Tremaine Collection artworks and designs in exhibitions (compilation; 1945-present)

Starting with their Miller Company Collection of Abstract Art, Burton Tremaine and Emily Hall Tremaine, known for her great eye, built a collection of works which were featured in hundreds of exhibitions. After Tremaine ownership, these works continue to be exhibited extensively today.

ADC staff
artdesigncafé - art | Tremaine / Miller Co. art & design | 16 June 2016 | Updated 16 August 2019

The following is a developing list of exhibitions, now totalling over 600, including artworks and designs owned by Burton Tremaine and Emily Hall Tremaine (1945-1991), including their Miller Company Collection of Abstract Art (1945-c. 1960). (Burton was CEO of the company and Emily was the company’s art and design director, and exhibition organizer.) This exhibition list also includes photo works by Louise Lawler with Tremaine-related content. Lawler was given permission in c. 1984 to photograph the Tremaines interiors in New York and Madison, Connecticut, and she followed some works to the auctions later in the decade. Additionally, exhibitions including a Guerrilla Girls poster and lithograph criticizing the Tremaine Collection at auction are also included. While critical, it should be noted that Mrs. Tremaine actively collected works by female artists in the 1940s to 1980s, and was in essence a mid-century "Guerrilla Girl". (For a detailed account, see her biography, now available online.)


TIP 1: If you are looking for exhibitions including works by a specific artist, the fastest way to see them is to search the artist’s name via the "find" functionality on your web browser.

TIP 2: Click to see a developing list of Tremaine-related artworks and designs, with many included in this compilation (at bottom of overview webpage).

TIP 3: Researchers should consider the listings carefully as most often exhibition inclusion has not been confirmed at the exhibition checklist and installation photograph level. The sources of the information are listed below each entry.

TIP 4: Also check out the exhibition checklists for (a) the 28+ venues of the Painting toward architecture exhibition (1947-52) (linked below); (b) the 1965 show at the San Francisco Museum of Art, featuring "selections", perhaps curated, by Emily Hall Tremaine (linked below); (c) the 1984 Tremaine Collection show (linked below); (d) the 1991 show, Delaunay to de Kooning: Modern Masters from the Tremaine Collection and the Wadsworth Atheneum (click "see the artworks list" below); and the 2007 Louise Lawler Tremaine pictures show, which includes photoworks showing views of certain Tremaine Collection artworks (in development).



A. Highlighted exhibitions over the years


1947-
1952

28(+) venues: December 1947 - June 1952. Painting toward architecture at the Wadsworth Atheneum, Hartford, CT and 27(+) other venues across America.

> Most of the Tremaine’s Miller Company Collection of Abstract Art was exhibited, within a cross-disciplinary art - design - architecture - industry presentation. The "lead" artwork was Piet Mondrian’s Victory Boogie Woogie, (1942-44), his last, unfinished painting.

See details and documentation below in section B.


1949

15 February - 17 April 1949. From Le Corbusier to Niemeyer: Savoye House - Tremaine House 1949 at Museum of Modern Art, New York.

> Miller Company Collection of abstract art, loaned works: Oscar Neimeyer maquette and drawings (1948); presumably Roberto Burle Marx’s Design for a garden, (1948) and a collage by Niemeyer and Burle Marx. Both show the design for the Tremaine House (unbuilt).

"The theme of this show is based on Henry-Russell Hitchcock’s book on the Miller [Company] Collection of abstract art, Painting toward architecture." (Excerpt from press release.)

See details and documentation below in section B.


1965

22 January - 14 February 1965. A New York collector selects... at San Francisco Museum of Art. (Viewed 18 May 2019. K00231.)

> Emily Hall Tremaine as selector / curator. Works exhibited by artists including Christo, Mark di Suvero, Roy Lichtenstein, Agnes Martin, Claes Oldenburg, Pistoletto, Bridget Riley, James Rosenquist, Diter Rot, George Segal, Richard Tuttle, Samuel Wagstaff (Stuart Davis, Robert Indiana, Ellsworth Kelly, Roy Lichtenstein, Robert Motherwell, George Ortman, Larry Poons, Ad Reinhardt, Frank Stella, Andy Warhol), and Andy Warhol.

See details and documentation below in section B.

18 February - 4 April 1965. The New American Realism at the Worcester Art Museum, Massachusetts.

> This show brought together key works collected by Emily Hall Tremaine, known for her eye for art. The Tremaine-owned works loaned to the show include Jasper Johns’s Three flags, (1958), now at the Whitney Museum of American Art, New York; James Rosenquist’s Zone, now at the Philadelphia Museum of Art; and Andy Warhol’s Marilyn Monroe diptych, (1962), now at Tate Modern, London.

See details and documentation below in section B.


1984

26 February - 29 April 1984. The Tremaine Collection - 20th century masters: The spirit of modernism at Wadsworth Atheneum, Hartford, CT.

> Several former Miller Company Collection of Abstract Art works; private basis: Mr & Mrs Burton Tremaine. Over 120 works exhibited.

See details and documentation below in section B.


1991

May - September 1991. Delaunay to de Kooning: Modern Masters from the Tremaine Collection and the Wadsworth Atheneum, Hartford, Connecticut.

> Over 35 works from the Tremaine Collection, or formerly in the Tremaine Collection, exhibited.

See details and documentation below in section B.


2007

13 September - 20 October 2007. Louise Lawler: The Tremaine pictures 1984-2007. BFAS Blondeau Fine Art Services, Geneva, Switzerland (in cooperation with Metro Pictures Gallery, New York).

> The Tremaine’s interiors and art collection as photowork subjects, some Tremaine-owned artworks in the 1984 Tremaine Collection exhibition at the Wadsworth Atheneum (1984) as photowork subjects, some Tremaine-owned artworks at auction (1987) as photowork subjects. (Overall, there are 30 works in editions. These works have been exhibited and collected extensively, 1984 - present. Additionally, line drawings based on a photo have also been extensively exhibited.)

See details and documentation below in section B.


2012-
2018

27 venues: 2012-18. Harry Seidler: Architecture, art and collaborative design and Harry Seidler: Painting toward architecture, international venues.

> Exhibition and book show direct influence of Henry-Russell Hitchcock’s Painting toward architecture book (1948) on Harry Seidler. From November 2014, former Miller Company (Collection of Abstract Art), National Gallery of Australia, Canberra-owned, loaned artwork, Sydney venue: Theo van Doesburg’s Space-time construction no. 3, (1923). For all of the following venues, a reproduction of the Van Doesburg work was on view. Also, the Painting toward architecture book was in the installation at least in the Chicago venue (2018).

See details and documentation below in section B.



B. Compilation of exhibitions (1945-present) in development


Scroll through hundreds of exhibitions featuring Tremaine-related art and design.

1940s

13 March - 11 April 1945. European artists in America at the Whitney Museum of American Art, New York. (Viewed 27 February 2018. AAA00990-91.)

> "Miller Company" (Collection of Abstract Art), loaned artwork: Fernand Léger’s Les Plongeurs Circulaires, (1942).

15 March - 15 May 1945. In memory of Wassily Kandinsky at the Museum of Non-Objective Art (now Guggenheim Museum), New York. [According to an Arts Club of Chicago brochure listing works, the Miller Co. works did not travel to the later Chicago viewing of the Kandinsky show.] (Updated 8 December 2017. A01201; AAA00385-89; AAA00396.)

> "Miller Company" (Collection of Abstract Art), loaned works: Wassily Kandinsky’s Animated stability, (1935) and Zigzag, (1925).

21 March - 13 May 1945. Piet Mondrian at Museum of Modern Art, New York. (Updated 8 March 2019. AAA00216; G01804-05.)

> "Miller Company" (Collection of Abstract Art), loaned work: Piet Mondrian’s Victory Boogie Woogie, (1944).

17 October 1945 - 3 February 1946. Stuart Davis at Museum of Modern Art, New York. (Updated 8 December 2017. AAA00379.)

> "Miller Company" (Collection of Abstract Art), loaned work: Stuart Davis’s For Internal Use Only, (1945).

10 October - 8 December 1946. Painting in the United States 1946 at Carnegie Institute, Pittsburgh. (Updated 8 December 2017. AAA00383-84.)

> Miller Company (Collection of Abstract Art), loaned work: Stuart Davis’s For Internal Use Only, (1945).

  • Offline - brochure / exhibition catalogue - Carnegie Museum of Art exhibition archive, Pittsburgh, PA.
6 November - 16 December 1946. Piet Mondrian herdenkstentoonstelling (Piet Mondrian memorial exhibition) at Stedelijk Museum, Amsterdam. (Updated 22 December 2017. BBB0004; G1805-06; G01897.)

> Miller Company (Collection of Abstract Art), loaned artwork: Piet Mondrian’s Victory Boogie Woogie, (1944). ("The work did not go on to Basel", see online exhibition catalogue below.)

2 - 15 June 1947. Miller Company Collection of Abstract Art at Davison art rooms, Olin Memorial Library, Wesleyan University, Middletown, CT. (Updated 26 February 2018. AAA00309; AAA03369-70; AAA03374.)

> Miller Company Collection of Abstract Art loaned works: unknown.

28(+) venues: December 1947 - June 1952. Painting toward architecture at the Wadsworth Atheneum, Hartford, CT and 27(+) other venues across America.

> The Miller Company Collection of Abstract Art, exhibited works: most of the art collection at that time, within a cross-disciplinary art - design - architecture - industry presentation. (See the list of artworks and designs in the shows listed below.)

14 January - 13 February 1949. Sculpture since Rodin at Yale University Art Gallery, New Haven, CT. (Viewed 7 June 2018. AAA03338-42). (This show was presented in parallel with a smaller Painting toward architecture / Miller Company show also at Yale).

> Miller Company (Collection of Abstract Art), loaned artworks: Alexander Calder’s Bougainvillea, (1947); Mary Callery’s Amity (study), (1946); Jacques Lipchitz’s Pegasus (study), (1944); and Jose de Rivera’s Black, yellow, and red, (1942).

2 venues: 1949. Georges Braque at Cleveland Museum of Art (26 January - 13 March 1949); Museum of Modern Art, New York (29 March - 12 June 1949). [Inclusion in Cleveland viewing is not yet confirmed.] (Updated 8 December 2017. AAA00241-42.)

> Miller Company Collection of Abstract Art, loaned artwork: Georges Braque’s Black Rose, (1927).

15 February - 17 April 1949. From Le Corbusier to Niemeyer: Savoye House - Tremaine House 1949 at the Museum of Modern Art, New York. (Updated 8 December 2017. AAA00250-51.)

> Miller Company Collection of abstract art, loaned works: Oscar Neimeyer maquette and drawings (1948); presumably Roberto Burle Marx’s Design for a garden, (1948) and a collage by Niemeyer and Burle Marx. Both show the design for the Tremaine House (unbuilt).

"The theme of this show is based on Henry Russell-Hitchcock’s book on the Miller [Company] Collection of abstract art, Painting toward architecture." (Excerpt from press release, linked below.)


15 March - 17 April 1949. The 28th Annual Exhibition of Advertising and Editorial Art of the New York Art Directors Club at the Museum of Modern Art, New York. (Updated 8 December 2017. A01492; AAA00563.)

> "Mrs. Burton Tremaine, Jr., Art Director, The Miller Company" is listed as a jury alternate.

3 venues: 1949. Thirty paintings: Stuart Davis, Yasuo Kuniyoshi, Franklin Watkins at Santa Barbara Museum of Art (28 July - 28 August 1949); M.H. de Young Memorial Museum, San Francisco (8 September - 9 October 1949); Portland Art Museum (15 October - 20 November 1949). (Updated 8 December 2017. AAA00380.)

> The Miller Company (Collector of Abstract Art), loaned artwork: Stuart Davis’s For internal use only, (1945). (Inclusion of artwork in San Francisco and Portland venues is not yet confirmed).

5 October - 4 December 1949. Modern art in your life at the Museum of Modern Art, New York. (Updated 9 December 2017. A01487.)

> Miller Company (Collection of Abstract Art), loaned artworks: Le Corbusier’s Still life, (1925) and Fernard Léger’s Petit Déjeuner, (c. 1921).

10 October - 12 November 1949. Piet Mondrian: Paintings 1910 through 1944 at Sidney Janis Gallery, New York. (Updated 13 June 2018. AAA03371a-b; BBB00003; G1805; G1807.)

> Mrs. Burton G. Tremaine, Jr, Miller Co., "Painting toward Architecture", loaned artwork: Piet Mondrian’s Victory Boogie Woogie, (1944).


1950s

25 July - 5 November 1950. Recent acquisitions at Museum of Modern Art, New York. (Updated 8 December 2017. AAA00237.)

> Miller Company (Collection of Abstract Art), loaned artwork: Mondrian’s Victory Boogie Woogie, (1944), included in show among the recent acquisitions.

25 October - 26 November 1950. Five Modern Old Masters: Kandinsky, Matisse, Mondrian, Picasso, Braque at Museum of Art, Rhode Island School of Design, Providence. (Viewed 23 June 2018. AAA03372; G02001-05.)

> Miller Company (Collection of Abstract Art), loaned artworks: Piet Mondrian’s Pier and ocean, (1914) and Composition, (1935); Wassily Kandinsky’s Animated stability, (1935); Pablo Picasso’s New Hebrides mask, (1929).

23 January - 25 March 1951. Abstract painting and sculpture in America at Museum of Modern Art, New York. (Updated 9 December 2017. AAA00378.)

> Miller Company Collection (of Abstract Art), loaned artwork: Stuart Davis’s For Internal Use Only, (1945).

March - April 1951. Early Léger at Sidney Janis Gallery, New York. (Viewed 19 January 2018. AAA00830)

> Presumably Miller Company (Collection of Abstract Art), loaned work: Fernand Léger’s Le petit déjeuner, (1921).

15 April - 15 May 1951. An exhibition of contemporary art at the University of Arkansas Arts Center, Fayetteville, Arkansas. (Viewed 23 January 2018. AAA00846-48.)

> Miller Company (Collection of Abstract Art), loaned works: John Marin’s A street seeing, (1928) and Stuart Davis’s For internal use only, (1945).

22 - 29 April 1951. [Unknown exhibition title], Memorial Room, Willard Straight Hall, Cornell University, Ithaca, NY. (Viewed 29 May 2018. G01924-26; G2100-04)

> "Miller Company" (Collection of Abstract Art), loaned artworks, "19 paintings and five pieces of sculpture", including: Josef Albers’s Flying man, (1929/1935); unspecified work by Paul Klee; Fernand Leger’s Les Plongeurs Circulaires, (1942); Pablo Picasso’s Jeune Fille au Chapeau, (1939); and Jose de Rivera’s Black, yellow and red, (1942).

7 May - 2 June 1951. Painters of De Stijl. Debut of Abstract Art in Holland, 1917-21. Sidney Janis Gallery, New York. (Updated 28 February 2018. AAA00893; G01999-G02000.)

> Presumably Miller Company (Collection of Abstract Art), loaned artwork: Theo van Doesburg’s Composition XX, (1920).

6 July - 25 September 1951. De Stijl at Stedelijk Museum, Amsterdam. (Viewed 11 June 2018. AAA00845; AAA03354.)

> Presumably Miller Company (Collection of Abstract Art), loaned artwork: Theo van Doesburg’s Composition XX, (1920).

3 December 1951 - 23 January 1952. Paintings from the Miller Company Collection at the Smith College Museum of Art, Northampton, MA. (Updated 13 December 2017. AAA00043-44; AAA00076-81.)

> Miller Company (Collection of Abstract Art): several loaned artworks.

  • Offline - correspondence, request list, packing list - Smith College Museum of Art, Northampton, MA.
  • Offline - press release, PM papers - Smith College library special collections, Northampton, MA.
20 February - 22 March 1952. [Exhibition title unknown] at Wildenstein Galleries, New York (to benefit the Whitney Purchase Fund). (Viewed 3 June 2018. AAA00755.)

> Miller Company (Collection of Abstract Art), loaned artwork(s): unknown at this juncture.

  • Offline - Devree, Howard. (20 February 1952). U. S. art since 1900 chosen by critics. New York Times, p. 32. [Mentions Miller Company as a lender to the exhibition.] See worldcat.org for locations.
6 - 27 April 1952. Some businessmen collect contemporary art: An exhibition of contemporary paintings by American and European artists from private collections of American professional and business men at the Dallas Museum of Fine Arts, TX. (Updated 27 January 2018. AAA00577-81; AAA00865.)

> "Miller Company" (Collection of Abstract Art) / "Mr Burton G. Tremaine, Jr., Meriden, Conn.", loaned artworks: Jean Hélion’s Composition, (1934) and Matta’s Splitting of the Ergo, (1945-46).

