p. 119, illustrated, unspecified number of edition). Art in America, pp.116-21, 168. (K00985-89).

Louise Lawler. Device circle (corner cabinet arranged by Mr. & Mrs. Burton Tremaine Sr. Connecticut), (1984). Edition of 5 and 1 artist’s proof.

> Fraser, Andrea. (October 1985). In and out of place (p. 129, illustrated in photograph of museum installation, unspecified number in edition). Art in America, pp. 122-29. (K00965; K00967-72).

Louise Lawler. Pollock and tureen, (1984). Cibachrome print. Edition of 5 and 1 artist’s proof.

> Fraser, Andrea. (October 1985). In and out of place (p. 124, partial view, illustrated, unspecified number in edition). Art in America, pp. 122-29. (K00965; K00967-72).

> Swenson, Kirsten. (December 2006). Louise Lawler looks back [mention of artwork, unspecified number of edition or format]. Art in America, pp. 116-21, 168. (K00985-89).

> Riches, Harriet. (November / December 2014). Review - Louise Lawler: No drones, Sprüth Magers, London, UK [mention, unspecified number in edition]. Afterimage, p. 24. (K01202).

Louise Lawler. Pollock and tureen (traced), (1984/2013). Edition of 10.

> Riches, Harriet. (November / December 2014). Review - Louise Lawler: No drones, Sprüth Magers, London, UK. Afterimage, p. 24, (illustrated, unspecified number in edition). (K01202).

Louise Lawler. Pollock and tureen (traced and painted), third, (1984 / 2013 / 2014).

> Riches, Harriet. (November / December 2014). Review - Louise Lawler: No drones, Sprüth Magers, London, UK [mention]. Afterimage, p. 24. (K01202).

Louise Lawler. (Stevie Wonder) Living room corner, arranged by Mr. & Mrs. Burton Tremaine, Sr., New York City, (1984 / 1985). Edition of 5 and 1 artist’s proof.

> Fraser, Andrea. (October 1985). In and out of place (p. 124, partial view, illustrated, unspecified number in edition). Art in America, pp. 122-29. (K00965; K00967-72).

Fernand Léger. Le petit déjeuner, (1921).

> Miller Company (Meriden, CT). (1948). Painting toward architecture, pp. 26-28 (illustrated, p. 27). (Essay by Henry-Russell Hitchcock; foreword by Alfred H. Barr, Jr.; introduction by Burton Tremaine; acknowledgements by Emily Hall Tremaine, art director; many artwork texts by Mary Chalmers Rathbun; book design by Bradbury Thompson). New York; Duell, Sloan and Pearce. (L01315-16).

> Canaday, John. (1959). Mainstreams of Modern art, p. 465 (illustrated p. 464, no. 574). Holt, Rinehart and Winston: New York. (D01046; K01084; K01100-02).

> Hudson, Andrew. (26 September 1965). The show’s simply too large for the gallery [mention]. Washington Post, G9. (K01211).

> Nickels, Bradley J. (1966). Fernand Léger: Paintings and drawings, 1905-1930, pp. 256-57 (illustrated, VIII-27, p. 274b). PhD thesis: Indiana University. (D01046; K01085) [unconfirmed]

> Reif, Rita. (11 May 1966). Every night is maid’s night out. New York Times, p. 50 (illustrated, New York apartment interior view). (K01159).

> Willard, Charlotte. (1971). Famous Modern artists: From Cézanne to Pop art, (p. 104, illustrated). Platt & Munk: New York. (K01094-99).

> Green, Christopher. (1976). Léger and the avant-garde, p. 227 (illustrated, p. 229, pl. 151). Yale University Press: New Haven, CT. (D01046; K01086) [unconfirmed]

> (1984). The Tremaine Collection: 20th century masters exhibition catalogue (illustrated, p. 36). Wadsworth Atheneum: Hartford, CT. (L01318-19)

> Bourdon, David. (1 February 1984). People are talking about... collectors courageous [feature on The Tremaine Collection - 20th century masters: The spirit of modernism exhibition at the Wadsworth Atheneum, Hartford, CT]. Vogue, p. 56, (illustrated). (K01161-62).

> Bauquier, Georges. (1987). Fernand Léger: Vivre dans le vrai, p. 100. Adrien Maeght: Paris. (D01046; K01087) [unconfirmed]

> Reif, Rita. (7 June 1991). 50 paintings to be sold from Tremaine estate. New York Times, p. C3, (illustrated, detail). (K00738). (For more selected coverage on the 1991 auction, see at bottom the Tremaine Collection artworks in Tremaine auction catalogues (1988, 1991) webpage.)

> Atkinson, Tracy. (1991). Fernand Léger (1881-1955): Le petit déjeuner. In: Christie’s New York. (1991). Important Modern paintings from the Tremaine Collection, (5 November 1991), pp. 34-41 (illustrated, p. 35 and detail on wraparound catalogue cover). (D01043-54)

> Berry, Heidi L. (21 November 1991). Any price in a storm [mention]. Washington Post, pp. 9-12. (K01181).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

Roy Lichtenstein. Ceramic head with blue shadow, (1966).

Roy Lichtenstein. Ceramic sculpture #7, (1966).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 28-9, illustrated, pl. 10). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00687-88).

Roy Lichtenstein. Crying girl, (1964).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 16-7, illustrated, pl. 4). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00675-76).