April - June 1952. La nature morte de l’antiquité à nos jours at Orangerie des Tuileries, Paris. (Viewed 31 January 2018. AAA00838.)

> Presumably Miller Company (Collection of Abstract Art), loaned artwork: Georges Braque’s The black rose, (1927).

15 September - 23 November 1952. New expressions in fine printmaking at the Brooklyn Museum, New York. (Updated 10 December 2017. G01816-17.)

> The Miller Company (Collection of Abstract Art), loaned artwork: Harry Bertoia’s Composition, (1944).

4 venues: 1953. MacIver and Pereira at the Whitney Museum of American Art, New York (8 January - 1 March 1953); Des Moines Art Center, Iowa (16 March - 19 April 1953); San Francisco Museum of Art (4 May - 4 June 1953); Dallas Museum of Fine Arts (21 June - 12 July 1953). (Viewed 20 February 2019. K00019-22).

> Formerly Miller Company (Collection of Abstract Art), "Mr. and Mrs. Burton Tremaine", loaned artwork: I. Rice Pereira’s Transfluent lines, (1946).

January - February 1953. Origins and trends of contemporary art at Denver Art Museum. (Viewed 19 January 2018. AAA00830)

> Presumably Miller Company (Collection of Abstract Art), loaned work: Fernand Léger’s Le petit déjeuner, (1921).

c. 15 May - 1 June 1953. Exhibition (unknown title) at Davison Art Center, Wesleyan University, Middletown, CT. (Viewed 8 December 2018. AAA03401).

> Probably exhibited, Miller Company (Collection of Abstract Art), loaned work: Alexander Calder Bougainvillea, (1947); possibly exhibited, John Marin A street seeing, (1928) and Mark Tobey Pattern of Conflict, (1944).

  • Offline - (5 May 1953). Letter of intent to loan artwork: Emily Hall Tremaine, Director, Department of Design, Miller Co. to Samuel M. Green, Director, Davision Art Center. (Possibly at Emily Hall Tremaine Papers - Smithsonian Institution. (Received from Emily Hall Tremaine biographer Kathleen Housley.)
24 April - 28 June 1953. The classic tradition in contemporary art at the Walker Art Center, Minneapolis, MN. (Updated 28 January 2018. G01931; AAA00828-29; AAA00864)

> "From the Miller Company Collection ’Painting toward architecture’, lent by Mr. and Mrs. Burton Tremaine, Meriden, Connecticut": Jean Arp’s Three navel man, (1920); Le Corbusier’s Still life, (1925); Theo van Doesburg’s Space-time construction no. 3, (1923); Fernand Léger’s Le petit déjeuner, (1921); Georgia O’ Keeffe’s New York Night, (1926); "lent by Mr. and Mrs. Burton Tremaine, Meriden, Connecticut": Piet Mondrian’s Composition, (1935-42).

12 December 1953 - 12 February 1954. Pieter Mondrian at Museu de Arte Moderna de Sao Paulo, São Paulo, Brazil. (Viewed 18 May 2019. K00228).

> Either Miller Company Collection of Abstract Art, or more likely Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Victory Boogie Woogie, (1942-44).

January - February 1954. John Marin 1870-1953 at American Academy of Arts and Letters, New York. (Viewed 16 March 2019. G01979.)

> Possibly Miller Company (Collection of Abstract Art) or Mr. & Mrs. Burton Tremaine, loaned artwork: John Marin’s A street seeing, (1928).

7 January - 14 February 1954. 10 x 10: Ten directions by ten artists at Denver Art Museum, Denver, Colorado. (Viewed 19 May 2019. K00151).

> Either Miller Company Collection of Abstract Art, or more likely Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Pier and ocean, (1914).

3 venues: 1954-55. The sculpture of Jacques Lipchitz at the Museum of Modern Art, New York (18 May - 1 August 1954); Walker Art Center, Minneapolis (1 October - 12 December 1954); Cleveland Museum of Art (25 January - 13 March 1955). (Updated 10 December 2017. A01484; BBB00002.)

> Two works on view: Miller Company (Collection of Abstract Art), loaned artwork: Still life, (1918); presumably formerly Miller Company (Collection of Abstract Art); private basis: "Mr. and Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Lipchitz’s Pierrot, (1916). (Inclusion in Minneapolis and Cleveland venues not yet confirmed.)

October 1954. Inaugural exhibition at Art Center, Fort Worth. (Viewed 28 February 2019. K00082.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Delaunay’s Premier disque, (1912).

January - February 1955. Hans Arp / Sophie Taeuber-Arp at Kestner - Gesellschaft, Hannover, Germany. (Viewed 19 January 2018. AAA00832.)

> Presumably Miller Company (Collection of Abstract Art), loaned artwork: Sophie Taeuber-Arp’s No. 10, (1916).

2 venues: 1955. Robert Delaunay at Guggenheim Museum, New York (22 March - 22 May 1955); Institute of Contemporary Art, Boston (2 - 30 June 1955). (Viewed 28 February 2019. K00073; K00082.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Delaunay’s Premier disque, (1912).

14 May - 12 June 1955. Fifty paintings 1905-1913 at the Albright Art Gallery, Buffalo, NY. (Updated 3 February 2018. G01966; AAA00837; AAA00854.)

> Formerly Miller Company (Collection of Abstract Art); "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned work: Juan Gris’s Pears and raisins on a table, (1913).

22 May - 1 July 1955. Piet Mondrian at Kunsthaus Zürich, Zürich, Switzerland. (20 May 2019. K00151; K00161; K00229).

> Either Miller Company Collection of Abstract Art, or more likely Mr. & Mrs. Burton Tremaine, loaned artworks: Piet Mondrian’s Pier and ocean, (1914) and Composition, (1935).

August - September 1955. Piet Mondriaan 1872-1944 at Whitechapel Art Gallery, London, England. (Viewed 18 May 2019. K00151).

> Either Miller Company Collection of Abstract Art, or more likely Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Pier and ocean, (1914).

2 venues: 1956. G. Braque at Royal Scottish Academy, Edinburgh (18 August - 16 September 1956); Tate Gallery, London (September - November 1956). (Viewed 24 February 2018. AAA00838; AAA00938-39; G02039.)

> Formerly Miller Company (Collection of Abstract Art), "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Georges Braque’s The black rose, (1927).

2 venues: 1956-57. Paul Klee: Ausstellung in Verbindung mit der Paul Klee Stiftung at Kunstmuseum Bern, Switzerland (August - November 1956); Kunsthalle Hamburg, Germany (Organized by the Kunstverein Hamburg) (2 December 1956 - 27 January 1957). (Updated 11 February 2018. G01990-91; AAA00836; AAA00844; AAA00905.)

> Formerly Miller Company (Collection of Abstract Art), "Mr. & Mrs. B. Tremaine, Meriden/Conn.", loaned work: Paul Klee’s Structural II, (1924).

27 November 1956 - 1 February 1957. Piet Mondrian at the Galleria Nazionale d’Arte Moderna, Rome, Italy. (Viewed 18 May 2019. K00160-61).

> Either Miller Company Collection of Abstract Art, or more likely Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Composition, (1935).

2 January - 2 February 1957. Léger: Major themes at Sidney Janis Gallery, New York. (Updated 6 February 2018. AAA00830.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned work: Fernand Léger’s Le petit déjeuner, (1921).

March - April 1957. Mondrian, l’organization de ’espace at Galerie Denise René, Paris. (Viewed 19 February 2019. K00010.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Composition, (1935-42).

4 venues: 1957. Paintings by Stuart Davis at the Walker Art Center, Minneapolis, MN (30 March - 19 May 1957); Des Moines Art Center (9 - 30 June 1957); San Francisco Museum of Art (6 August - 8 September 1957); and Whitney Museum of American Art, New York (25 September - 17 November 1957). (Updated 28 February 2019. AAA00397; AAA00413; A01220; G01850; K00085-86.)

> Formerly Miller Company (Collection of Abstract Art); private basis "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Stuart Davis’s For internal use only, (1945).

11 September - 20 October 1957. Matta at the Museum of Modern Art, New York. (Updated 9 December 2017. A01488-89.)

> Former Miller Company Collection of Abstract Art; lent on private basis: "Mr & Mrs Burton G. Tremaine, Meriden, Conn."; loaned artwork: Roberto Matta’s Splitting of the ergo, (1946).

October - 3 November 1957. Connecticut collects at the Wadsworth Atheneum, Hartford. (Updated 1 March 2019. K00081; K00101.)

> Presumably formerly Miller Company (Collection of Abstract Art), private basis Mr. & Mrs. Burton Tremaine, loaned artworks: Georges Braque’s The black rose, (1927); and Pablo Picasso’s Lady with a fan, (1911/18). (Possibly others.)

2 venues: 1957-58. Robert Delaunay at Stedelijk Museum, Amsterdam, Netherlands (18 October - 1 December 1957); Stedelijk Van Abbe Museum, Eindhoven, The Netherlands (6 December 1957 - 11 January 1958). (Updated 5 March 2019. AAA00878-79; K00082.)

> "Mr. & Mrs. Burton Tremaine, Meriden (Conn.)", loaned artwork: Robert Delaunay’s Premier disque ("Schijf" in Dutch), (1912).

January - March 1958. Robert Delaunay at Arts Council Gallery, London. (Viewed 28 February 2019. K00082.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Delaunay’s Premier disque, (1912).

4 venues: 1958. Juan Gris at the Museum of Modern Art, New York (8 April - 1 June 1958); Minneapolis Institute of Arts (24 June - 24 July 1958); San Francisco Museum of Art (11 August - 14 September 1958); Los Angeles County Museum of Art (29 September - 26 October 1958). (Updated 7 February 2018. G01966; G02014; AAA00258-60; AAA00908.)

> Former Miller Company Collection of Abstract Art; private basis: "Mr. & Mrs. Burton G. Tremaine, Meriden, Conn.", loaned artwork: Juan Gris’s Still life with pears, (1913). (San Francisco and Los Angeles venues not yet confirmed.)

17 April - 21 July 1958. 50 jaar moderne kunst at Paleis voor Schone Kunsten, Brussels, Belgium (on the occasion of the 1958 World Expo in Brussels). (Viewed 19 May 2019. K00228).

> Either Miller Company Collection of Abstract Art, or more likely Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Victory Boogie Woogie, (1942-44).

4 - 24 May 1958. Barnett Newman: First retrospective exhibition at New Gallery, Bennington College, Vermont. (Viewed 23 February 2018. AAA00955; AAA00958; AAA00960.)

> Miller Company (Collection of Abstract Art), loaned artwork: Barnett Newman’s Euclidian Abyss, (1947).

c. 26 May - 13 June 1958. Painting toward architecture at Trinity College Library, Hartford, CT. (Updated 3 June 2018. AAA00785; AAA00787; AAA03309; AAA03327.)

> Miller Company (Collection of Abstract Art), loaned artworks: apparently 13 unspecified works including those by Piet Mondrian, Theo van Doesburg, Kurt Schwitters, and Hans Arp.

  • Offline - article - (25 May 1958). Trinity to hold abstract art, design exhibit. Hartford Courant, p. 13D. (See worldcat.org for locations.)
  • Offline - article - T. H. P. (27 May 1958). Conn. General’s design compared in art exhibit. Hartford Courant, p. 28. (See worldcat.org for locations.)
  • No information found via queries at SOM archive, Connecticut General corporate archive, and Trinity College archive (February 2018).

See article excerpts


... "Painting toward architecture, an exhibit of 13 works from the Miller Company Collection of Abstract Art will be balanced with color transparency enlargement by Ezra Stoller of the new Connecticut General Life Insurance Co. headquarters in Bloomfield[, Connecticut].

Each photograph will relate to the design or color arrangement of its companion painting. Charles B. Ferguson of the fine arts department at Trinity prepared the exhibit for showing in the Library Conference Room." [...] (Excerpt from 25 May 1958 article listed above).

... "In a catalogue note, Charles B. Ferguson of the Trinity are [sic] department says that the Meriden lighting engineers assembled their collection ’on the premise that abstract painting has influenced the development of contemporary architecture’... Connecticut General is indeed one of the remarkable complexes of contemporary American architecture. Its creators were Skidmore, Owings and Merill [sic], architects, Turner Construction Co. builders, Knoll Associates, interior designers and Isamu Noguchi, landscape designer... Mr. Stoller and Mr. Ferguson have cleverly contrived, at least, to make it look as if Piet Mondrian, Theo van Doesburg, Kurt Schwitters and Hans Arp had leaned over the drafting boards with them.

Dozen artists featured - So we see that the purism, the rectangles, lines and colors of Mondrian apparently born out in Connecticut General’s walls. We see ’the painted construction intersecting in space’ of van Doesburg in the interior layouts. We are advised that Mr. Noguchi’s arrangements for the elegant courts and terraces look mighty like the amorphic creations of Arp. Indeed they do..." (Excerpt from 27 May 1958 article listed above).


8 October - 30 November 1958. Jean Arp: A retrospective at the Museum of Modern Art, New York. (Updated 9 December 2017. AAA00261-62.)

> Private basis: "Mr. & Mrs. Burton G. Tremaine, Meriden, Conn.", loaned artworks: with Sophie Taeuber-Arp, Duo-Collage, (1918) (possibly might be "Former Miller Company Collection of Abstract Art"); and Human lunar spectral (torso of a giant), (1957).

5 - 31 January 1959. 8 American painters at Sidney Janis Gallery, New York. (Viewed 27 February 2019. K00078.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Jackson Pollock’s Frieze, (1955-58).

11 March - 5 April 1959. Barnett Newman: A selection (1946 - 1952) at French and Company, Inc., New York. (Exhibition organized by Clement Greenberg.) (Viewed 23 February 2018. AAA00955; AAA00959-60; AAA00975.)

> Miller Company (Collection of Abstract Art), loaned artwork: Barnett Newman’s Euclidian Abyss, (1947).

July - October 1959, specific dates unknown. Documenta II at Museum Fridericianum, Kassel, Germany. (Updated 27 February 2019. K00051; K00078.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Jackson Pollock’s Frieze, (1955-58); and Pierre Soulages’s Peinture 195 x 130 cm, 1955, (1955).


1960s

7 March - 2 April 1960. Franz Kline at Sidney Janis Gallery, New York. (Viewed 27 February 2019. K00075.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Franz Kline’s Lehigh, (1956).

October - November 1960. Paths of abstract art at Cleveland Museum of Art. (Updated 11 February 2018. G01949; G01966; AAA00836; AAA00840-41; AAA00873; AAA00844.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned works: Juan Gris’s Pears and raisins on a table, (1913), Paul Klee’s Structural II, (1924), and Piet Mondrian’s Composition, (1935-42). Also, presumably Mr. & Mrs. Burton Tremaine, loaned works: Robert Delaunay’s Premier disque, (1912); Mark Rothko’s Number 8, (1952).

January - February 1961. The logic of Modern art at the William Rockhill Nelson Gallery of Art, Kansas City, MO. (Viewed 19 February 2019. K00010.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Composition, (1935-42).

13 January - 5 March 1961. Treasures in America at the Virginia Museum of Fine Arts, Richmond. (Viewed 24 February 2018. AAA00838; AAA00932; G02037.)

> Formerly Miller Company (Collection of Abstract Art), "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Georges Braque’s The black rose, (1927).

6 venues: 1961 - c. 1963. Mark Rothko at the Museum of Modern Art, New York (18 January - 12 March 1961); Whitechapel Art Gallery, London; Stedelijk Museum, Amsterdam (specific dates unknown); Palais des Beaux-Arts, Brussels (specific dates unknown); Kunsthalle Basel, Switzerland (specific dates unknown); Galleria Nazionale d’Arte Moderna, Rome (unknown date - January 1963). (Viewed 27 February 2019. K00066.)

> "Mr. & Mrs. Burton G. Tremaine, Meriden, Connecticut" loaned artwork: Mark Rothko’s Number 8, (1952).

8 April - 7 May 1961. The Sidney Janis painters at the Ringling Museum of Art, Sarasota, FL. (Updated 2 February 2018. A01224; G01951; AAA00415.)

> Private basis: "Mr. & Mrs. Burton G. Tremaine, Meriden, Conn.", loaned artwork: Willem de Kooning’s Villa Borghese, (1960).

4 venues: 1960-61. Pierre Soulages at Kestner-Gesellschaft, Hannover, Germany (specific dates unknown); Folkwang Museum, Essen, Germany (specific dates unknown); Gemeentemuseum, The Hague (specific dates unknown); Kunsthaus, Zurich, Switzerland (3 May - 11 June 1961). (Updated 7 March 2019. K00051; K00132-33.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Pierre Soulages’s Peinture 195 x 130 cm, 1955, (1955).