> Reif, Rita. (10 November 1988). Johns’s ’White flag’ is sold for record price [mention]. New York Times, p. C26. (K00737).

Roy Lichtenstein. Head - yellow and black, (1962).

> James Goodman Gallery, New York. (May 1982). Advertisement [with photo of Lichtenstein’s Head— yellow and black, (1962)]. Art in America, p. 15 (illustrated). (K00952-53).

Roy Lichtenstein. I can see the whole room… and there’s nobody in it!, (1961).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s [mention]. New York Times, p. 39. [EHT-08-04-78].

> Spencer, Harold. (1975). The image-maker: Man and his art, (p. 665, illustrated, pl. 496). Charles Scribner’s Sons: New York. (K01122-24; K01127).

> Martin, F. David & Jacobus, Lee A. (1978). The humanities through the arts, (p. 42, illustrated, fig. 2-5, and p. 46), 2nd ed. McGraw-Hill: New York. (K00815-19).

> Muchnic, Suzanne. (13 September 1988). Johns, Pollock works top art cache set for auction. Los Angeles Times, Part VI, pp. 1 & 3, (illustrated). (K00740-41).

> Muchnic, Suzanne (Los Angeles Times). (17 September 1988). Major works to be sold from Tremaine collection. Hartford Courant, Connecticut Living section, pp. G1 & G2 (illustrated). (K00774-75).

> Reif, Rita. (4 November 1988). Auction houses offer a century of art in 7 days of sales. New York Times, Weekend section, pp. C1 (illustrated) & C28. (K00776-77).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 60-1, illustrated, pl. 27; and catalogue cover). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00722-23).

> Reif, Rita. (10 November 1988). Johns’s ’White flag’ is sold for record price [mention]. New York Times, p. C26. (K00737).

Jacques Lipchitz. Pegasus (study), (1944).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

El Lissitsky. Photodrawings, (undated) / presumably Victory over the sun, (1920-21).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

M

Piero Manzoni. Petit subject, (1958).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 36-7, illustrated, pl. 14). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00695-96).

Walter de Maria. Bronze shaft / steel shaft, (1966).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (p. 57, illustrated, pl. 25). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00719).

Walter de Maria. Elle, (1966).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (p. 56, illustrated, pl. 24). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00718).

Walter de Maria. Test site for Lightning field, Bar T Bar Ranch, Arizona, (1974-77).

> Boettger, Suzaan. (April 2004). Behind the earth movers [text mention about testing of Lightning Field on partly-owned Tremaine land in Arizona, p. 60]. Art in America, pp. 55-61, 63. (K00979-84).

John Marin. A street seeing, (1928).

> Zinsser, William K. (15 October - 1 November 1966). The Pop collectors [mention]. The East Village Other [New York], pp. 7-8. [EHT-08-04-02(-03); K01313].

Roberto Matta. The splitting of the ergo, (1945-46).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [10th photo page after p. 120, illustrated, (partial view of the artwork), Tremaine glass barn interior view, Madison, CT, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01260).

Antoni Milkowski. Salem #7, (1966).

Art / graphic design - Miller Company. Ceilings unlimited catalogue (with Josef Albers’ Flying graphic), (1945).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, p. 19, [cover, illustrated & p. 6 with thumbnail photo]. (K01311).

Art / graphic design - Miller Company. A spiralating heat wave [heater brochure] (with graphic referring to José de Rivera’s Black, yellow, red sculpture), (c. 1947).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Joan Miró. Le chat blanc (or The cat’s whiskers), (1927).

> Holme, Bryan. (1980). Creatures of paradise: Picture to grow up with, (p. 69, illustrated). Oxford University Press: New York. (K01088-93).

> (16 October 1987). The cat’s whiskers. Christian Science Monitor, p. 26 (illustrated). (EHT-08-25-05; K01200).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [p. 104, illustrated, installation view, Painting toward architecture, California Palace Legion of Honor, San Francisco, CA (July- August 1948); fourth photo page after p. 120, illustrated, unspecified Tremaine interior, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01250; K01254).

Joan Miró. Femmes dans la nuit, (1944).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (p. 72, illustrated). [Introduction by Tracy Atkinson, Curator of the Tremaine Collection; note: this lot was auctioned in a later sale, Impressionist and Modern paintings and sculpture (Part I), (15 November 1988).] (K00635; K00666-68; K00735).

> Reif, Rita. (16 November 1988). Choppy night at Christie’s: Records and failures [mention]. New York Times, p. C22. (K00771).

> Housley, Kathleen. (2005). Tranquil power: The art and life of Perle Fine, (p. 132, illustrated, middle ground). New York: MidMarch Arts Press. (K01217-19; K01222).

Laszlo Moholy-Nagy. Farbgitter No. 1, (1922).

Piet Mondrian. Composition, (1935-42).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

Piet Mondrian. Pier and ocean, (1914).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [second photo page after p. 120, illustrated, Tremaine apartment interior view, New York, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01252).

Piet Mondrian. Victory Boogie Woogie, (1942-44).

> Seuphor, Michel. (1964). Abstract painting: 50 years of accomplishment, from Kandinsky to the present, (p. 76, illustrated, pl. 47, and p. 186). Dell Publishing Co.: New York. (K00897-99; K00901; K00906).

> Jaffé, Hans L. C. (1971). Geometrical abstraction: Its origin, principles and evolution, (p. 184, illustrated, pl. 174). In Art since mid-century; the New Internationalism (pp. 173-90), (Vol. 1, Abstract Art). New York Graphics Society: Greenwich, CT. (K00844-46; K00849-50).

> Richard, Paul. (1 September 1971). Moving into the 20th century [article about the National Gallery of Art, and discussions about acquisition of Tremaine Collection] [mention]. Washington Post, Style section, pp. D1, D8. (K01206-07)

> Rose, Barbara. (December 1971). Mondrian: "Less is more" art [mention]. Vogue, p. 169. (K01314).

> Millard, Charles W. (Summer 1972). Mondrian. The Hudson Review, pp. 270-74 (illustrated, inset fourth page showing artworks). (K01192-93).

> Jaffé, Hans L. C. (1975). The visual arts: Their "industrial revolution" and its consequences, (p. 165, illustrated, pl. 3). In Art studies for an editor: 25 essays in memory of Milton S. Fox, (pp. 157-65). Abrams: New York. (K01056-63).

> (1982). "Mondrian... Piet" entry, (p. 1939, illustrated). In Dictionnaire encyclopédique alpha, vol. 16. Paris: Alpha Éditions. [EHT 08-21-24(-34)]

> Kurtz, Bruce D. (1987). Visual imagination: An introduction to art, (p. 176, illustrated, fig. 7-16). Prentice-Hall: Englewood Cliffs, NJ. (K01153-55; K01157).

> Holmstrom, David. (16 November 1987). Harbison’s blues: Explaining the art of the bass chord. Christian Science Monitor, pp. 30-31, (illustrated). (K01201; K01203).

> Muchnic, Suzanne. (13 September 1988). Johns, Pollock works top art cache set for auction [mention]. Los Angeles Times, Part VI, pp. 1 & 3. (K00740-41).

> Muchnic, Suzanne (Los Angeles Times). (16 September 1988). Contemporary art sale likely to set records [mention]. The Journal-News (Nyack, New York), p. C4. (K00744-45).

> Muchnic, Suzanne (Los Angeles Times). (17 September 1988). Major works to be sold from Tremaine collection [mention]. Hartford Courant, Connecticut Living section, pp. G1 & G2. (K00774-75).

> Howells, Beverley. (6 November 1988). Tremaine collection under the hammer in New York [mention]. Sunday Morning Post / South China Morning Post (Hong Kong), Living section, p. 4. (K00752).

> Reif, Rita. (7 June 1991). 50 paintings to be sold from Tremaine estate [mention]. New York Times, p. C3. (K00738).

> Myers, Bernard S. & Copplestone, Trewin (General Eds.). (1992). The history of art; architecture, painting, sculpture, (p. 875, illustrated, pl. 80), Barnes & Noble: New York. (K00825; K00827-28).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [cover, illustrated; p. 92, illustrated, installation view, Painting toward architecture, Wadsworth Atheneum, Hartford, CT (1947-48); second photo page after p. 120, illustrated, Tremaine apartment interior view, New York, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01248; K01252).

> Housley, Kathleen. (2005). Tranquil power: The art and life of Perle Fine, (p. 125, illustrated, with Perle Fine’s copy / oil transcription of Victory Boogie Woogie). New York: MidMarch Arts Press. (K01217-20).

> Troy, Nancy. (2013). The afterlife of Piet Mondrian, (multiple photos in different contexts: p. 17, fig. 1.3; p. 30, illustrated twice, figs. 1.9 & 1.10; p. 37, fig. 1.13; p. 41, fig. 1.15; p. 43, fig. 1.16; p. 46, fig. 1.18; p. 55, fig. 1.21; p. 110, fig. 2.16; p. 119, fig. 2.19; plate 1, after p. 235). [Chapter 1: Mondrian and money: Victory Boogie Woogie, pp. 9-70.] University of Chicago Press: Chicago and London. (K01223-26; K01228-29; K01231-32; K01234; K01236; K01238-40).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

> Preece, R. J. (30 December 2017 / 8 January 2018). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Piet Mondrian. Victory boogie woogie & Painting toward architecture, [illustrated; artwork, partial view, with U. S. President Barack Obama, (2014)]. artdesigncafe.com. (K01306; K01309).

> (October 2019). [Series of selected photos of artworks in installation contexts]. Postdocument (Paris, France), 14, p. 9, [illustrated, installed in Piet Mondrian memorial exhibition, Stedelijk Museum, Amsterdam, (6 November - 16 December 1946)]. (K01301-03).

For more publications, see the artwork webpage for Piet Mondrian’s Victory boogie woogie.

Henry Moore. Sketches for figures, (1934).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Robert Motherwell. Spanish elegy #17, (1953).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [sixth photo page after p. 120, illustrated, unspecified Tremaine interior, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01256).

N

Louise Nevelson. Moon garden series, (1958). 3 1/2 x 11 x 3 1/4 in.

Barnett Newman. The Euclidian Abyss, (1946-47).

> Rose, Barbara. (1967). American art since 1900, (p. 191, illustrated, pl. 7-2, and p. 310). Praeger: New York. (K00916; K00918-21).

> Rose, Barbara. (1975). American art since 1900, (p. 162, illustrated, pl. 7-2), (revised edition). Praeger: New York. (K00922-27).