4 October - 12 November 1961. The art of assemblage at the Museum of Modern Art, New York. (Updated 9 December 2017. AAA00254-55.)

> "Mr. & Mrs. Burton G. Tremaine, The Miller Company" (Collection of Abstract Art), loaned artwork: Richard Stankiewicz’s Untitled, (1961).

27 October 1961 - 7 January 1962. The 1961 Pittsburgh international exhibition of contemporary painting and sculpture at the Department of Fine Arts, Carnegie Institute, Pittsburgh. (Updated 10 December 2017. AAA00434-36; G01813.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Mark Rothko’s Maroon on blue, (1957-60).

1962, specific dates unknown. Eröffnungsausstellung, Gimpel and Hanover Galerie, Zurich, Switzerland. (Viewed 24 February 2019. K00051.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Pierre Soulages’s Peinture 195 x 130 cm, 1955, (1955).

14 March - 6 May 1962. Frank Lloyd Wright drawings at the Museum of Modern Art, New York. (Updated 9 December 2017. A01495; AAA00566.)

> Project commissioned (unbuilt) by Tremaines published in Miller Company’s Painting toward architecture book (1948), associated with exhibition (1947-52). On view: perspective and aerial perspective, project at Meteor Crater, AZ.

July - September 1962, specific dates unknown. American painting and sculpture from Connecticut collectors at the Wadsworth Atheneum, Hartford. (Viewed 26 February 2019. K00011; K00055-58.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Roy Lichtenstein’s I can see the whole room... and there’s nobody in it!, (1961) and Andy Warhol’s Big Campbell’s Soup can with can opener (vegetable), (1962).

4 July - 12 August 1962. Alexander Calder sculpture / mobiles at the Tate Gallery, London. (Viewed 22 December 2017. G01879-80; G01894; AAA00904.)

> Former Miller Company (Collection of Abstract Art), "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Bougainvillea, (c. 1947).

3 venues: 1962-63. Mark Tobey at the Museum of Modern Art, New York (12 September - 9 November 1962); Cleveland Museum of Art (11 December 1962 - 13 January 1963); Art Institute of Chicago (22 February - 24 March 1963). (Updated 10 December 2017. A01490-91; T00033.)

> Formerly Miller Company Collection of Abstract Art; private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Mark Tobey’s Pattern of conflict, (1944). (Inclusion of work in Cleveland and Chicago not confirmed.)

30 October - 27 December 1962. Franz Kline memorial exhibition at Washington Gallery of Modern Art, Washington, DC. (Updated 18 May 2019. AAA00810; AAA00988-89; AAA00994; K00230.)

> "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artworks: Franz Kline’s Untitled, (1950); Lehigh, (1956); and Untitled (1956) [probably is C & O, (1956), which has the same dimensions]. (These three works did not appear at the later Poses Institute of Fine Arts, Brandeis University, Waltham, MA and Baltimore Museum of Art viewings.)

1 November - 1 December 1962. New Realists at Sidney Janis Gallery, New York. (Updated 6 February 2018. G01882.)

> Presumably private basis Mr. & Mrs. Burton Tremaine, loaned artwork: Enrico Baj’s Furniture style, (1961).

1963, specific dates unknown. 1st Internationale Salon de Galeries-Pilotes at Palais de Rumine, Lausanne, Switzerland. (Viewed 24 February 2019. K00051.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Pierre Soulages’s Peinture 195 x 130 cm, 1955, (1955).

April 1963. Pop Goes! The Easel at the Contemporary Arts Museum, Houston. (Updated 1 March 2019. K00030; K00117-18.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Andy Warhol’s Campbell’s Soup can (pepper pot), (1962). (See notes about catalogue below.)

8 venues: 1963-64. Six painters and the object at the Guggenheim Museum, New York (14 March - 2 June 1963); Los Angeles County Museum of Art (24 July - 20 August 1963); Minneapolis Institute of Art (3 - 29 September 1964); University of Michigan Museum of Art (9 October - 3 November 1963); Rose Art Museum, Brandeis University, Waltham, MA (18 November - 29 December 1963); (unknown venue), Pittsburgh (17 January - 23 February 1964); Columbus Gallery of Fine Arts, Ohio (8 March - 5 April 1964); Art Center in La Jolla, California (20 April - 17 May 1964). (Updated 16 March 2019. AAA00893; F00580; K00054-56; K00080; K00104-08.)

> "Mr. & Mrs. Burton Tremaine, New York", loaned artworks: Jasper Johns’s Tango, (1955), Three flags, (1958), and White flag, (1955-58); Roy Lichtenstein’s I can see the whole room... and there’s nobody in it!, (1961), Femme au Chapeau, (1962), and Head— yellow and black, (1962); James Rosenquist’s Zone, (1961); Andy Warhol’s Marilyn, (1962).

7 venues: March 1963 - Summer 1964. Franz Kline— A retrospective exhibition at the Stedelijk Museum, Amsterdam (specific dates unknown); Civica d’Arte Moderna, Turin, Italy (specific dates unknown); Palais des Beaux-Arts, Brussels (specific dates unknown); Kunsthalle Basel, Switzerland (specific dates unknown); Museum des 20. Jahr-hunderts, Vienna, Austria (specific dates unknown); Whitechapel Art Gallery, London (specific dates unknown); Musée d’Art Moderne, Paris (specific dates unknown). (Traveling exhibition organized under the auspices of the International Council of the Museum of Modern Art, New York.) (Viewed 27 February 2019. K00075; K00077.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Franz Kline’s Untitled, (1950) and Lehigh, (1956).

31 March - 12 May 1963. Robert Rauschenberg at The Jewish Museum, New York. (Updated 31 January 2018. AAA00310-11; AAA00870.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Robert Rauschenberg’s Drawing (or Cup), (1958) and Stripper, (1962).

6 - 11 May 1963. Pop art exhibition at Sarah Lawrence College, Bronxville, NY. (Updated 13 December 2017. AAA00568.)

> Private basis: "Mr. & Mrs. Burton Tremaine", loaned artwork, unspecified works by Robert Indiana.

May - August 1963. Le Corbusier at the Carpenter Center for the Visual Arts, Cambridge, MA. (Viewed 19 January 2018. AAA00829)

> Presumably formerly Miller Company (Collection of Abstract Art), and presumably Mr. & Mrs. Burton Tremaine, loaned work: Le Corbusier’s Still life, (1925).

22 May - 18 August 1963. Americans 1963 at Museum of Modern Art, New York. (Updated 10 December 2017. AAA00245-46.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artworks: Claus Oldenburg’s 7 Up, (1961) and Strong arm, (1961).

October - December 1963. Harvest of plenty at the Wadsworth Atheneum, Hartford. (Viewed 28 February 2019. K00081.)

> Presumably formerly Miller Company (Collection of Abstract Art), private basis Mr & Mrs Burton Tremaine, loaned artwork: Georges Braque’s The black rose, (1927).

3 venues: 1963-64. 20th Century American drawings at Guggenheim Museum, New York (6 November 1963 - 5 January 1964); University Gallery, University of Minnesota, Minneapolis (3 February - 15 March 1964); Fogg Art Museum, Harvard University, Cambridge, Massachusetts (6 April - 24 May 1964). (Updated 27 February 2019. G01881; K00068.)

> Former Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Stuart Davis’s Composition (1863), (c. 1930).

11 December 1963 - 2 February 1964. Annual exhibition 1963: Contemporary American painting at Whitney Museum of American Art, New York. (Updated 12 December 2017. AAA00267-69.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Conn.", loaned artwork: Robert Rauschenburg’s Windward, (1963).

1 February - 31 March 1964. Robert Rauschenberg. Paintings, Drawings, and Combines, 1949–1964 at the Whitechapel Gallery, London. (Viewed 11 February 2018. AAA00912.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Windward, (1963).

March 1964, specific dates unknown. The New Art at Davison Art Center, Wesleyan University, Middletown. (Updated 10 March 2019. K00055-56; K00147.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Roy Lichtenstein’s I can see the whole room... and there’s nobody in it!, (1961); and Andy Warhol’s Marilyn diptych, (1962); possibly other works.

April - May 1964. Georges Braque— An American tribute: The twenties at Perls Galleries, New York. (Viewed 28 February 2019. K00081.)

> Presumably formerly Miller Company (Collection of Abstract Art), private basis Mr & Mrs Burton Tremaine, loaned artwork: Georges Braque’s The black rose, (1927).

April - June 1964. The atmosphere of ’64 at the Institute of Contemporary Art, University of Pennsylvania, Philadelphia. (Viewed 10 March 2019. K00147).

> "Mr. & Mrs. Burton Tremaine, Meriden Connecticut", loaned artwork: Andy Warhol’s Marilyn diptych, (1962).

April - June 1964. Painting and sculpture of a decade at the Tate Gallery, London. (Viewed 27 February 2019. K00078.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Jackson Pollock’s Frieze, (1955-58).

June - July 1964. The biennial eight at the Institute of Contemporary Art, Boston. (Viewed 29 January 2018. AAA00883.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Jim Dine’s The hammer acts, (1962).

20 June - 18 October 1964. XXXII Biennale Internationale d’Arte di Venezia, American Pavillion, Venice, Italy. (Updated 22 February 2019. AAA00887; K00026-28.)

> Presumably Mr. & Mrs. Tremaine, loaned artworks: Jasper Johns’s Three flags, (1958); and Claes Oldenburg’s 7-Up, (1961).

November - December 1964. My country ’tis of thee at Dwan Gallery, Los Angeles. (Viewed 28 February 2019. K00079.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: James Rosenquist’s Mask (Come play with me / Hey, let’s go for a ride), (1961).

14 January - 1 March 1965. The decisive years 1943-1953 at the Institute of Contemporary Art, Philadelphia. (Viewed 23 February 2018. AAA00955; AAA00960-61.)

> Formerly Miller Company (Collection of Abstract Art), "Mr. & Mrs. Burton Tremaine", loaned artwork: Barnett Newman’s Euclidian Abyss, (1947).

22 January - 14 February 1965. A New York collector selects... at San Francisco Museum of Art. (Viewed 18 May 2019. K00231.)

> Emily Hall Tremaine as selector / curator. Works exhibited: by Richard Anuszkiewicz, Edward Avidisian, Gianfranco Baruchello, Dan Basen, Sydney Butchkes, Christo, Mark di Suvero, Peter Forakis, Charles Hinman, Norman Ives, Gerald Laing, Roy Lichtenstein, Tony Magar, Agnes Martin, Claes Oldenburg, Pistoletto, Bridget Riley, James Rosenquist, Diter Rot, George Segal, Charles Simon, Richard Smith, Harry Soviak, Richard Tuttle, Leo Vallador, Steve Vasey, Samuel Wagstaff (Stuart Davis, Robert Indiana, Ellsworth Kelly, Roy Lichtenstein, Robert Motherwell, George Ortman, Larry Poons, Ad Reinhardt, Frank Stella, Andy Warhol), Andy Warhol, and Neil Williams.

26 January - 28 February 1965. Jasper Johns at the Pasadena Art Museum (now the Norton Simon Museum). (Updated 12 December 2017. AAA00414.)

> Private basis: "Mr & Mrs Burton Tremaine, Meriden, Connecticut", loaned artworks: Jasper Johns’s Device circle, (1959), Three flags, (1958), and Tango, (1955).

18 February - 4 April 1965. The New American Realism at the Worcester Art Museum, Massachusetts. (Updated 5 March 2019. AAA00799; AAA00883; AAA00912; AAA00998; K00026-28.)

> "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut" loaned artworks: Jim Dine’s The hammer acts, (1962); Jasper Johns’s Three flags, (1958); Roy Lichtenstein’s Femme au chapeau, (1962); James Rosenquist’s Zone; Robert Rauschenberg’s Windward, (1963); Andy Warhol’s Marilyn Monroe diptych, (1962); and Tom Wesselmann’s Great American nude no. 38, (1962).

11 April - 9 May 1965. 1 + 1 = 3: An exhibition of retinal and perceptual art at University Art Museum, University of Texas, Austin, Texas. (Viewed 19 May 2019. K00238-41).

> "Mr. and Mrs. Burton Tremaine, Meriden, Conn.", loaned artwork: Bridget Riley’s Balm, (1964).

4 venues: 1965. Stuart Davis memorial exhibition, 1894-1964 at National Collection of Fine Arts, Smithsonian Institution, Washington, DC (28 May - 5 July 1965); Art Institute of Chicago (30 July - 29 August 1965); Whitney Museum of American Art, New York (14 September - 17 October 1965); The Art Galleries, University of California at Los Angeles (31 October - 28 November 1965). (Updated 13 December 2017. AAA00726; G01851.)

> Former Miller Company Collection of Abstract Art; private basis: "Mr & Mrs Burton Tremaine, Meriden, Connecticut", loaned artworks: Stuart Davis’s Composition (1863), (c. 1930) and For internal use only, (1945)— for both, exhibited only in the first three exhibitions, not in LA.

18 June - 1 August 1965. New York School, the first generation: Paintings of the 1940s and 1950s at Los Angeles County Museum of Art. (Viewed 24 February 2018. AAA00955-56; AAA00963.)

> Formerly Miller Company (Collection of Abstract Art), Mr. & Mrs. Burton Tremaine, loaned artwork: Barnett Newman’s Euclidian Abyss, (1947).

23 June - 29 August 1965. Young America, 1965: Thirty American artists under thirty-five at Whitney Museum of American Art, New York. (Updated 25 March 2019. AAA00470-72; K00221.)

> Private basis: "Mr & Mrs Burton Tremaine, Meriden, Conn.", loaned artwork: Larry Poons’s Tristan da Cuhna, (1964).

2 venues: 1965. 20th century painting and sculpture: An exhibition selected from private collections in Connecticut at the Washington Gallery of Modern Art, Washington, DC (17 September - 24 October 1965); Wadsworth Atheneum, Hartford, CT (28 October - 5 December 1965). (Updated 1 March 2019. AAA00804; AAA00830; AAA00833; AAA00861-63; AAA00955; AAA00962; AAA00976; K00011; K00065; K00075.)

> Formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Georges Braque’s Black rose, (1927); Fernand Léger’s Le petit dejeuner, (c. 1921); Pablo Picasso’s Lady with a fan, (1911/18) and Kurt Schwitters’s Merzbild, (c. 1922). Also, presumably Mr. & Mrs. Burton Tremaine, loaned works: Jasper Johns’s Three flags, (1958); Franz Kline’s Lehigh, (1956); Willem de Kooning’s Villa Borghese, (1960); Barnett Newman’s Euclidian Abyss, (1947); and Andy Warhol’s Big Campbell’s Soup can with can opener (vegetable), (1962). Also mention of Stella in article which may be Tremaine-owned works.

26 April - 21 May 1966. Seven decades 1895 - 1965 at Cordier & Ekstrom, Inc., New York. (Updated 16 March 2019. AAA00876; F00581-82; G02044.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: John Chamberlain’s Arch Brown, (1962).

April - May 1966. Seven decades: 1895-1965, crosscurrents in Modern art at Public Education Association, New York. (Viewed 19 February 2019. K00010.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Composition, (1935-42).

15 June - 31 July 1966. Fifty years of Modern art at Cleveland Museum of Art. (Updated 22 February 2018. AAA00381-82; AAA00830; AAA00838; G02051-52.)

> Formerly Miller Company Collection of Abstract Art; private basis: "Mr. & Mrs. Burton Tremaine, Meriden", loaned artworks: Fernand Léger’s Le Petit Dejeuner, (c. 1921), Georges Braque’s The black rose, (1927), and Stuart Davis’s For internal use only, (1945).

29 June - 5 September 1966. The object transformed at the Museum of Modern Art, New York. (Updated 10 December 2017. AAA00270-71.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Man Ray’s Ce qui nous manque à nous tous, (1925).

28 September - 27 November 1966. Art of the United States: 1670 - 1966 at Whitney Museum of American Art, New York. (Viewed 2 March 2018. AAA01001.)

> "Mr. & Mrs. Burton G. Tremaine", loaned artwork: Chryssa’s Fragments of Times Square, (1966) and Andy Warhol’s Marilyn Monroe, (1962).

22 November 1966 - 6 February 1967. Art in the mirror at the Museum of Modern Art, New York. (Updated 10 December 2017. AAA00265-66; A01289.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Roy Lichtenstein’s Femme au Chapeau (after Pablo Picasso), (1962).

December 1966 - January 1967. 200 years of watercolor in America at the Metropolitan Museum of Art, New York. (Updated 2 February 2018. G01950; AAA00837.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned work: Willem de Kooning’s Yellow woman, (1952).

1967, specific dates unknown. Feelies... The nature of things perceived through touch at Addison Gallery of American Art, Philips Academy, Andover, Massachusetts (Viewed 22 December 2017. G01882.)

> Presumably private basis Mr. & Mrs. Burton Tremaine, loaned artwork: Enrico Baj’s Furniture style, (1961).

c. February 1967 - unknown. Long-term loans to Wadsworth Atheneum, Hartford, CT. (Viewed 18 May 2019. G01890-91; K00223.)

> Mr. & Mrs. Burton Tremaine, loaned artworks: Frank Stella’s Luis Miguel Dominguin, (1960) and Andy Warhol’s A boy for Meg, (1961). Formerly Miller Company (Collection of Abstract Art), Mr. & Mrs. Burton Tremaine, loaned artwork: Charles Sheeler’s On a theme of farm buildings, (1947).

2 venues: 1967. Dine Oldenburg Segal painting / sculpture at Art Gallery of Ontario, Toronto (14 January - 12 February 1967); Albright-Knox Art Gallery, Buffalo, New York (24 February - 26 March 1967). (Viewed 23 February 2018. G02052-55.)

> "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Jim Dine’s Crescent wrench, (1962).

February 1967. Leo Castelli— ten years at Leo Castelli Gallery. (Viewed 21 January 2018. AAA00837.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned work: Richard Artschwager’s Relief I, (1965).

25 January - 12 March 1967. Yves Klein at the Jewish Museum, New York. (Updated 14 March 2019. AAA00263-64; AAA00310-11; K00185-87.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artworks: Klein’s Monogold, (1961), Sponge, (1959), and Blue sponge, (1960).

8 February - 25 March 1967. Picasso: Two concurrent retrospective exhibitions at the Fort Worth Art Center Museum / Dallas Museum of Fine Arts. (Updated 10 December 2017. AAA00582-84; K00169.)

> Formerly Miller Company Collection of Abstract Art; private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Pablo Picasso’s Woman with a fan, (1910/1918).

8 March - 30 April 1967. Louise Nevelson at Whitney Museum of American Art, New York. (Updated 9 December 2017. AAA00464-65.)

> Private basis: "Mr. & Mrs. Burton Tremaine", loaned artwork: Louise Nevelson’s Moon garden reflections, (c. 1957).

5 April - 4 June 1967. Jackson Pollock at the Museum of Modern Art, New York. (Updated 9 December 2017. AAA00256-57.)

> Private basis: "Mr. & Mrs. Tremaine, Meriden, Connecticut", loaned artwork: Jackson Pollock’s Frieze, (1953-55). (The work did not travel to the later Los Angeles County Museum viewing.)

1967, specific dates unknown. IX Bienal de São Paulo, São Paulo, Brazil. (Viewed 22 February 2019. K00026-28.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Jasper Johns’s Three flags, (1958).

December 1967. Works by leading artists in homage to Marilyn Monroe at Sidney Janis Gallery, New York. (Updated 16 March 2019. F00579; K00147).

> "Mr. & Mrs. Burton Tremaine, Meriden Connecticut", loaned artwork: Andy Warhol’s Marilyn diptych, (1962).

1968, specific dates unknown. Tamayo at Phoenix Art Museum. (Viewed 22 December 2017. G01887.)

> Formerly Miller Company (Collection of Abstract Art), presumably private basis Mr. & Mrs. Tremaine, loaned artwork: Rufino Tamayo’s Clowns, (1942).

3 March - 14 April 1968. Plus by minus: Today’s half-century at the Albright-Knox Art Gallery, Buffalo, NY. (Viewed 19 January 2018. AAA00828; AAA00831)

> Formerly Miller Company (Collection of Abstract Art); "Mr. & Mrs. Burton G. Tremaine, Meriden, Connecticut", loaned work: Theo Van Doesburg’s Space-Time Construction No. 3, (1924).

3 venues: 1968. Dada, Surrealism and their heritage at the Museum of Modern Art, New York (27 March - 9 June 1968); Los Angeles County Museum of Art (16 July - 8 September 1968); and the Art Institute of Chicago (19 October - 8 December 1968). (Updated 10 December 2017. A01493; AAA00564.)

> Formerly Miller Company Collection of Abstract Art; private basis: "Mr & Mrs Burton Tremaine, Meriden, Connecticut", loaned work: Matta’s Splitting of the Ergo, (1945-46). (Inclusion of artwork in shows after New York is not confirmed.)

5 venues: 1968. Cézanne to Miró at Museum of Modern Art, New York (22 - 25 April 1968: Special invitational showing); Museo Nacional de Bellas Artes, Buenos Aires, Argentina (15 May - 5 June 1968); Museo de Arte Contemporaneo, Santiago, Chile (26 June - 17 July 1968); Museo de Bellas Artes, Caracas, Venezuela (4 - 25 August 1968); Center for Inter-American Relations, New York (September 1968). (Updated 31 January 2018. AAA00252-53; AAA00838.)

> Formerly Miller Company Collection of Abstract Art; private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Georges Braque’s Black rose, (1927). (Inclusion of artwork in shows after MoMA is not confirmed, but presumed.)

June - September 1968. New York collects at the Metropolitan Museum of Art, New York. (Updated 31 January 2018. AAA00830; AAA00885.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned work: Fernand Léger’s Le petit déjeuner, (1921). Also, presumably Mr. & Mrs. Burton Tremaine, loaned work: Jasper Johns’s White flag, (1955-58).

1969, specific dates unknown. Pop art redefined at Hayward Gallery, London. (Viewed 9 December 2017. G01808-09.)

> Presumably private basis, Mr. & Mrs. Burton Tremaine, loaned artwork: Andy Warhol’s A boy for Meg, (1962).

5 venues: 1969-70. Roy Lichtenstein at Guggenheim Museum, New York (19 September - 9 November 1969); Nelson-Atkins Gallery of Art, Kansas City, Missouri (19 December 1969 - 18 January 1970); Museum of Contemporary Art, Chicago, Illinois (7 February - 22 March 1970); Seattle Art Museum (10 April - 17 May 1970); Columbus Gallery of Art, Ohio (9 July - 30 August 1970). (Updated 29 February 2019. K00052-53; K00069).

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Roy Lichtenstein’s Ceramic sculpture #7, (1965).

18 October 1969 - 1 February 1970. New York painting and sculpture: 1940-1970 at the Metropolitan Museum of Art, New York. (Updated 25 February 2018. AAA00567; AAA00569; AAA00818; AAA00873; AAA00881; AAA00943-46; AAA00979.)

> Former Miller Company Collection of Abstract Art; private basis: Mr. & Mrs. Burton Tremaine, Meriden, Connecticut" loaned artwork: Barnett Newman’s The Euclidian Abyss, (1946-47). Also, private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artworks: Jasper Johns’s Three flags, (1958) and Device circle, (1959); Roy Lichtenstein’s I can see the whole room..., (1961); Claes Oldenburg’s 7-up, (1961) and Strong arm, (1961); Mark Rothko’s No. 8, (1952); Andy Warhol’s Marilyn Monroe diptych, (1962).

November 1969 - January 1970. Painting in New York: 1944 to 1969 at the Pasadena Art Museum, California. (Viewed 28 February 2019. K00078.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Jackson Pollock’s Frieze, (1955-58).


1970s

January - March 1970. Moon and space at Galerie Beyeler, Basel, Switzerland. (Viewed 18 February 2019. K00002.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Barnett Newman’s The moment II, (1969).

27 February - 19 April 1970. Jim Dine at Whitney Museum of American Art, New York. (Updated 12 December 2017. AAA00466-67.)

> Private basis: "Mr. & Mrs. Burton Tremaine", loaned artwork: Jim Dine’s An Animal, (1961).

18 April 1970 - date unknown. [Unknown titled of show] at Wadsworth Atheneum, Hartford, CT. (Viewed 5 March 2019. AAA00805.)

> Mr. & Mrs. Burton Tremaine, loaned artworks including those by "Jim Dine, Franz Kline and Larry Poons"; and probably Andy Warhol’s Campbell Soup can with can opener (vegetable), (1962).

  • Offline - announcement with photo of Andy Warhol’s Campbell Soup can with can opener (vegetable), (1962) - (12 April 1970). At the atheneum. Hartford Courant, p. 4A. (See worldcat.org for locations.)
1970, specific dates unknown. Alexander Liberman: Painting and sculpture 1950-1970 at the The Corcoran Gallery of Art, Washington, DC. (Viewed 26 February 2019. K00061.)

> Mr. & Mrs. Burton Tremaine, loaned artwork: Alexander Liberman’s Omega IV, (1961).

5 - 31 October 1970. Paintings by Josef Albers at Sidney Janis Gallery, New York. (Viewed 18 March 2019. F00594).

> Presumably Mr. & Mrs. Burton Tremaine, loan artwork: Josef Albers’s Homage to the square: Arrival, (1963).

14 November 1970 - 24 January 1971. Léger and Purist Paris at the Tate Gallery, London. (Updated 1 February 2018. AAA00830.)

> Formerly Miller Company (Collection of Abstract Art), "Mr. & Mrs. Burton Tremaine, Connecticut", loaned work: Fernand Léger’s Le petit déjeuner, (1921).

1971-76, specific dates unknown. Loan for display with permanent collection, Detroit Institute of Arts. (Viewed 22 December 2017. G01890-91.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Andy Warhol’s A boy for Meg, (1962).

2 venues: 1971-72. Piet Mondrian Centennial exhibition at Guggenheim Museum, New York (8 October - 12 December 1971); and Kunstmuseum Bern, Switzerland (9 February - 9 April 1972). (Updated 27 February 2019. K00010; K00070.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Composition, (1935-42).

21 October 1971 - 10 January 1972. Barnett Newman at Museum of Modern Art, New York. (Viewed 24 February 2018. AAA00955; AAA00965-66.)

> Formerly Miller Company (Collection of Abstract Art), Mr. & Mrs. Burton Tremaine, loaned artwork: Barnett Newman’s Euclidian Abyss, (1947).

3 venues: 1971-72. Color and form: 1909-1914 at the Fine Arts Gallery, San Diego (November 1971 - January 1972); The Museum, Oakland (January - March 1972); Art Museum (Pavilion), Seattle (March - May 1972). (Viewed 28 February 2019. K00082.)

> Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Delaunay’s Premier disque, (1912).

22 December 1971 - 27 February 1972. John Chamberlain: A retrospective exhibition at Guggenheim Museum, New York. (Viewed 16 November 2016. AAA00461-62.)

> Private basis: "Mr & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: John Chamberlain’s Sinclair, (1962) and Arch Brown, (1962).

Before 1972, specific dates unknown. Loan to display with permanent collection, Wadsworth Atheneum, Hartford. (Viewed 22 December 2017. G01886.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned (1971-), loaned artwork: Graham Sutherland’s Palm Palisades, (1947).

January - February 1972. Le Corbusier at Galerie Denise René, New York. (Viewed 19 January 2018. AAA00829)

> Presumably formerly Miller Company (Collection of Abstract Art), and presumably Mr. & Mrs. Burton Tremaine, loaned work: Le Corbusier’s Still life, (1925).

29 January - 12 March 1972. James Rosenquist Gemalde-Raume-Graphik at Kunsthalle Koln, Cologne. (Updated 28 February 2019. K00079-80; AAA00893.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artworks: James Rosenquist’s Zone, (1961) and Mask (Come play with me / Hey, let’s go for a ride), (1961).

9 March - 1 April 1972. Colossal scale at Sidney Janis Gallery, New York. (Viewed 19 February 2019. K00011; K00058.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Andy Warhol’s Big Campbell’s Soup can with can opener (vegetable), (1962).

12 April - 29 May 1972. James Rosenquist at the Whitney Museum of American Art, New York. (Viewed 20 February 2019. K00017; K00020-21.)

> "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artworks: James Rosenquist’s Mask (Come play with me / Hey, let’s go for a ride!), (1961) and Zone, (1961).

3 venues: 1972. Barnett Newman at Stedelijk Museum, Amsterdam (30 March - 22 May 1972); Tate Gallery, London (28 June - 6 August 1972); Grand Palais, Galeries Nationales, Paris (10 October - 11 December 1972). (Viewed 24 February 2018. AAA00955; AAA00967-69.)

> Formerly Miller Company (Collection of Abstract Art), Mr. & Mrs. Burton Tremaine, loaned artwork: Barnett Newman’s Euclidian Abyss, (1947).

October 1972. Joan Miró, for the benefit of the Pediatric Pavilion of the Memorial Sloan-Kettering Cancer Center at Acquavella Galleries, New York. (Viewed 21 January 2018. AAA00835.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned work: Joan Miró’s Le chat blanc, (1927).

15 July - 16 September 1973. Ein grosses Jahrzehnt amerikanischer Kunst, Sammlung Ludwig, Köln / Aachen at Kunstmuseum Luzern, Switzerland. (Viewed 3 February 2018. G01969.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Andy Warhol’s Close cover before striking (Pepsi-Cola), (1962).

17 October - 17 November 1973. Pioneers of American abstraction at Andrew Crispo Gallery, New York. (Updated 17 March 2019. F00592; G01881; G01974.)

> Former Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Stuart Davis’s Composition (1863), (c. 1930) and For internal use only, (1945).

Unknown start date - 30 December 1973. Greetings, gifts and announcements at the Wadsworth Atheneum, Hartford, CT. (Viewed 1 March 2019. K00099-100.)

> Mr. & Mrs. Burton Tremaine, loaned art-oriented Christmas cards (unspecified).

  • Offline - article - UPI. (23 December 1973). Friends get novel card from couple. Hartford Courant, p. 4A. (See worldcat.org for locations.)
  • Offline - article mention at bottom - Goldenthal, Jolene. (23 December 1973). Sculpture shown in various forms. Hartford Courant, p. 9D. (See worldcat.org for locations.)
23 March - 5 May 1974. Idea and Image in recent art at the Art Institute of Chicago. (Viewed 20 February 2018. AAA00931; AAA00952; G02043.)

> "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Robert Rauschenberg’s Stripper, (1962).

2 venues: 1974. Juan Gris at the Orangerie des Tuileries, Paris (14 March - 1 July 1974); Staatliche Kunsthalle, Baden-Baden, West Germany (20 July - 29 September 1974). (Updated 25 February 2018. G01966; AAA00837.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned work: Juan Gris’s Pears and raisins on a table, (1913).

6 April - 16 June 1974. American Pop Art at Whitney Museum of American Art, New York. (Updated 22 February 2019. AAA00954; G02050; K00026-28.)

> "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Jasper Johns’s Tango, (1955) and Three flags, (1958).

1974, specific dates unknown. Selected American paintings from the National Gallery of Art at the University Center Gallery, University of Tennessee, Chattanooga. (Viewed 18 February 2019. K00001.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Ralston Crawford’s Lights in an aircraft plant, (1945).

1974, specific dates unknown. NGA recent acquisitions at the National Gallery of Art, Washington, DC. (Viewed 27 February 2019. K00064.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, NGA-owned, exhibition artwork: Pablo Picasso’s Woman with tambourine, (1938).

2 venues: 1975. Max Ernst: A retrospective at the Guggenheim Museum, New York (14 February - 20 April 1975); Grand Palais, Paris (15 May - 15 August 1975). (Updated 13 December 2017. AAA00392-94.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Max Ernst’s A beautiful day, (1948).

3 venues: 1975. Modern Masters: Manet to Matisse at the Art Gallery of New South Wales, Sydney (10 April - 11 May 1975); National Gallery of Victoria, Melbourne (28 May - 22 June 1975); Museum of Modern Art, New York (5 August - 28 September 1975). (Updated 3 February 2018. G01966; AAA00398-403.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Conn.", loaned artwork: Juan Gris’s Still Life with Pears, (1913). (Inclusion in Australian venues not confirmed, but presumed.)

"... Mrs. Burton Tremaine [was] founding Chairman of the Australian Committee..." (p. 11, exhibition catalogue, linked above.)
December 1975 - January 1976. Willem de Kooning: MATRIX 15 (A Changing Exhibition of Contemporary Art) at the Wadsworth Atheneum, Hartford. (Viewed 27 February 2019. K00065.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Willem de Kooning’s Villa Borghese, (1960).

3 venues: 1976. Twentieth-century American drawing: Three avant-garde generations at Guggenheim Museum, New York (23 January - 23 March 1976); Staatliche Kunsthalle Baden-Baden, Germany (27 May - 11 July 1976); Kunsthalle Bremen, Germany (18 July - 29 August 1976). (Updated 27 February 2019. AAA00437; K00071.)

> Former Miller Company (Collection of Abstract Art), presumably Mr & Mrs. Burton Tremaine, loaned artwork: Stuart Davis’s Composition (1863), (1932).