> Buettner, Stewart. (1981). American art theory, 1945-1970, (p. 70, illustrated, pl. 8). UMI Research Press: Ann Arbor, MI. (K00936-39).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, (15th photo page after p. 120, illustrated). Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01265).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Barnett Newman. The moment II, (1969).

> Rosenberg, Harold. (1978). Barnett Newman, (p. 142, illustrated, no. 109). Abrams: New York. (K00693; K00788) [unconfirmed]

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 34-5, illustrated, pl. 13). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00693-94).

> Reif, Rita. (10 November 1988). Johns’s ’White flag’ is sold for record price [mention]. New York Times, p. C26. (K00737).

Architecture - Oscar Niemeyer. Beach House for Mr. and Mrs. Burton Tremaine, project, Carpinteria, California (maquette, drawings, and collage with Burle Marx), (1947-48). (Unbuilt).

> Preece, R. J. (30 December 2017). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Oscar Niemeyer / Roberto Burle Marx. Tremaine House & Painting toward architecture, (illustrated, thumbnail photo). artdesigncafe.com. (K01306; K01308).

O

Georgia O’Keeffe. City night, (or New York night), (1926).

> Zinsser, William K. (15 October - 1 November 1966). The Pop collectors [mention]. The East Village Other [New York], pp. 7-8. [EHT-08-04-02(-03); K01313].

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

Claes Oldenburg. 7 Up, (1961).

> Zinsser, William K. (15 October - 1 November 1966). The Pop collectors [mention]. The East Village Other [New York], pp. 7-8. [EHT-08-04-02(-03); K01313].

Claes Oldenburg. Street head I, ("Big head gong"), (1959).

Claes Oldenburg. Strong arm, (1961).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [12th photo page after p. 120, illustrated, unspecified Tremaine interior, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01262).

Claes Oldenburg. Studies for store objects— pie, 7-Up, flag, oranges, fifteen cents (also known as 7-Up with cake), (1961).

> Baro, Gene. (1969). Claes Oldenburg drawings and prints, (no. 99, illustrated). Chelsea House: New York and London. (K00669; K00785) [unconfirmed]

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 10-1, illustrated, pl. 1). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-70).

Architecture - J. J. P. Oud. Cafe de Unie, Rotterdam, the Netherlands (photo mural), (1925).

> Preece, R. J. (18 June 2018). Theo van Doesburg’s Space-time construction #3 and Composition XX in the Painting toward architecture exhibitions (1947-52), [illustrated, installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01310).

P

Pablo Picasso. Circus, (1945). Lithograph.

> Richard, Paul (Washington Post). (23 June 1974). National Gallery acquires new works [mention]. Austin American Statesman (Texas), p. F4. (K01194).

Pablo Picasso. Fauns and centauress, (1947). Lithograph.

> Richard, Paul (Washington Post). (23 June 1974). National Gallery acquires new works [mention]. Austin American Statesman (Texas), p. F4. (K01194).

Pablo Picasso. Lady with a fan, (c. 1911 and 1918).

> Hudson, Andrew. (26 September 1965). The show’s simply too large for the gallery [mention]. Washington Post, G9. (K01211).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [p. 95, illustrated, installation view, Painting toward architecture, California Palace Legion of Honor, San Francisco, CA (July- August 1948); third photo page after p. 120, illustrated, Tremaine apartment interior view, New York, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01253).

Pablo Picasso. New Hebrides Mask / Tête, (1929).

Pablo Picasso. Owl on chair, (1947). Lithograph.

> Richard, Paul (Washington Post). (23 June 1974). National Gallery acquires new works [mention]. Austin American Statesman (Texas), p. F4. (K01194).

Jackson Pollock. Frieze, (1953-55).

> Seuphor, Michel. (1964). Abstract painting: 50 years of accomplishment, from Kandinsky to the present , (p. 121, illustrated, pl. 75, and p. 188). Dell Publishing Co.: New York. (K00897-99; K00900; K00908).

> O’Connor, Francis. V. and Thaw, Eugene V. (Eds.) (1978). Jackson Pollock— a catalogue raisonné of paintings, drawings, and other works, vol. 2, (no. 379, illustrated). Yale University Press: New Haven, CT. (K00712; K00791) [unconfirmed]

> Wolff, Theodore F. (12 August 1980). The many masks of modern art— XI; color, paint and Abstract Expressionism. Christian Science Monitor, p. 20 (illustrated). (K01197).

> Frank, Elizabeth. (c. 1983). Jackson Pollock, (p. 106, illustrated, no. 99). Abbeville Press: New York. (K00712; K00790) [unconfirmed]

> Berry, Heidi L. (3 November 1988). Auctioning three major art collections. Washington Post, Washington Home section, pp. 11 (illustrated) and 12-16. (K00772-73; K00779-82).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 52-3, illustrated, pl. 22). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00712-15).

> Reif, Rita. (10 November 1988). Johns’s ’White flag’ is sold for record price [mention]. New York Times, p. C26. (K00737).

> Muchnic, Suzanne. (11 November 1988). Record-setting sales kick off art auction. Los Angeles Times, Part IV, pp. 1 & 15 (illustrated). (K00756-57).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [third photo page after p. 120, illustrated, Tremaine apartment interior view, New York, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01253).

Jackson Pollock. Silver and black I, (1950).

Gio Pomodoro. Expansion, (1960-61).