4 March - 3 April 1976. Strider - sculpture, 1964 - 1976) at the Graduate School and University Center of the City University of New York. (Viewed 3 March 2019. K00131

> Presumably formerly Mr. & Mrs. Burton Tremaine; Wadsworth Atheneum-owned, loaned artwork: Marjorie Strider’s View from a window (with moon), (undated).

  • Offline - exhibition history of Strider’s View from a window (with moon), Wadsworth Atheneum, Hartford, CT.
May - August 1976. Robert Delaunay at Orangeries des Tuileries, Paris. (Viewed 1 February 2018. AAA00841.)

> Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Delaunay’s Premier disque, (1912).

July - September 1976. American Painting, 1900-1976 at Katonah Gallery, Katonah, New York. (Viewed 17 March 2019. K00011.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Andy Warhol’s Big Campbell’s Soup Can with Can Opener (Vegetable), (1962).

1976-1977, specific dates unknown. Extended loan for use by The Supreme Court of the United States, Washington, DC. (Viewed 24 February 2019. K00050.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Hans Hartung’s Composition, (1952).

22 February - 20 March 1977. Roy Lichtenstein: Ceramic sculpture at California State University Art Galleries, Long Beach. (Viewed 26 February 2019. K00052.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Roy Lichtenstein’s Ceramic sculpture #7, (1965).

17 October 1977 - 22 January 1978. Jasper Johns at the Whitney Museum of American Art, New York. (Updated 5 March 2019. AAA00899; K00026-28.)

> Mr. & Mrs. Burton Tremaine, Meriden, Conn., loaned artworks as "private collection": Jasper Johns’s Three flags, (1958).

28 October 1977 - 8 January 1978. Amerikaner. Kunst aus USA nach 1950. Eine didaktische Ausstellung. Bilder, Fotos, Texte at Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany. (Viewed 15 February 2018. AAA00912.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Windward, (1963).

1977-81, specific dates unknown. Extended loan for use by Ambassador Stoessel, U.S. Embassy residence, Bonn, West Germany. (Viewed 24 February 2019. K00043.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Franz Kline’s Four square, (1956).

1978, specific dates unknown. Enrico Baj at Indianapolis Museum of Art. (Viewed 27 December 2017. G01882.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Enrico Baj’s Furniture style, (1961).

1978, specific dates unknown. Inaugural Exhibition at the Community Art Gallery, Santa Fe Community College, Gainesville, Florida. (Updated 18 February 2019. G01886; K00001.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artworks: Ralston Crawford’s Lights in an aircraft plant, (1945); and Graham Sutherland’s Palm Palisades, (1947).

January - March 1978. Synchronism and American color abstraction at the Whitney Museum of American Art, New York. (Viewed 28 February 2019. K00082.)

> Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Delaunay’s Premier disque, (1912).

2 venues: 1978. Stuart Davis: Art and theory at the Brooklyn Museum, Brooklyn, NY (21 January - 19 March 1978); Fogg Art Museum, Cambridge, MA (15 April - 28 May 1978). (Viewed 17 February 2018. G01974; G01977.)

> Formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Stuart Davis’s For internal use only, (1945).

11 February - 27 March 1978. Jasper Johns at Museum Ludwig, Cologne, exhibited in the Kunsthalle Köln, Germany. (Viewed 28 June 2018. AAA00954.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Jasper Johns’s Tango, (1955).

March - May 1978, specific dates unknown. The eye of the collector: Contemporary art, Burton and Emily Tremaine Collection at the Stamford Museum and Nature Center, CT. (Viewed 26 February 2019. K00011; K00055-56; K00058; K00062.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Roy Lichtenstein’s I can see the whole room... and there’s nobody in it!, (1961); probably Roy Lichtenstein’s Brushstroke, (1965); and Andy Warhol’s Big Campbell’s Soup can with can opener (vegetable), (1962).

April - June 1978. Hunt, Jenney, Lane, Rothenberg, Shapiro at Vassar College Art Gallery, Poughkeepsie, New York. Viewed 1 February 2018. AAA00882.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Neil Jenney’s Husband and wife, (1969).

1 June 1978 - 30 July 1979. Aspects of Twentieth-century art at National Gallery of Art, Washington, DC. (Updated 3 February 2018. AAA00830; AAA00837; AAA00840; A01484; G01282-83; G01897; G01966.)

> Formerly Miller Company Collection of Abstract Art artworks: exhibited work (NGA): Jacques Lipchitz’s Still life, (1918); presumably private basis, Mr & Mrs Burton Tremaine, loaned artworks: Juan Gris’s Pears and raisins on a table, (1913); Fernand Léger’s Le petit déjeuner, (1921); Piet Mondrian’s Composition, (1935-42) and Victory Boogie Woogie, (1943-44). Also, Mr & Mrs Burton Tremaine, loaned artwork: Robert Delaunay’s Premier disque, (1912).

c. August - September 1978. European Modern, 1890 - 1950 at Wadsworth Atheneum, Hartford, CT. (Viewed 1 March 2019. K00098.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Pablo Picasso’s Young woman with a hat, (undated), among probably others.

  • Offline - article - Goldenthal, Jolene. (6 August 1978). Art: ’European Modern’ at Atheneum. Hartford Courant, p. 1G.
5 October - 3 December 1978. Abstract Expressionism: The formative years at the Whitney Museum of American Art, New York. (Viewed 24 February 2018. AAA00955; AAA00970.)

> Formerly Miller Company (Collection of Abstract Art), Mr. & Mrs. Burton Tremaine, loaned artwork: Barnett Newman’s Euclidian Abyss, (1947). (This work did not appear in the exhibition’s earlier Cornell museum and Tokyo viewings.)

4 venues: 1978-79. Mark Rothko, 1903 - 1970: A retrospective at Guggenheim Museum, New York (27 October 1978 - 14 January 1979); Museum of Fine Arts, Houston (8 February - 1 April 1979); Walker Art Center, Minneapolis (21 April - 10 June 1979); Los Angeles County Museum of Art (3 July - 26 September 1979). (Viewed 27 February 2019. K00066-67)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Mark Rothko’s Number 8, (1952).

December 1978 - January 1979. New Image Painting at the Whitney Museum of American Art, New York. (Viewed 21 October 2018. AAA00882.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Neil Jenney’s Husband and wife, (1969).

1979, specific dates unknown. Masters of the 20th century at Andrew Crispo Gallery, New York. (Viewed 21 October 2018. AAA00893.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably gallery-owned, exhibited artwork: Theo van Doesburg’s Composition XX, (1920).

4 venues: 1979. Art Inc.: American paintings from corporate collections at the Montgomery Museum of Fine Arts, Alabama (7 March - 6 May 1979); Corcoran Gallery of Art, Washington, DC (12 June - 14 July 1979); Indianapolis Museum of Art, Indiana (8 August - 23 September 1979); and San Diego Museum of Art, California (17 November - 30 December 1979). (Viewed 16 March 2019. F00583-84; G01986).

> No artworks lent, but catalogue includes paragraph about the former Miller Company Collection of Abstract Art in a corporate collections exhibition context.

April - June 1979. Paul Klee: Das Werk der Jahre 1919-1933, Gemälde, Handzeichnungen, Drukgraphik at Cologne Kunsthalle, Germany. (Viewed 20 January 2018. AAA00836.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned work: Paul Klee’s Structural II, (1924).

1979, specific dates unknown. Women artists in Washington collections at the University of Maryland Art Gallery, College Park. (Viewed 26 February 2019. K00061.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Bridget Riley’s Balm, (1964).

4 venues: 1979 - c. 1980. Richard Artschwager theme(s) at Albright-Knox Gallery, Buffalo, NY (16 October - 18 November 1979); Institute of Contemporary Art, Philadelphia (6 July - 12 August 1979); La Jolla Museum of Contemporary Art (18 January - 2 March 1980); Contemporary Arts Museum, Houston (dates unknown). (Viewed 26 January 2018. AAA00837; AAA00853.)

> "Mr. & Mrs. Burton Tremaine", loaned work: Richard Artschwager’s Relief I, (1965).

15 July - 16 September 1979. Mondrian: The Diamond Compositions at the National Gallery of Art, Washington, DC. (G01805; G01895-98.)

> Former Miller Company (Collection of Abstract Art), "Mr. & Mrs. Burton Tremaine", loaned artwork: Piet Mondrian’s Victory Boogie Woogie, (1943-44).

1979, specific dates unknown. Mondrian und De Stijl at Galerie Gmurzynska, Cologne, Germany. (Viewed 23 November 2018. AAA00893.)

> Formerly Miller Company (Collection of Abstract Art), presumably gallery-owned, exhibited artwork: Theo van Doesburg’s Composition XX, (1920).


1980s

5 February - 6 April 1980. Myron Stout at Whitney Museum of American Art, New York. (Updated 10 December 2017. AAA00468-69.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork, Myron Stout’s Untitled, (1950-51).

13 February - 1 April 1980. Printed art: A view of two decades at the Museum of Modern Art, New York. (Updated 9 December 2017. A01494; AAA00565.)

> Private basis: "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", loaned artwork: Andy Warhol’s Marilyn Monroe diptych, (1962).

21 February - 29 March 1980. Mondrian, an exhibition of paintings and drawings, 1900-1944 at Sidney Janis Gallery, New York. (Viewed 19 February 2019. K00010.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Piet Mondrian’s Composition, (1935-42).

28 March - 26 April 1980. Eight painters of the 1960s: Selections from the Tremaine Collection at Pace Gallery, New York. (Updated 18 May 2019. AAA00912; G01816-18; K00147; K00224.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Windward, (1963); Andy Warhol’s Marilyn diptych, (1962). (On the gallery’s exhibition webpage, the works by artists are: Jim Dine, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Andy Warhol, and Tom Wesselmann. The other works have yet to be identified.)

2 venues: 1980. Léger grand déjeuner at the Minneapolis Institute of Art (April - June 1980); Detroit Institute of Arts (July - August 1980). (Viewed 19 January 2018. AAA00830.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned work: Fernand Léger’s Le petit déjeuner, (1921).

May - September 1980, specific dates unknown. Louise Nevelson: Atmospheres & environments at Whitney Museum of American Art, New York. (Viewed 24 February 2019. K00041.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Louise Nevelson’s Moon garden reflections, (c. 1956).

14 - 19 October 1980. Jasper Johns: Three flags, Whitney Museum of American Art, New York. (Viewed 22 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

18 November 1980 - 4 January 1981. La Pintura de Los Estados Unidos de Museos de la Ciudad de Washington at Museo del Palacio de Bellas Artes, Mexico City. (Viewed 29 June 2018. AAA00897; AAA00899.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Ad Reinhardt’s Abstract Painting, No. 34, (1964).

December 1980 - January 1981. Alexander Calder, Standing Mobiles at M. Knoedler & Co., Inc., New York. (Viewed 22 December 2017. G01879.)

> Former Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Bougainvillea, (c. 1947).

3 venues: 1980-81. Mondrian at Staatsgalerie Stuttgart, Germany (6 December 1980 - 15 February 1981); Haagse Gemeentemuseum, The Hague, The Netherlands (20 March - 31 May 1981); Baltimore Museum of Art (14 July - 20 September 1981). (Updated 10 December 2017. BBB00003; G01811.)

> Formerly Miller Company Collection of Abstract Art; private basis: Mr. & Mrs. Burton Tremaine, Meriden, CT, loaned artwork: Piet Mondrian’s Pier and ocean, (1914). (It’s not known yet if the work was exhibited in the Dutch and American venues.)

1981, specific dates unknown. Rauschenberg at Tate Gallery London. (Viewed 19 February 2019. K00005.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Stripper, (1962).

  • Offline - Stripper exhibition history - Marx Collection, Permanent Loan to the Nationalgalerie, Staatliche Museen zu Berlin, Germany.
6 venues: April 1981 - June 1982. Neil Jenney at University Art Museum, University of California, Berkeley (dates unknown); Museum of Contemporary Art, Chicago (dates unknown); Corcoran Gallery of Art, Washington, DC (dates unknown); Stedelijk Museum, Amsterdam (dates unknown); Louisiana Museum, Humlebaek, Denmark (dates unknown); Kunsthalle Basel, Switzerland (dates unknown). (Viewed 1 February 2018. AAA00882.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Neil Jenney’s Husband and wife, (1969).

30 May - 16 August 1981. Westkunst— Zeitgenössische Kunst seit 1939 at Museum der Stadt Köln (organizer) Rheinhallen, Cologne, Germany. (Viewed 27 February 2019. K00075-76.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Stuart Davis’s For internal use only, (1945) and Franz Kline’s Lehigh, (1956).

1981, specific dates unknown. Paris - Paris, 1937 - 1957 at Centre Georges Pompidou, Paris, France. (Viewed 15 March 2019. K00187-88).

> Possibly Mr. & Mrs. Burton Tremaine or lender unknown, loaned artwork: Yves Klein’s Monochrome Blue, (1957).

  • Offline - artwork exhibition history - Yves Klein archive, Paris, France.
28 October 1981 - c. 1982. 20th century American Art: Highlights of the permanent collection at the Whitney Museum of American Art, New York. (Viewed 22 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

14 November 1981 - 31 January 1982. Amerikanische / Malerie: 1930-1980 at Haus der Kunst, Munich, Germany. (Updated 27 February 2019. AAA00912; K00038-40; K00075.)

> Formerly Miller Company (Collection of Abstract Art), Reynolda House Museum of American Art-owned, loaned artwork: Stuart Davis’s For internal use only, (1945); and presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Franz Kline’s Lehigh, (1956) and Robert Rauschenberg’s Windward, (1963).

1981 - 1984, specific dates unknown. Extended loan for use by Secretary Terrel H. Bell, U.S. Department of Education, Washington, DC. (Viewed 26 December 2017. G01906.)

> Former Miller Company (Collection of Abstract Art), NGA-owned, loaned artwork: Mary Callery’s Amity, (1947).

1982, specific dates unknown. [Exhibition at Sammlung Marx, Mönchengladbach]. (Viewed 19 February 2019. K00005.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Stripper, (1962).

  • Offline - Stripper exhibition history - Marx Collection, Permanent Loan to the Nationalgalerie, Staatliche Museen zu Berlin, Germany.
4 venues: 1982-83. Yves Klein, 1928-1962: A retrospective at Rice Museum, Houston (5 February - 2 May 1982); Museum of Contemporary Art, Chicago (18 June - 29 August 1982); Guggenheim Museum, New York (19 November 1982 - 9 January 1983); Centre Georges Pompidou, Paris, France (17 February - 23 May 1983). (Updated 14 March 2019. K00034-37; K00072; K00185; K00187.)

> "Mr. & Mrs. Burton Tremaine", loaned artwork: Yves Klein’s Blue sponge, (1959), (possibly not including Paris venue).

1983, specific dates unknown. Graphic survey show at National Gallery of Art, Washington DC. (Updated 4 February 2018. G01893; G01952-53; G01980.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artworks: Georges Braque’s Leaves, color, light, (1953), lithograph; Joan Miró’s Figure and birds, (1948); and Pablo Picasso’s Le repas frugal, (1904), etching, and Woman with tambourine, (1938).

10 May - 10 July 1983. Zwischen New York und Moskau. Zur Geographie der Gegenwartskunst at Mannheimer Kunstverein, Germany. (Viewed 28 June 2018. AAA00954.)

> Formerly Mr. & Mrs. Burton Tremaine, unknown specific lender (see below), exhibited artwork: Jasper Johns’s Tango, (1955).

14 July - 27 September 1983. Mondrian: New York studio compositions at the Museum of Modern Art, New York. (Updated 8 December 2017. A01485; AAA00549; BBB00004.)

> Formerly Miller Company Collection of Abstract Art, loaned work: Piet Mondrian’s Victory Boogie Woogie, (1944).

July - August 1983. The comic art show: Cartoons in painting and popular culture at the Whitney Museum of American Art (downtown branch), New York. (Viewed 27 February 2019. K00055-56; K00074.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Roy Lichtenstein’s I can see the whole room... and there’s nobody in it!, (1961).

2 venues: 1983-84. Juan Gris at National Gallery of Art, Washington, DC (16 October - 31 December 1983); Guggenheim Museum, New York (18 May - 15 July 1984). (The painting was not shown at the Berkeley, CA venue that is between these two exhibitions.) (Updated 3 February 2018. G01966; AAA00837.)

> Formerly Miller Company (Collection of Abstract Art), "Mr. & Mrs. Burton Tremaine Collection, Meriden, Connecticut", loaned work: Juan Gris’s Pears and grapes on a table, (1913).

25 February - 22 April 1984. Louise Lawler / Matrix 77 / Home / museum — arranged for living and viewing at the Wadsworth Atheneum, Hartford, Connecticut.(Viewed 10 March 2019. K00142).

> Presumably Louise Lawler-owned, exhibited photo works: (to be specified).

26 February - 29 April 1984. The Tremaine Collection - 20th century masters: The spirit of modernism at Wadsworth Atheneum, Hartford, CT. (Updated 20 May 2019. A00081; A01042; AAA03329-32; K00244.)

> Several former Miller Company Collection of Abstract Art works; private basis: Mr & Mrs Burton Tremaine. Over 120 works exhibited.

20 September - 2 December 1984. Blam! The explosion of Pop, Minimalism and Performance at the Whitney Museum of American Art, New York. (Updated 28 February 2018. AAA00885; AAA00996.)

> "Mr. & Mrs. Burton Tremaine", loaned artwork: Jasper Johns’s White flag, (1955-58).

2 venues: 1984-85. Exhibition of paintings by Fernand Léger at Sidney Janis Gallery, New York (19 - 28 October 1984); the Grand Palais, Paris (December 1984 - January 1985). (Viewed 19 January 2018. AAA00830.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned work: Fernand Léger’s Le petit déjeuner, (1921).

3 February - 4 August 1985. Landscape prints from the National Gallery’s collection at the National Gallery of Art, Washington, DC. (Viewed 26 December 2017. G01902-03.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, exhibited artwork: Robert Delaunay’s The City, (1926), lithograph.

4 venues: 1985-86. Kandinsky in Paris: 1934 - 1944 at the Guggenheim Museum, New York (15 February - 14 April 1985); Museum of Fine Arts, Houston (8 June - 11 August 1985); Palazzo Reale, Milan, Italy (19 September - 10 November 1985); Museum des 20. Jahrhunderts, Vienna, Austria (5 December 1985 - 26 January 1986). (Updated 15 March 2019. K00175-79; K00190-93).

> Formerly Miller Company (Collection of Abstract Art), "Mr. and Mrs. Burton Tremaine, Meriden, Connecticut"-owned, loaned artwork: Jean Hélion’s Composition, (1934); formerly Miller Company (Collection of Abstract Art); Davlyn Gallery-owned (New York), loaned artwork: Wassily Kandinsky’s Animated stability, (1937).

3 venues: 1985. Pop art 1955 - 1970 at Art Gallery of New South Wales, Sydney, Australia (27 February - 14 April 1985); Queensland Art Gallery, Brisbane (1 May - 2 June 1985); National Gallery of Victoria, Melbourne (26 June - 11 August 1985). (Travelling exhibition organized under the auspices of the International Council of The Museum of Modern Art, New York.) (Viewed 1 March 2019. K00055-56; K00109-13.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artworks: Roy Lichtenstein’s I can see the whole room... and there’s nobody in it!, (1961); Claes Oldenburg’s Studies for store objects— pie, 7-Up, flag, oranges, fifteen cents (also known as 7-Up with cake), (1961); Robert Rauschenberg’s Windward, (1963); and Tom Wesselmann’s The great American nude VIII, (1961).

1 June - 4 August 1985. The Sach years at the Minneapolis Institute of Arts. (Viewed 17 February 2018. AAA00910.)

> Former Miller Company (Collection of Abstract Art), Minneapolis Institute of Arts-owned, loaned artwork: Georgia O’Keeffe’s New York night, (or City night), (1926).

22 May - 31 October 1985. Mark di Suvero— 25 years of sculpture and drawings at Storm King Art Center, Mountainville, New York. (Viewed 29 June 2018. AAA0891-92.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Philadelphia Museum of Art-owned, loaned artwork: Mark di Suvero’s Mercator projector, (1963).

September - November 1985. Juan Gris at Ministerio de Cultura, Madrid. (Updated 3 February 2018. G01966; AAA00837.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned works: Juan Gris’s Pears and raisins on a table, (1913).

October - November 1985. Pop Art from the Tremaine Collection at Gagosian Gallery, New York. (Viewed 26 February 2019. K00055-56.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Roy Lichtenstein’s I can see the whole room... and there’s nobody in it!, (1961).

October 1985 - January 1986. Delaunay und Deutschland at Staatsgalerie Moderner Kunst im Haus der Kunst, Munich, Germany. (Viewed 28 February 2019. K00082.)

> Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Delaunay’s Premier disque, (1912).

2 venues: 1985-86. Meisterwerke des 15.-20. Jahrhunderts aus der Sammlung Thyssen-Bornemisza at Magyar Nemzeti Galeria [Nationalgalerie], Budapest (specific dates unknown) and Szombathely Képtár [Kunsthalle Szombathely, Hungary] (specific dates unknown). (Viewed 19 February 2019. K00014.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, Museo Thyssen-Bornemisza-owned, loaned artwork: Theo van Doesburg’s Composition XX, (1920).

December 1985 - January 1986. Twentieth century European masters at Sidney Janis Gallery, New York. (Viewed 19 January 2018. AAA00830; AAA00834-36; AAA00838.)

> Presumably formerly Miller Company (Collection of Abstract Art), presumably Mr. & Mrs. Burton Tremaine, loaned works: Georges Braque’s The black rose, (1927); Fernand Léger’s Le petit déjeuner (1921); Paul Klee’s Structural II, (1924); Joan Miró’s Le chat blanc, (1927); presumably Mr. & Mrs. Burton Tremaine, loaned work: Paul Klee’s Seemingly modest, (1937).

31 December 1985 - c. 1986. Permanent collection highlights at the the Whitney Museum of American Art, New York. (Viewed 22 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

1985-87, specific dates unknown. Loan for display with permanent collection, The Picker Art Gallery, Colgate University, Hamilton, NY. (Viewed 22 December 2017. G01890-91.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Andy Warhol’s A boy for Meg, (1962).

29 January - 26 March 1986. Connecticut collects: American art since 1960 at the Whitney Museum of American Art Fairfield County, Stamford, CT. (Viewed 14 February 2018. AAA00930.)

> "Mr. & Mrs. Burton Tremaine", loaned artwork: Neil Jenney’s Husband and wife, (1969).

8 February - 19 April 1986. Aus privaten Sammlungen at Galerie Beyeler, Basel, Switzerland. (Viewed 17 February 2018. AAA00912.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Windward, (1963).

16 February - 20 April 1986. The art of collecting: Acquisitions at the Minneapolis Institute of Arts 1980-1985. (Viewed 20 February 2019. K00015.)

> Former Miller Company (Collection of Abstract Art), Minneapolis Institute of Arts-owned, loaned artwork: Georgia O’Keeffe’s New York night (or City night), (1926).

19 February - 28 April 1986. Forty years of modern art at Tate Gallery, London. (Viewed 13 August 2019. K00307-08)

> Formerly Mr. & Mrs. Burton Tremaine, Tate Gallery-owned, exhibited artwork: Andy Warhol’s Marilyn diptych, (1962).

19 April - 31 May 1986. Yves Klein / Monochrome paintings and sponge reliefs at Sidney Janis Gallery, New York. (Updated 14 March 2019. K00037; K00185; K00187.)

> "Mr. & Mrs. Burton Tremaine"-owned or Sidney Janis Gallery-owned, exhibited artwork: Yves Klein’s Blue sponge, (1959).

1986, specific dates unknown. Louise Lawler, what is the same at Maison de la Culture et de la Communication de Saint-Etienne, France. (Viewed 3 March 2019. G02031.)

> Lender unknown, loaned Pollock and tureen, (1984 / 1990) by Louise Lawler, a B/W photo showing a partial view of Jackson Pollock’s Frieze, (1953-54) in Tremaine’s New York dining room.

11 June - 7 December 1986. James Rosenquist retrospective at the Whitney Museum of American Art, New York. (Organized by the Denver Art Museum). (Viewed 20 February 2019. K00016-17.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Philadelphia Museum of Art-owned, loaned artwork: James Rosenquist’s Zone, (1961).

18 September - 30 November 1986. Major acquisitions since 1980: Selected paintings and sculpture at the Whitney Museum of American Art, New York. (Viewed 5 March 2019. AAA00889.)

> Formerly "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut", Whitney Museum of American Art-owned, exhibited artwork: Jasper Johns’s Three flags, (1958).

October - December 1986. Robert Rauschenberg drawings: 1958-1968 at Acquavella Galleries, New York. (Viewed 23 February 2019. K00029.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Cup, (1958).

1986, specific dates unknown. Pioniere der Abstrakten Kunst aus der Sammlung Thyssen-Bornemisza at Galerie Gmurzynska, Cologne, Germany. (Viewed 19 February 2019. K00014.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, Museo Thyssen-Bornemisza-owned, loaned artwork: Theo van Doesburg’s Composition XX, (1920).

5 venues: 1986-87. Ralston Crawford at the Whitney Museum of American Art, New York (specific dates unknown); Phillips Collection, Washington, DC (specific dates unknown); Portland Art Museum, Oregon (specific dates unknown); Akron Art Museum, Ohio (specific dates unknown); Grand Rapids Art Museum, Michigan (specific dates unknown). (Viewed 18 February 2019. K00001.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Ralston Crawford’s Lights in an aircraft plant, (1945).

17 January - 14 February 1987. It remains to be seen... art by design at Metro Pictures, New York. (Viewed 2 March 2019. K00102; K00120.)

> Unknown lender, Three women / three chairs, arranged by Mr. & Mrs. Burton Tremaine Sr., New York, (1984) by Louise Lawler showing Fernand Léger’s Le petit dejeuner, (c. 1921).

4 February - 15 March 1987. Year in Review for 1986 at the Cleveland Museum of Art, Cleveland, Ohio. (Viewed 18 May 2019. K00222).

> Formerly Miller Company (Collection of Abstract Art); former private basis Mr. & Mrs. Burton Tremaine; Cleveland Museum of Art, loaned artwork: Richard Stankiewicz’s Untitled, (1961).

7 venues: March 1987 - November 1988. The drawings of Roy Lichtenstein at the Museum of Modern Art, New York (15 March - 2 June 1987); Museum Overholland, Amsterdam (specific dates unknown); Tel Aviv Museum, Israel (specific dates unknown); Trinity College, Dublin, Ireland (specific dates unknown); Schirn Kunsthalle, Frankfurt, Germany (specific dates unknown); Museum of Modern Art, Oxford, England (specific dates unknown); and Corcoran Gallery of Art, Washington, DC (specific dates unknown). (Updated 26 February 2019. AAA00871; AAA00886; K00059-60.)

> "Mr. & Mrs. Burton Tremaine" loaned artworks: Roy Lichtenstein’s Crying girl, (1964), and Study for dawning, (1964).

1987, specific dates unknown. The big top is up at Kuhlenschmidt / Simon, Los Angeles. (Viewed 9 March 2019. K00121-22; G02029-30.)

> Lender unknown, loaned Monogram by Louise Lawler, a photo of Jasper Johns’s White flag (1955-58) in a Tremaine interior.

3 venues: 1987. Made in U.S.A.: An Americanization in Modern Art, the ’50s & ’60s at University Art Museum, Berkeley, California (4 April - 21 June 1987); The Nelson-Atkins Museum of Art, Kansas City, MO (25 July - 6 September 1987); Virginia Museum of Fine Arts, Richmond (4 October - 6 December 1987). (Updated 20 February 2018. G01808-09; AAA00868; AAA00880; AAA00933; G02037.)

> "Mr. & Mrs. Burton Tremaine", loaned artworks: Claes Oldenburg’s Studies for store objects— pie, 7-Up, flag, oranges, fifteen cents (also known as 7-Up with cake), (1961); Tom Wesselmann’s The great American nude VIII, (1961). Presumably formerly private basis, Mr. & Mrs. Burton Tremaine, NGA-owned, exhibited artwork: Andy Warhol’s A boy for Meg, (1962). (Confirmed for Richmond, VA show only.)

5 April - 31 May 1987. A Century of modern sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art, Texas. (Viewed 1 August 2019. K00300-03).

> Formerly Mr. & Mrs. Burton Tremaine (ownership: 1974-85); Nasher Collection-owned, exhibited artwork: Carl Andre’s Aluminum and Magnesium Plain, (1969).

May - June 1987. American Paintings with Chinese Furniture at Mayor Gallery, London. (Updated 20 March 2019. K00011; K00058; K00125-26; K00208-09.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Mayor Gallery-owned, exhibited artworks: Claes Oldenburg’s Strong arm, (1961); and Andy Warhol’s Big Campbell’s Soup can with can opener (vegetable), (1962).

June - September 1987. Selection at Thomas Ammann Fine Art, Zurich, Switzerland. (Viewed 19 February 2019. K00012.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, unspecified owner, loaned artwork: Frank Stella’s Telluride, (1961).

June - October 1987. Leo Castelli y sus artistas at Centro Cultural Arte Contemporáneo, Mexico City. (Updated 23 February 2019. K00030.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Andy Warhol’s Campbell’s Soup can (pepper pot), (1962).

12 June - 17 July 1987. Louise Lawler: As serious as a circus at Galerie Czarnowska, Berlin, Germany. (Viewed 22 March 2019. F00599-600).

> Lender unknown, loaned / exhibited photowork: Louise Lawler’s Living Room Corner, Arranged by Mr. and Mrs. Burton Tremaine Sr., New York City, (1984); showing Robert Delaunay’s Premier disque, (1912) and presumably Roy Lichtenstein’s Ceramic head with blue shadow, (1966).

4 July - 4 October 1987. Pop Art America Europa Dalla Collezione Ludwig at Forte di Belvedere, Florence, Italy. (Viewed 21 February 2018. AAA00954.)

> Formerly Mr. & Mrs. Burton Tremaine, unknown specific lender (see below), exhibited artwork: Jasper Johns’s Tango, (1955).

19 September - 10 November 1987. Projects: Louise Lawler at Museum of Modern Art, New York. (Viewed 23 March 2019. K00121-22; G02029-30; K00215-18.)

> Presumably courtesy the artist, loaned photoworks: Louise Lawler’s Monogram, (1984 / 1987), a photo of Jasper Johns’s White flag, (1955-58, in a Tremaine interior; and Pollock and tureen (presumably 1984), showing Pollock’s Frieze, (1953-55) in the Tremaine’s New York dining room. (Also, in brochure and possibly in show: Lawler’s Arranged by Tracy Atkinson, Director, and Gregory Hedberg, Chief Curator at the Wadsworth Atheneum, Hartford, CT, (1984), showing Robert Delaunay’s Premier disque, (1912); Alberto Giacometti’s Spoon woman, (1926); and Mondrian’s Victory Boogie Woogie (1942-44); and Lawler’s Living Room Corner, Arranged by Mr. and Mrs. Burton Tremaine Sr., New York City, (1984); showing Robert Delaunay’s Premier disque, (1912) and presumably Roy Lichtenstein’s Ceramic head with blue shadow, (1966).

October - December 1987. Willem De Kooning: Abstract Landscapes 1955-1963 at Gagosian Gallery, New York. (Viewed 27 February 2019. K00065.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Willem De Kooning’s Villa Borghese, (1960).

October 1987 - January 1988. Implosion at Moderna Museet, Stockholm, Sweden. (Viewed 2 March 2019. K00121-22.)

> Lender unknown, loaned Monogram by Louise Lawler, a photo of Jasper Johns’s White flag, (1955-58) in a Tremaine interior.




Glueck, Grace. (17 December 1987). Emily Hall Tremaine, designer and collector, dies. New York Times. (Viewed 24 February 2019. K00049).


8 April - 7 May 1988. Barnett Newman: Paintings at Pace Gallery, New York. (Updated 18 May 2019. AAA00955; AAA00971; K00225.)

> Formerly Miller Company (Collection of Abstract Art), unknown specific owner, loaned or exhibited artwork: Barnett Newman’s Euclidian Abyss, (1947).

April 1988, specific dates unknown. Andy Warhol: Genesis of an installation at Vrej Baghoomian Gallery, New York. (Updated 23 February 2019. K00030.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Andy Warhol’s Campbell’s Soup can (pepper pot), (1962).

3 venues: 1988-89. Wege zur Abstraktion. 80 Meisterwerke aus der Sammlung Thyssen-Bornemisza at Ville Vauban, Luxembourg (specific dates unknown); Haus der Kunst, Múnich (specific dates unknown); Museum des 20. Jahrhunderts, Vienna (specific dates unknown). (Viewed 20 February 2019. K00014.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, Museo Thyssen-Bornemisza-owned, loaned artwork: Theo van Doesburg’s Composition XX, (1920).

September - October 1988. Stationen der Moderne at Berlinische Galerie im Gropiusbau, Berlin, Germany. (Viewed 28 February 2019. K00078.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Mr. Tremaine loaned artwork: Jackson Pollock’s Frieze, (1955-58).