Larry Poons. Julie, (1963).

Larry Poons. Tristan da Cugna, (1964).

> Carlsen, G. Robert et al. (1985). American literature: A chronological approach, (p. 827, illustrated). McGraw-Hill: New York. (K00928-29; K00931).

R

Robert Rauschenberg. Cup, (1958).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 14-5, illustrated, pl. 3). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00673-74).

Robert Rauschenberg. Front roll, (1964). Lithograph.

> Richard, Paul (Washington Post). (23 June 1974). National Gallery acquires new works [mention]. Austin American Statesman (Texas), p. F4. (K01194).

Robert Rauschenberg. Kar, (1964). Lithograph.

> Richard, Paul (Washington Post). (23 June 1974). National Gallery acquires new works [mention]. Austin American Statesman (Texas), p. F4. (K01194).

Robert Rauschenberg. Untitled (or Construction), (1958).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 48-9, illustrated, pl. 20). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00708-09).

Robert Rauschenberg. Windward, (1963).

> Hunter, Sam. (1966). New art around the world: Painting and sculpture, (p. 54, illustrated, pl. 11). Abrams: New York. (K01078-83).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [ninth photo page after p. 120, illustrated, Tremaine glass barn interior view, Madison, CT, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01259).

Ad Reinhardt. Abstract Painting, No. 34, (1964)

> Seitz, William C. (1992). Art in the age of Aquarius 1955-1970, (p. 34, illustrated, pl. 26). Smithsonian Institution Press: Washington, DC. (K01072-73; K01075-77).

> Craven, Wayne. (1994). American art: History and culture, (p. 568, illustrated, fig. 37.3). Brown & Benchmark: London and New York. (K00886; K00888-91).

Ad Reinhardt. Blue composition, (1959-60).

Auguste Renoir. Paul Cézanne, (1902). Lithograph.

> Richard, Paul (Washington Post). (23 June 1974). National Gallery acquires new works [mention]. Austin American Statesman (Texas), p. F4. (K01194).

Architecture / interior design - Lutah Maria Riggs, architect. Brünninghausen, Montecito, California, (1936-38). (Paul T. Frankl, interior designer.)

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, (p. 58, illustrated; p. 65, illustrated). Meriden, CT: Emily Hall Tremaine Foundation. (K01241-43; K01245).

Architecture - Gerrit Rietveld. Schröder House, Utrecht (photo mural), (1924).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, p. 18, [illustrated (partial view, on sloped ceiling), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. (K01311).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52), [illustrated (partial view, on sloped ceiling), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. Sculpture magazine, (online reprint with additional installation photo on artdesigncafe.com), (illustrated). (K01319).

Jean-Paul Riopelle. Printemps, (1952).

Jose de Rivera. Black, yellow, and red, (1942).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s, (illustrated, partial view, Tremaine glass barn interior view, Madison, CT). New York Times, p. 39. [EHT-08-04-78].

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [p. 95, illustrated, installation view, Painting toward architecture, California Palace Legion of Honor, San Francisco, CA (July- August 1948)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01249).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52). Sculpture magazine, p. 20, (illustrated). (K01311).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52), [illustrated (foreground, center towards window), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. Sculpture magazine, (online reprint with additional installation photo on artdesigncafe.com), (illustrated). (K01319).

> Preece, R. J. (30 December 2017). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Frank Lloyd Wright. Project for Meteor Crater & Painting toward architecture, [illustrated (foreground, center towards window), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01306-07).

> Preece, R. J. (30 December 2017). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Oscar Niemeyer / Roberto Burle Marx. Tremaine House & Painting toward architecture, [illustrated (foreground, center towards window), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01306; K01308).

> Preece, R. J. (30 December 2017 / 8 January 2018). Painting toward architecture (1947-52) in 2017: Three works, three histories, three Modern mysteries; Piet Mondrian. Victory boogie woogie & Painting toward architecture, [illustrated (foreground, center towards window), installed in Painting toward architecture at Contemporary Art Museum, Houston (January-February 1950)]. artdesigncafe.com. (K01306; K01309).

Bruce Robbins. Ladder, (1976) [or Ladder (1976-77)].

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [second photo page after p. 120, illustrated, (partial view of artwork), Tremaine apartment interior view, New York, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01252).

James Rosenquist. Mask (Come play with me / Hey, let’s go for a ride) (or Hey let’s go for a ride), (1961).

> Muchnic, Suzanne. (13 September 1988). Johns, Pollock works top art cache set for auction [mention]. Los Angeles Times, Part VI, pp. 1 & 3. (K00740-41). (For more selected coverage on the 1988 auction, see at bottom the Tremaine Collection artworks in Tremaine auction catalogues (1988, 1991) webpage.)

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 68-9, illustrated, pl. 31). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00730-31).

> Stein, Judith E. (2016). Eye of the sixties: Richard Bellamy and the transformation of Modern art, [pp. 156 (mention regarding Emily Hall Tremaine and James Rosenquist)]. Farrar, Straus and Giroux: New York. (K01288-95).

James Rosenquist. Zone, (1961).

Mark Rothko. Maroon on blue, (1957-60).

Mark Rothko. Number 8 (or No. 8), (1952).

> Jaffé, Hans L. (Ed.) (1967). 20,000 years of world painting; a comprehensive historical survey from cave painting to Modern art, (p. 361, illustrated). Abrams: New York. (K00871-73; K00876).