5 venues: 1988-90. The Latin American spirit: Art and artists in the United States, 1920 - 1970 at the Bronx Museum of the Arts (29 September 1988 - 29 January 1989); El Paso Museum of Art, Texas (27 February - 23 April 1989); San Diego Museum of Art, California (22 May - 16 July 1989); Instituto de Cultura Puertoriqueña, San Juan, Puerto Rico (14 August - 8 October 1989); Center for the Arts, Vero Beach, Florida (28 January - 31 March 1990). (Updated 12 March 2019. AAA00934-35; K00172-74).

> Formerly Miller Company (Collection of Abstract Art), Phoenix Art Museum-owned, loaned artwork: Carlos Mérida’s Cuadro sin un título (serie de los cielos de Texas) (in English, "Picture Without a Title (Skies of Texas series"), (1943), otherwise known as Sky over Texas.

1 January - 31 December 1989. Pop art from the Tremaine Collection at Gagosian Gallery, New York. (Viewed 23 November 2018. AAA00912.)

> Formerly Mr. & Mrs. Burton Tremaine, Fondation Beyeler-owned, loaned artwork: Robert Rauschenberg’s Windward, (1963).

6 venues: 1989-90. Andy Warhol: A retrospective at Museum of Modern Art, New York (6 February - 2 May 1989); Art Institute of Chicago (31 May - 12 August 1989); Hayward Gallery, London (September - November 1989); Museum Ludwig, Cologne (November 1989 - February 1990); Palazzo Grassi, Venice, Italy (February - May 1990); Musée National d’Art Moderne, Centre Georges Pompidou, Paris (May - August 1990). (Updated 26 February 2019. G1810; K00058; K00208-09.)

> Presumably former Mr & Mrs. Burton Tremaine, exhibited NGA artwork: Andy Warhol’s A boy for Meg, (1962); "Burton J. Tremaine, Meriden, Connecticut", loaned work: Warhol’s Printed dollar bill, (1962); presumably formerly Mr. & Mrs. Burton Tremaine, loaned artwork: Andy Warhol’s Big Campbell’s Soup can with can opener (vegetable), (1962). (No exhibition checklist seen. Probably other former Tremaine-owned works in exhibition as well. Works unconfirmed in viewings after MoMA).

24 March - 24 June 1989. Colección Beyeler at Centro de Arte Reina Sofía, Madrid. (Viewed 17 February 2018. AAA00912.)

> Formerly Mr. & Mrs. Burton Tremaine, Fondation Beyeler-owned, loaned artwork: Robert Rauschenberg’s Windward, (1963).

7 April - 15 May 1989. Barbara Bloom, Marcel Broodthaers, Daniel Buren, Louise Lawler and Allan McCollum at Galerie Czarnowska, Berlin, Germany. (Viewed 22 March 2019. F00596-98).

> Lender unknown, loaned / exhibited photoworks: Louise Lawler’s Does Marilyn Monroe make you cry?, (1988), showing the Tremaine-owned work by Andy Warhol, Round Marilyn, (1962), at the Christie’s New York auction, Contemporary Art from the Tremaine Collection, (9 November 1988). Also, a second photo of the edition also on view, or Lawler’s Does Andy Warhol make you cry?, (1988), with the same appearance.

July - September 1989. Wege zur Abstraktion at Galerie Beyeler, Basel, Switzerland. (Viewed 24 February 2018. AAA00957; AAA00977.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, unknown lender, loaned or exhibited artwork: The Moment II, (1969).

28 July - 15 October 1989. Art in place: Fifteen years of acquisitions at the Whitney Museum of American Art, New York. (Updated 5 March 2019. AAA00861-63; AAA00889.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

November 1989 - 30 January 1991. [Highlights] at Whitney Museum of American Art, New York. (Viewed 22 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).


1990s

Summer 1990. Important Abstract Expressionist and Pop paintings at Gagosian Gallery, New York. (Viewed 24 February 2018. AAA00957; AAA00978.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, unknown lender, loaned or exhibited artwork: The Moment II, (1969).

30 November 1990 - 5 January 1991. Willem de Kooning, Jean Dubuffet: The Women at Pace Gallery, New York. (Updated 18 May 2019. G01950; K00226.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned work: Willem de Kooning’s Yellow woman, (1952).

7 December 1990 - 17 March 1991. Robert Rauschenberg. The Silkscreen Paintings 1962–64 at the Whitney Museum of American Art, New York. (Viewed 12 October 2018. AAA00912.)

> Formerly Mr. & Mrs. Burton Tremaine, Fondation Beyeler-owned, loaned artwork: Robert Rauschenberg’s Windward, (1963).

1991 - 1995, specific dates unknown. Loan for display with permanent collection, Indianapolis Museum of Art. (Updated 23 February 2019. G01965; K00032-33.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Robert Irwin’s Untitled, (1963-65).

1991 - 2002, specific dates unknown. Loan for display with permanent collection, Indianapolis Museum of Art. (Viewed 22 December 2017. G01892.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Larry Bell’s Chrome and Glass Construction, (1965).




Fowler, Glenn. (27 March 1991). Burton G. Tremaine, executive, 89, dies; a collector of art. New York Times. (Viewed 24 February 2019. K00048).


May - September 1991. Delaunay to de Kooning: Modern Masters from the Tremaine Collection and the Wadsworth Atheneum, Hartford, CT. (Updated 9 April 2019. AAA03319-22; K00ref).

> Over 35 Tremaine-related artworks exhibited.

See the artworks list


Formerly Miller Co. (Collection of Abstract Art) and "Mr. & Mrs. Burton Tremaine"; Estate of Burton Tremaine, laoned artworks:

> Georges Braque. The black rose, (1927).
> Alexander Calder. Bougainvillea, (1945).
> Le Corbusier. Still life, (1925).
> Stuart Davis. Composition (1863), (c. 1930)
> Theo van Doesburg. Space time construction no. 3, (1923).
> Juan Gris. Still life with pears, (1913).
> Paul Klee. Structural II, (1924).
> Fernand Léger. Petit déjeuner, (c. 1921).
> John Marin. A street seeing, (n. d.)
> Joan Miro. Le chat blanc (The cat’s whispers), (1927).
> Piet Mondrian. Composition, (1935-42).
> Piet Mondrian. Pier and ocean, (1914).
> Ben Nicholson. Still life, (1947).
> Pablo Picasso. Hebrides mask, (n. d.)
> Kurt Schwitters. Merzbild, (1922).
> Kurt Schwitters. Merzbild, (c. 1922).

Presumably formerly Mr. & Mrs. Burton Tremaine; Estate of Burton Tremaine loaned artworks:

> A. Everett Austin, Jr. Savannah, (1941).
> Ralston Crawford. Lights in an airplane plant, (1945).
> Robert Delaunay. Premier disque, (1912).
> Sonia Delaunay. Composition, (n. d.). (Donated to Wadsworth Atheneum, 1975)
> Jim Dine. A little scissors and a little screwdriver, (1962).
> Jean Dubuffet. Lion rampant, (1969). (Donated to Wadsworth Atheneum, 1978.)
> Jasper Johns. Device circle, (1959).
> Paul Klee. Katze Lauert (Lurking cat), (1939).
> Paul Klee. S. C. L. / Kopf, (1919).
> Paul Klee. Scheinbar Bescheiden (Seemingly modest), (1937-38).
> Paul Klee. Sommerschloss bei Beride, (1927).
> Willem de Kooning. Villa Borghese, (1960).
> Brice Marden. Marble #14, (1981).
> Robert Motherwell. Spanish elegy #17, (1958).
> Louise Nevelson. Moon garden reflections, (c. 1956).
> Ben Nicholson. Still life, (1949).
> Jackson Pollock. Silver and black, (1950).
> Ad Reinhardt. Blue composition, (1959-60).
> Frank Stella. Greek key, (1960).
> Frank Stella. Untitled, (1959).
> Frank Stella. Untitled, (before 1975). (Donated to the Wadsworth Atheneum, 1975.)
> Sophie Taeuber-Arp. No. 10, (1910).
> Luis Tomasello. Atmosphere chromoplastique n. 150, (1965).


  • Offline - exhibition checklist - Wadsworth Atheneum archive.
  • Offline - McCaughey, Patrick. (Spring 1991). Masterpieces from the Tremaine Collection. Wadsworth Bulletin, p. 5 - Wadsworth Atheneum archive. See worldcat.org for possible other locations.
  • Offline - McNally, Owen. (undated, 1991). Modern art: Tremaine Collection show at the Atheneum displays masterworks of our century. Hartford Courant - Wadsworth Atheneum archive. See worldcat.org for possible other locations.
20 April - 14 July 1991. Current events: Recent acquisitions on social issues at the Akron Art Museum, Ohio. (Viewed 15 March 2019. G01933-34.)

> Akron Art Museum-owned, Guerrilla Girls’ Q. How many works by women artists were in the Andy Warhol and Tremaine auctions at Sotheby’s?, (1989; lithograph), exhibited.

23 May - 13 August 1991. Roberto Burle Marx: The unnatural art of the garden at the Museum of Modern Art, New York. (Updated 16 March 2019. F00559-65; F00575-78; G01956).

> Formerly Miller Company Collection of Abstract Art, MoMA-owned, exhibited artwork: Roberto Burle Marx’s Design for a garden, (1948); and design: Oscar Niemeyer with Roberto Burle Marx Beach House for Mr. and Mrs. Burton Tremaine, project, Santa Barbara, California, (1948),

2 venues: 1991-92. Ad Reinhardt at the Museum of Modern Art, New York (30 May - 2 September 1991) and Museum of Contemporary Art, Los Angeles (13 October 1991 - 5 January 1992). (Viewed 19 February 2019. K00007-09.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Ad Reinhardt’s Abstract Painting, No. 34, (1964).

7 June - 8 September 1991. Object Lessons: Cleveland Creates an Art Museum at the Cleveland Museum of Art, Cleveland, Ohio. (Viewed 18 May 2019. K00222).

> Formerly Miller Company (Collection of Abstract Art); former private basis Mr. & Mrs. Burton Tremaine; Cleveland Museum of Art, loaned artwork: Richard Stankiewicz’s Untitled, (1961).

11 July 1991 - 5 January 1992. American life in American art: Selections from the permanent collection at the Whitney Museum of American Art, New York. (Viewed 22 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

5 venues: August 1991 - March 1992. Pop Muses: Images of Women by Roy Lichtenstein & Andy Warhol at Isetan Museum of Art, Tokyo (dates unknown); Kawamura Memorial Museum of Art, Chiba, Japan (dates unknown); Kitakyushu Municipal Museum of Art, Japan (dates unknown); Daimaru Museum, Umeda Osaka (dates unknown); Daimaru Museum, Kyoto (dates unknown). (Updated 16 March 2019. F00580; G01959.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned artwork: Roy Lichtenstein’s Head - yellow and black, (1962).

2 venues: 1991-92. Stuart Davis: American painter at the Metropolitan Museum of Art, New York (18 November 1991 - 16 February 1992); San Francisco Museum of Modern Art (26 March - 7 June 1992). (Viewed 4 February 2018. K00038-40.)

> Formerly Miller Company (Collection of Abstract Art), Reynolda House Museum of American Art-owned, loaned artwork: Stuart Davis’s For internal use only, (1945).

January - February 1992. A Mediterranean installation: Arp, Giacommetti, Chillida, Yves Klein at Sidney Janis Gallery, New York. (Updated 14 March 2019. K00037; K00185; K00187.)

> Formerly "Mr. & Mrs. Burton Tremaine", Sidney Janis Gallery-owned, exhibited artwork: Yves Klein’s Blue sponge, (1959).

21 May - 5 July 1992. Recent acquisitions at the Whitney Museum of American Art, New York. (Viewed 15 February 2018. AAA00861-63.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

26 May - 11 July 1992. James Rosenquist: The early pictures at Gagosian Gallery, New York. (Viewed 20 February 2019. K00016-17.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Philadelphia Museum of Art-owned, loaned artwork: James Rosenquist’s Zone, (1961).

1992-94. Extended loan for use by John C. Kornblum, U.S. Representative to the Conference and Security Commission of Europe, Vienna, Austria, 1992-1994. (Viewed 26 February 2019. K00061.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Alexander Liberman’s Omega IV, (1961).

24 September 1992 - 19 January 1993. Henri Matisse: A retrospective at the Museum of Modern Art, New York. (Viewed 27 December 2017. G01910-14.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artworks: Oceania, the sky, (1946) and Oceania, the sea, (1946).

October 1992 - January 1993. Pop Art at Museum of Fine Arts, Montreal. (Viewed 16 March 2019. F00580; K00054.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned artwork: Roy Lichtenstein’s Head - yellow and black, (1962).

3 venues: 1992-93. Hand-painted Pop at Museum of Contemporary Art, Los Angeles (22 November 1992 - 7 March 1993); Museum of Contemporary Art, Chicago (3 April - 20 June 1993); Whitney Museum of American Art, New York (16 July - 3 October 1993). (K00016-18.)

> Formerly Mr. & Mrs. Burton Tremaine, Philadelphia Museum of Art-owned, loaned artwork: James Rosenquist’s Zone, (1961).

November 1992 – April 1993. National-Homage to Carlos Merida: The Breeze that Preceded the Tempest at the Consejo Nacional para la Cultura y las Artes, Mexico City. (Viewed 29 June 2018. AAA00934-35.)

> Formerly Miller Company (Collection of Abstract Art), Phoenix Art Museum-owned, loaned artwork: Carlos Mérida’s Cuadro sin un título (serie de los cielos de Texas) (in English, "Picture Without a Title (Skies of Texas series"), (1943), otherwise known as Sky over Texas.

2 venues: 1993. Louise Lawler, Cindy Sherman, Laurie Simmons at Kunstnernes Hus, Oslo, Norway (January - May 1993); and Museum of Contemporary Art, Helsinki, Finland (specific dates unknown). (Viewed 9 March 2019. K00121-22; G02029-30.)

> Lender unknown, loaned Monogram by Louise Lawler, a photo of Jasper Johns’s White flag (1955-58) in a Tremaine interior.

1993-1996, specific dates unknown. Extended loan for use by Ambassador Pickering, U.S. Embassy residence, Moscow, Russia. (Viewed 18 February 2019. K00001.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Ralston Crawford’s Lights in an aircraft plant, (1945).

30 April - 19 June 1993. Giacometti: Sculpture at Gagosian Gallery, New York. (Viewed 16 August 2019. K00313-20).

> Formerly Mr. & Mrs. Burton Tremaine, Nasher Collection, Dallas-owned, loaned artwork: Alberto Giacometti’s Spoon Woman, 1926 (cast 1954).

30 April - 1 August 1993. Wege der Moderne. Die Sammlung Beyeler at Neue Nationalgalerie, Berlin. (Viewed 12 October 2018. AAA00912.)

> Formerly Mr. & Mrs. Burton Tremaine, Fondation Beyeler-owned, loaned artwork: Robert Rauschenberg’s Windward, (1963).

1993 - 1997, specific dates unknown. Extended loan for use by Ambassador Madeleine Albright, Representative of the U.S. to the United Nations, office at the U.S. Department of State, Washington, DC. (Viewed 26 December 2017. G01906.)

> Former Miller Company (Collection of Abstract Art), NGA-owned, loaned artwork: Mary Callery’s Amity, (1947).

19 June - 10 October 1993. Ludwigs Lust. Die Sammlung Irene und Peter Ludwig at the Germanisches Nationalmuseum, Nürnberg, Germany. (Viewed 24 February 2019. K00045.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Museum Ludwig-owned, loaned artwork: Andy Warhol’s Close cover before striking (Pepsi-Cola), (1962).

20 September - 20 November 1993. Mondrian in New York at Tokoro Gallery, Tokyo. (Viewed 18 May 2019. K00160-61).

> Formerly Miller Company (Collection of Abstract Art), lender unknown, loaned artwork: Piet Mondrian’s Composition with red, yellow, and blue, 1935-42.

2 venues: 1994-95. Neo-Dada: Redefining art, 1958-62 at Scottsdale Center for the Arts, Arizona (dates unknown); The Equitable Gallery, New York (dates unknown). (Viewed 9 December 2017. G01808-09.)

> Presumably formerly private basis, Mr. & Mrs. Burton Tremaine, loaned NGA artwork: Andy Warhol’s A boy for Meg, (1962). (Not shown at last three venues).

6 April - 28 May 1994. Newman, Rothko, Still: Search for the sublime at C & M Arts, New York. (Viewed 24 February 2018. AAA00955; AAA00971.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned artwork: Barnett Newman’s Euclidian Abyss, (1947).