> Sandler, Irving H. (1971). Abstract Expressionism, (p. 56, illustrated, pl. 28). In Art since mid-century; the New Internationalism (pp. 50-71), (Vol. 1, Abstract Art). New York Graphics Society: Greenwich, CT. (K00844-48).

> Spencer, Harold. (1975). The image-maker: Man and his art, (13th page after p. 648, illustrated, color pl. 29). Charles Scribner’s Sons: New York. (K01122-25).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 24-5, illustrated, pl. 8). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00683-84).

> Reif, Rita. (10 November 1988). Johns’s ’White flag’ is sold for record price [mention]. New York Times, p. C26. (K00737).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [11th photo page after p. 120, illustrated, unspecified Tremaine interior, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01261).

S

Lucas Samaras. Box #51, (1966).

> Levin, Kim. (1975). Lucas Samaras, (no. 193, illustrated). Abrams: New York. (K00701; K00789) [unconfirmed]

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 42-3, illustrated, pl. 17). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00701-02).

Kurt Schwitters. Merzbild, (c. 1922).

> Seuphor, Michel. (1964). Abstract painting: 50 years of accomplishment, from Kandinsky to the present , [p. 75, illustrated (upside down), pl. 45, and p. 189]. Dell Publishing Co.: New York. (K00897-99; K00900; K00905).

> Jaffé, Hans L. (Ed.) (1967). 20,000 years of world painting; a comprehensive historical survey from cave painting to Modern art, [p. 337, illustrated (upside down)]. Abrams: New York. (K00871-73; K00875).

James Seawright. Tower, (1966).

> Davis, Douglas M. (January-February 1968). James Seawright: From electronic music to electronic sculpture. Art in America, pp. 43-45, (illustrated). (K00944-48).

Historical African art - Senufo female form, (undated).

Tony Smith. Cigarette model, (1962).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [ninth photo page after p. 120, illustrated, (artwork on table, probably this artwork), Tremaine glass barn interior view, Madison, CT, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01259).

Art / product design - Springbok Editions, Inc. Jigsaw puzzle; image: Piet Mondrian’s Victory boogie woogie, (c. 1967).

> Troy, Nancy. (2013). The afterlife of Piet Mondrian, (p. 18, illustrated, fig. 1.4, reprinted advertisement, publication unspecified). University of Chicago Press: Chicago and London. (K01223-25; K01227).

Nicolas de Staël. Les foot ballers Parc des Princes, (1952).

> Seuphor, Michel. (1964). Abstract painting: 50 years of accomplishment, from Kandinsky to the present , (p. 78, illustrated, pl. 51, and p. 190). Dell Publishing Co.: New York. (K00896-99; K00907).

Richard Stankiewicz. Untitled, (1961).

> Wheeler, Daniel. (1991). Art since mid-century; 1945 to the present, (p. 169, illustrated, pl. 293). Vendome Press: New York. (K00829-34).

Frank Stella. Luis Miguel Dominguin, (1960).

> Butler, Christopher. (1980). After the wake: An essay on the contemporary avant-garde, (p. vii, p. 58, and illustrated, second photo page after p. 84, pl. 4). Oxford University Press: New York. (K00909-15).

> Hennessy, Richard. (Summer 1984). The man who forgot how to paint, (p. 21, illustrated). Art in America, pp. 13-15, 17, 19-21, 23, 25. (K00957-64).

Frank Stella. Sinjerli variation IV, (1968).

> Shirey, David L. (20 October 1969). Super-show. Newsweek, pp. 80-84 (illustrated). (K01185-90).

> Smith, Miles A. (AP Arts Editor, New York). (9 November 1969). N. Y. art school’s dominance keys the Metropolitan show. Sunday Home News (New Brunswick, NJ), p. A-11 (illustrated, turned on its side to the left). (K01204).

> Faulkner, Ray & Ziegfeld, Edwin. (1969). Art today: An introduction to the visual arts, (cover, illustrated, and p. ii, illustrated), (5th ed.). Holt, Rinehart and Winston: New York. (K00861-64).

> Fleming, William. (1970). Art, music & ideas, (p. 360, illustrated, pl. 315.) Holt, Rinehart and Winston, Inc.: New York. (K00851-54).

> Preble, Duane. (1973). Man creates art creates man, (p. 242, illustrated, pl. 292). McCutchan Publishing: Berkeley, CA. (K01010-14).

> Spencer, Harold. (1975). The image-maker: Man and his art, (15th page after p. 648, illustrated, color pl. 31). Charles Scribner’s Sons: New York. (K01122-24; K01126).

> Bell, Ione; Matison Hess, Karen; Matison, Jim R. (1979). Art as you can see it: A self-teaching guide, (p. 184, illustrated). John Wiley & Sons: New York. (K01064-67).

> Fleming, William. (1980). Arts & ideas, (6th ed.), (p. 458, illustrated, pl. 524). Holt, Rinehart and Winston: New York. (K01052-55).

> McCarter, William and Gilbert, Rita. (1985). Living with art, (1st ed.), (p. 425, illustrated, pl. 532). Alfred A. Knopf: New York. (K01128-31).

> Gordon, Lois and Gordon, Alan. (1987). American chronicle: Six decades in American life, 1920-1980, (p. 459, mention of artwork in "1968" chapter, as shortlisted artworks of note). Atheneum: New York. (K01041-44).

Marjorie Strider. View from a window (with moon), (undated).

> Reif, Rita. (27 December 1966). It’s a pre-revolutionary barn, but the art collection is strictly 1960’s [mention]. New York Times, p. 39. [EHT-08-04-78].

T

Historical Asian and Pacific art - Tam-Tam, (c. 1910).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [third photo page after p. 120, illustrated (partial view), Tremaine apartment interior view, New York, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01253).

John Tremaine. Stone on wood, (undated).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [fifth photo page after p. 120., illustrated, unspecified Tremaine interior, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01255).

Ernest Trova. Falling man series: Carman, (c. 1966).

Ernest Trova. Falling man series: The maze, (1966).

Ernest Trova. Falling man series: Wheelman, (c. 1966).

John Tunnard. Avenue, (1944).

Richard Tuttle. The fisherman, (1964).

Richard Tuttle. Mist, (1965).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 40-1, illustrated, pl. 16). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00699-700).

V

Steve Vasey. Three sunflowers, (1964).

W

Andy Warhol. 70 S & H Green Stamps, (1962). 16 1/8 x 20 1/4 in.

> Crone, Rainer. (1970). Andy Warhol, (no. 434, illustrated). Praeger: New York. (K00671; K00787) [unconfirmed]

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 12-3, illustrated, pl. 2). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00671-72).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [seventh photo page after p. 120, illustrated, (partial view of artwork), probably this artwork, Tremaine farmhouse interior view, Madison, CT, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01257).

Andy Warhol. Big Campbell’s Soup can with can opener (vegetable), (1962).

> (11 May 1962). The Slice-of-Cake school, (illustrated, studio view). Time, 79(19) , p. 52. (K00619) [unconfirmed]

> Coplans, John. (1970). Andy Warhol, (illustrated, p. 58). New York Graphic Society: Greenwich, CT. (K00619; K00625) [unconfirmed]

> Crone, Rainer. (1970). Andy Warhol, (illustrated, no page indicated, no. 450). (Translated from German.) Praeger: New York. (K00619; K00626) [unconfirmed]

> (1971). Andy Warhol exhibition catalogue, (illustrated, pp. 14 & 97, fig. 3). Tate Gallery: London. (K00619; K00627) [unconfirmed]

> Müller, Johann Heinrich, Osterwold, Tilman, and Wedewer, Rolf. (Eds.). (1972). Realität-Realismus-Realität exhibition catalogue, (illustrated, pp. 74-75). Von der Heydt-Museum: Wuppertal. (K00619; K00628) [unconfirmed]

> (1984). The Tremaine Collection: 20th Century Masters exhibition catalogue [illustrated (thumbnail size, artwork formerly in collection), p. 187]. Wadsworth Atheneum: Hartford, CT. (K00620)

> Melikian, Souren (New York). (15-16 November 1986). Contemporary art soars in New York; The label syndrome now applies to contemporary art, underlining its unqualified acceptance by the art market establishment, (illustrated). International Herald Tribune, (Weekend section), p. 7. (K00621-22).

> Bourdon, David. (1989). Warhol, (illustrated, p. 96, no. 92). H. N. Abrams: New York. (K00619; K00629) [unconfirmed]

> Yonekura, Mamoru. (1993). Andy Warhol, (illustrated, no. 14). Kodansha: Tokyo. (K00619; K00634) [unconfirmed]

> Romain, Lothar. (c. 1993). Andy Warhol, (illustrated, pp. 84 and 189, no. 58). Bruckmann: Munich. (K00619; K00630) [unconfirmed]

> Baykam, Bedri. (c. 1994). Monkeys’ right to paint, and the post-Duchamp crisis: The fight of a cultural guerilla for the rights of non-Western artists and the empty world of the neo-ready-mades, (illustrated, p. 244). Literatür: Istanbul. (K00619; K00631) [unconfirmed]

> Prange, Peter et al. (1996). Amerika, Europa: Sammlung Sonnabend exhibition catalogue, (illustrated, p. 31, fig. 12). Kunsthalle der Hypo-Kulturstiftung Munich, Staatsgalerie Moderner Kunst München. (K00619; K00633) [unconfirmed]

> Frei, George & Printz, Neil. (Eds). (2004). The Andy Warhol catalogue raisonné. Vol. 1, paintings and sculptures, 1961-1963 [pp. 86, 102-103, 110 and 112-113, no. 086, fig. 87 (illustrated, studio view)]. Phaidon: New York. (K00619; K00632) [unconfirmed]

> Aidin, Rose. (October 2008). A wall for every work, interview with Barney Ebsworth (illustrated, and on magazine cover). Apollo p. 11. (K00619; K00624) [unconfirmed]

Andy Warhol. A boy for Meg, (1961.

> National Gallery of Art, Washington. (18 September 2011). Advertisement: "... Warhol: Headlines, September 25 - January 2..." New York Times, p. 80 (illustrated). (K01158).

For more publications, see the artwork webpage for Andy Warhol’s A boy for Meg.

Andy Warhol. Campbell’s Soup can (tomato), (1964). Shopping bag.

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [13th photo page after p. 120, illustrated, probably this artwork, Tremaine farmhouse interior view, Madison, CT, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01263).

Andy Warhol. Do it yourself (violin with numbers), (1962).

Andy Warhol. Head of Marilyn Monroe / Round Marilyn, (1962).

> Crone, Rainer. (1970). Andy Warhol, (no. 46, illustrated). Praeger: New York. (K00671; K00787) [unconfirmed]

> Howells, Beverley. (6 November 1988). Tremaine collection under the hammer in New York. Sunday Morning Post / South China Morning Post (Hong Kong), Living section, p. 4, (illustrated). (K00752). (For more selected coverage on the 1988 auction, see at bottom the Tremaine Collection artworks in Tremaine auction catalogues (1988, 1991) webpage.)

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 30-1, illustrated, pl. 11). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00689-90).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, (p. 160, illustrated). Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01268).

Andy Warhol. Marilyn Monroe diptych, (1962).

> Saarinen, Aline B. (15 April 1963). Explosion of Pop art; A new kind of fine art imposing poetic order on the mass-produced world, (illustrated, partial view, p. 86). Vogue, pp. 86-87, 134, 136, 142. (K00647-51).

> Faulkner, Ray & Ziegfeld, Edwin. (1969). Art today: An introduction to the visual arts, (p. 403, illustrated), (5th ed.). Holt, Rinehart and Winston: New York. (K00861-62; K00864-66).

> Smith, Miles A. (AP Arts Editor, New York). (9 November 1969). N. Y. art school’s dominance keys the Metropolitan show [mention]. Sunday Home News (New Brunswick, NJ), p. A-11. (K01204).

> Smith, Miles A. (AP Arts Editor, New York). (9 November 1969). Show reviews New York dominance [mention]. Austin American-Statesman (Texas), p. T20. (K01205).

> Knobler, Nathan. (1971). The visual dialogue: An introduction to the appreciation of art, (p. 273, illustrated, fig. 315), (2nd ed.). Holt, Rinehart and Winston: New York. (K01149-52).

> Hobbs, Jack A. (1975). Art in context, (after p. 115, illustrated, color pl. 11). Harcourt Brace Jovanovich: New York. (K01145-48).

> Foote, Edward. (15 May 1977). C. Tracy Atkinson: New director at the Wadsworth. Hartford Courant, (Sunday magazine), cover (illustrated, partial view), & pp. 2-4, 6, 8, 10. (K01214).

> Brown, Milton et al. (1979). American art: Painting, sculpture, architecture, decorative arts, photography, (p. 558, illustrated, color pl. 92). Abrams: Englewood Cliffs, NJ. (K00856-60).

> Hobbs, Jack A. (1980). Art in context, (2nd ed.), (after p. 239, illustrated, color pl. 28). Harcourt Brace Jovanovich: New York. (K01141-44).

> Glueck, Grace. (27 September 1980). Painting by Jasper Johns sold for million, a record [mention]. New York Times, pp. 1, 12. (K01163-64).

> Saltzman, Cynthia. (31 July 1981). Meet Arnold Glimcher, who links the worlds of art and commerce [mention]. Wall Street Journal, p. 1. (K01213).

> Cole, Bruce and Gealt, Adelheid. (1989). Art of the Western world: From ancient Greece to Post-modernism (p. 314, illustrated). Summit Books: New York. (K01132-36).

> Benton, Janetta R. and DiYanni, Robert. (1999). Arts and culture: An introduction to the humanities, (p. 592, illustrated, fig. 23-19). Prentice Hall: Upper Saddle River, NJ. (K01137-40).

For more publications, see the artwork webpage for Andy Warhol’s Marilyn diptych.

Tom Wesselmann. The great American nude VIII, (1961).

> Stealingworth, Slim. (c. 1980). Tom Wesselmann, (p. 104, illustrated). Abbeville Press: New York. (K00720; K00792) [unconfirmed]

> Reif, Rita. (4 November 1988). Auction houses offer a century of art in 7 days of sales. New York Times, Weekend section, pp. C1 (illustrated) & C28. (K00776-77).

> Christie’s New York. (1988). Contemporary art from The Tremaine Collection, (9 November 1988), (pp. 58-9, illustrated, pl. 26). (Introduction by Tracy Atkinson, Curator of the Tremaine Collection.) (K00635; K00666-68; K00720-21).

> Reif, Rita. (10 November 1988). Johns’s ’White flag’ is sold for record price [mention]. New York Times, p. C26. (K00737).

> Housley, Kathleen. (2001). Emily Hall Tremaine: Collector on a cusp, [13th photo page after p. 120, illustrated, Tremaine farmhouse interior view, Madison, CT, (undated)]. Meriden, CT: Emily Hall Tremaine Foundation. (K01241-42; K01263).

Architecture / interior design - Frank Lloyd Wright. Architectural design (drawings) for Meteor Crater, AZ (1947-49; unbuilt).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

Architecture - Frank Lloyd Wright. Hickox House, Kankakee, Illinois (photo mural), (1900).

> Preece, Robert. (July / August 2017). Rethinking "Painting toward architecture" (1947-52) [mention]. Sculpture magazine, pp. 18-21. (K01311).

To see additional, extensive information about the artworks and designs, see the artwork / design webpages listed towards the bottom of the Emily Hall Tremaine / Collection overview page.

The research involving Tremaine / Miller Co. art & design, collected and commissioned, is ongoing. Drawn from various secondary and primary sources, the information above may change. Current owners of the artworks, and researchers, are encouraged to contact artdesigncafe.com.