1994-95, specific dates unknown. Extended loan for use by Samuel Brown, U.S. Representative to the Conference and Security Commission of Europe, Vienna, Austria. (Viewed 26 February 2019. K00061.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Alexander Liberman’s Omega IV, (1961).

4 venues: 1994-95. Franz Kline: Art and the structure of identity at Fundació Antoni Tàpies, Barcelona (specific dates unknown); Whitechapel Art Gallery, London (specific dates unknown); Museo Nacional Centro de Arte Reina Sofia, Madrid (specific dates unknown); Saarland Museum, Saarbrücken, Germany (specific dates unknown). (Viewed 24 February 2019. K00043.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Franz Kline’s Four square, (1956).

14 July 1994 - 26 February 1995. From the collection: Photography, sculpture and painting at the Whitney Museum of American Art, New York. (Viewed 22 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

4 venues: 1994-95. The prints of Roy Lichtenstein at the National Gallery of Art, Washington (30 October 1994 - 8 January 1995); Los Angeles County Museum of Art (16 February - 30 April 1995); Dallas Museum of Art (28 May - 6 August 1995); Parrish Art Museum, Southampton, NY (specific dates unknown). (Updated 27 February 2018. AAA00992-93; G01904-05.)

> Formerly Mr. & Mrs. Burton Tremaine, NGA-owned, exhibited artwork: Roy Lichtenstein’s Sandwich and soda, (1964), color screenprint.

5 venues: 1995-96. Claes Oldenburg: An anthology at the National Gallery of Art, Washington, DC (12 February - 7 May 1995); Museum of Contemporary Art, Los Angeles (18 June - 3 September 1995); Guggenheim Museum, New York (7 October - 21 January 1996); Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (15 February - 12 May 1996); Hayward Gallery, London (6 June - 19 August 1996). (Viewed 1 March 2019. K00114-16.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Hirshhorn-owned, loaned artwork: Claes Oldenburg’s 7-Up, (1961).

28 June - 1 October 1995. Views from abroad (Stedelijk) at the Whitney Museum of American Art, New York. (Viewed 22 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

19 August - 19 November 1995. Album. De fotoverzameling van Museum Boymans-van Beuningen Rotterdam (in English, "Photographic collection of Museum Boymans-van Beuningen Rotterdam") at Museum Boijmans van Beuningen, Rotterdam, The Netherlands. (Updated 22 March 2019. G02031; K00212-14.)

> Museum Boijmans van Beuningen-owned, exhibition photowork: Louise Lawler’s Pollock and tureen, (1984), a photo of the Tremaine’s dining room in New York, with cropped view of Jackson Pollock’s Frieze, (1953-55).

9 July - 8 October 1995. Unser Jahrhundert. Menschenbilder - Bilderwelten at Museum Ludwig, Cologne, Germany. (Viewed 24 February 2019. K00046.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Museum Ludwig-owned, loaned artwork: Andy Warhol’s Close cover before striking (Pepsi-Cola), (1962).

5 venues: c. 1995 - 1996. Made in America at the Carnegie Museum of Art (dates unknown); the Minneapolis Institute of Arts (dates unknown); the Nelson-Atkins Museum of Art (dates unknown); the Saint Louis Museum of Art (dates unknown); and the Toledo Museum of Art (dates unknown). (Viewed 21 October 2018. AAA00910.)

> Former Miller Company (Collection of Abstract Art), Minneapolis Institute of Arts-owned, loaned artwork: Georgia O’Keeffe’s New York night, (or City night), (1926).

2 December 1995 - 2 February 1997. American art, 1940 - 1965: Traditionals reconsidered at the San Jose Museum of Art, California. (Viewed 22 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; loaned artwork: Jasper Johns’s Three flags, (1958).

27 March - 15 July 1996. Andy Warhol 1956-86: Mirror of his time at Museum of Contemporary Art, Tokyo. (Viewed 14 August 2019. K00307-10)

> Formerly Mr. & Mrs. Burton Tremaine, Tate Gallery-owned, exhibited artwork: Andy Warhol’s Marilyn diptych, (1962).

c. April 1996. Guerrilla Girls at the Kemper Museum of Contemporary Art and Design, Kansas City, MO. (Viewed 14 March 2019. G01935; AAA00890.)

> Spencer Museum of Art-owned, Guerrilla Girls’ Q. How many works by women artists were in the Andy Warhol and Tremaine auctions at Sotheby’s?, (1989; lithograph), exhibited.

3 venues: 1996-97. Sammlungsblöcke. Stiftung Froehlich at Tate Gallery, London (20 May - 8 September 1996); Württembergischer Kunstverein, Stuttgart (the exhibition was at three venues) (September - November 1996); Deichtorhallen, Hamburg (January - April 1997). (The artwork below did not appear in the last venue, Bank Austria Kunstforum, Vienna.) (Updated 11 March 2019. K00003-04; K00166.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Stiftung Froehlich-owned, loaned artwork: Richard Artschwager’s Relief I, (1965).

2 venues: 1996-97. A Century of Sculpture: The Nasher Collection at the Fine Arts Museums of San Francisco (October 1996 - January 1997); Guggenheim Museum, New York (6 February - 1 June 1997). (Viewed 2 August 2019. K00300; K00304-06).

> Formerly Mr. & Mrs. Burton Tremaine (ownership: 1974-85); Hall Family Foundation-owned, exhibited artwork: Carl Andre’s Aluminum and Magnesium Plain, (1969).

3 venues: 1996-97. Jasper Johns at the Museum of Modern Art, New York (16 October 1996 - 14 January 1997); Museum Ludwig, Cologne, Germany (7 March - 1 June 1997); and Museum of Contemporary Art, Tokyo (28 June - 17 August 1997). (Updated 21 February 2019. AAA00954; K00026-28.)

> Formerly Mr. & Mrs. Burton Tremaine, presumably Museum Ludwig, Cologne-owned, exhibited artwork: Jasper Johns’s Tango, (1955), (confirmed for Cologne only); presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; loaned artwork: Jasper Johns’s Three flags, (1958).

1 November - 21 December 1996. Masters at Janis at Sidney Janis Gallery, New York. (Updated 14 March 2019. G01978; K00185; K00187.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Sidney Janis Gallery-owned, exhibited artwork: Yves Klein’s Blue sponge, (1959).

1996-97, specific dates unknown. Pintura Estadounidense: Expresionismo Abstracto [Abstract Expressionism and the American Experience], Centro Cultural Arte Contemporaneo, Mexico City. (Viewed 24 February 2019. K00043.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Franz Kline’s Four square, (1956).

1996-97, specific dates unknown. Loan for display with permanent collection at Baum Gallery of Fine Art, University of Central Arkansas, Conway. (Viewed 22 December 2017. G01886.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Graham Sutherland’s Palm Palisades, (1947).

3 venues: 1997. Founders and heirs of the New York School at the Museum of Contemporary Art, Tokyo (specific dates unknown); The Miyagi Museum of Art, Sendai, Japan (specific dates unknown); The Museum of Modern Art, Ibaraki, Japan (specific dates unknown). (Viewed 24 February 2019. K00043.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Franz Kline’s Four square, (1956).

4 June - 7 September 1997. The Hirshhorn Collects: Recent Acquisitions 1992-1996 at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. (Viewed 1 February 2018. AAA00887.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Hirshhorn-owned, loaned artwork: Claes Oldenburg’s 7-Up, (1961).

1997-98, specific dates unknown. Loan for display with permanent collection, Baum Gallery of Fine Arts, University of Central Arkansas, Conway. (Viewed 27 February 2019. K00063.)

> Formerly Miller Company (Collection of Abstract Art), National Gallery of Art-owned, loaned artwork: Jacques Lipchitz’s Still Life, (1918).

17 July - 19 October 1997. Directions - Louise Lawler: Monochrome at Hirshhorn Museum and Sculpture Garden, Washington, DC. (Viewed 11 February 2018. G02028-30.)

> Lender unknown, loaned Monogram, (1984) by Louise Lawler, a photo of Jasper Johns’s White flag, (1955-58) in a Tremaine interior.

September - December 1997, specific dates unknown. The Pop 60’s: Transatlantic crossing at Centro Cultural de Belem, Lisbon, Portugal. (Updated 16 March 2019. F00580; K00054.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned artwork: Roy Lichtenstein’s Head - yellow and black, (1962).

8 October - 6 December 1997. American works 1945 - 1975 at C & M Arts, New York. (Viewed 24 February 2018. AAA00955; AAA00971.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned or exhibited artwork: Barnett Newman’s Euclidian Abyss, (1947).

11 January - 26 April 1998. Masterpieces of American Modernism: The Rambach Collection at the Butler Institute of American Art, Youngstown, Ohio. (Viewed 13 February 2018. AAA00437; AAA00926.)

> Former Miller Company (Collection of Abstract Art), private collection-owned (Rambach), loaned artwork: Stuart Davis’s Composition (1863), (1932).

26 January - 18 February 1998. Guerrilla Girls talk back: The first five years (1985 - 1990) at Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York. (Viewed 15 March 2019. G01946-48.)

> Richard F. Brush Art Gallery-owned, exhibited: Guerrilla Girls’ Q. How many works by women artists were in the Andy Warhol and Tremaine auctions at Sotheby’s?, (1989; lithograph 42/50), exhibited.

6 venues: 1998-99. The Fervour of Dada: Ernst Schwitters’ Collection at Sprengel Museum Hannover, Germany (8 March - 1 June 1998); ARKEN Museum for Moderne Kunst, Ishøj, Denmark (13 June - 13 September 1998); Centro Galego de Arte Contemporáneo, Santiago de Compostela, Spain (9 October 1998 - 8 January 1999); Museu do Chiado, Lisbon, Portugal (28 January - 4 April 1999); Fundación Juan March, Madrid, Spain (23 April - 20 June 1999); Fundación Juan March, Cuenca, Spain (30 June - 10 October 1999). (Viewed 22 December 2017. AAA00735; G01883-84.)

> Former Miller Company (Collection of Abstract Art), Ernst Schwitters Collection owned, loaned artwork: Josef Albers’s Flying, (1929/35).

17 March - 25 April 1998. The New York School at Gagosian Gallery, New York. (Viewed 24 February 2018. AAA00956; AAA00973.)

> Formerly Mr. & Mrs. Burton Tremaine, unknown lender, loaned or exhibited artwork: Barnett Newman’s Outcry, (1958).

11 April - 5 July 1998. Parallel worlds at Southeastern Center for Contemporary Art, Winston-Salem, North Carolina. (Viewed 3 March 2019. K00130).

> Formerly presumably Mr. & Mrs. Burton Tremaine; Wadsworth Atheneum-owned, loan artwork: Forrest Bess’s The Bull, (1950).

  • Offline - exhibition history of The Bull - Wadsworth Atheneum archive, Hartford, CT.
14 June - 6 September 1998. Ferdinand Hodler Piet Mondrian: Eine Begegnung at Aargauer Kunsthaus, Aarau, Switzerland. (Viewed 12 March 2019. K00151).

> Formerly Miller Company (Collection of Abstract Art), Stephen Mazoh [& Co.]-owned, loaned artwork: Piet Mondrian’s Pier and ocean, (1914).

1998, specific dates unknown. 50th anniversary exhibition at Sidney Janis Gallery, New York. (Viewed 23 February 2019. K00037.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Sidney Janis Gallery-owned, exhibited artwork: Yves Klein’s Blue sponge, (1959).

3 venues: 1998 - c. 2000. Andy Warhol: A Factory at Kunstmuseum Wolfsburg, Germany (dates unknown); Kunsthalle Wien, Austria (c. 1999); Palais des Beaux-Arts de Bruxelles, Brussels, Belgium (c. 2000). (Viewed 9 December 2017. G01808-09.)

> Presumably formerly private basis, Mr. & Mrs. Burton Tremaine, loaned NGA artwork: Andy Warhol’s A boy for Meg, (1962). (Not shown at final three venues: Museo Guggenheim, Bilbao, Spain; Fundaçao Serralves, Porto, Portugal; Guggenheim Museum, New York.)

22 March - 8 May 1999. Louise Lawler - The Tremaine Series 1984 at Per Skarstedt Fine Art, New York. (Updated 10 March 2019. K00121-22; K00143-44.)

> Lender unknown, loaned / exhibited photo works by Louise Lawler include, presumably: Monogram (1984), a photo of Jasper Johns’s White flag (1955-58) in a Tremaine interior; Pollock and tureen, (1984), a photo of the Tremaine’s dining room in New York, with cropped view of Jackson Pollock’s Frieze, (1953-55); Who are you close to (red), (1984 / 1990), showing Andy Warhol’s S&H Green Stamps, (1962), in the Tremaine’s dining room in Connecticut.

2 venues: 1999. A Rebours: La Rebelión Informalista (The Informal Rebellion) [1939-1968] at the Centro Atlántico de Arte Moderno, Gran Canaria, Spain (specific dates unknown); Museo Nacional Centro de Arte Reina Sofía, Madrid (specific dates unknown). (Viewed 24 February 2019. K00043.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Franz Kline’s Four square, (1956).

June - September 1999. The 1960’s at Nassau County Museum, Roslyn Harbor, New York. (Updated 16 March 2019. F00580; K00054.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned artwork: Roy Lichtenstein’s Head - yellow and black, (1962).

26 September 1999 - 13 February 2000. The American century: Art and culture 1900-2000 (Part II) at the Whitney Museum of American Art, New York. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

5 November 1999 - 19 March 2000. Art Worlds in Dialogue at Museum Ludwig, Cologne, Germany. (Viewed 16 August 2019. K00313-17).

> Formerly Mr. & Mrs. Burton Tremaine, Nasher Collection, Dallas-owned, loaned artwork: Alberto Giacometti’s Spoon Woman, 1926 (cast 1954).

12 December 1999 – 12 March 2000. The Enduring Figure 1890s-1970s: Sixteen Sculptors from the National Association of Women Artists at Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick, NJ. (Updated 14 December 2017. AAA00433; AAA00463.)

> Former Miller Company Collection of Abstract Art; NGA-owned, exhibited artwork: Mary Callery’s Amity, (1947).


2000s

2 venues: 2000. Twentieth-century American art: The Ebsworth Collection at the National Gallery of Art, Washington, DC (5 March - 11 June 2000); and the Seattle Art Museum, Washington (10 August - 12 November 2000). (Viewed 21 March 2019. K00208-09).

> Presumably formerly Mr. & Mrs. Burton Tremaine, Ebsworth Collection-owned, loaned artwork: Claes Oldenburg’s Strong arm, (1961); and Andy Warhol’s Campbell’s Soup with can opener, (1962).

12 March - 11 June 2000. Theo van Doesburg: Painter, Poet, Architect at two venues: Centraal Museum, Utrecht and Kröller-Müller Museum, Otterlo. (Viewed 20 February 2019. K00014.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, Museo Thyssen-Bornemisza-owned, loaned artwork: Theo van Doesburg’s Composition XX, (1920).

2 venues: March - November 2000. Twentieth-Century American art: The Ebsworth Collection at the National Gallery of Art, Washington, DC (specific dates unknown) and Seattle Art Museum (specific dates unknown). (Updated 2 March 2019. K00011; K00058; K000125-26.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Ebsworth Collection-loaned artworks: Claes Oldenburg’s Strong arm, (1961); and Andy Warhol’s Big Campbell’s Soup can with can opener (vegetable), (1962).

28 April - 4 September 2000. La vie, la vie elle-même qui est l’art absolu at Musée d’Art Moderne et d’Art Contemporain de Nice, France. (Viewed 15 March 2019. K00187-88).

> Presumably formerly Mr. & Mrs. Burton Tremaine; lender unknown, loaned artwork: Yves Klein’s Monochrome Blue, (1957).

  • Offline - artwork exhibition history - Yves Klein archive, Paris, France.
21 July - 19 September 2000. Günter Umberg. Body of Painting mit Bildern aus Kölner Sammlungen at Museum Ludwig, Cologne. (Viewed 28 February 2018. AAA00954.)

> Formerly Mr. & Mrs. Burton Tremaine, Museum Ludwig, Cologne-owned, exhibited artwork: Jasper Johns’s Tango, (1955).

23 September 2000 - 10 January 2001. La vita, la vita stressa che é l’arte assoluta at Museo Pecci, Prato, Italy. (Viewed 15 March 2019. K00187-88).

> Presumably formerly Mr. & Mrs. Burton Tremaine; lender unknown, loaned artwork: Yves Klein’s Monochrome Blue, (1957).

  • Offline - artwork exhibition history - Yves Klein archive, Paris, France.
17 October - 31 December 2000. Andy Warhol series and singles at Fondation Beyeler, Riehen / Basel, Switzerland. (Viewed 24 February 2019. K00047.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Museum Ludwig-owned, loaned artwork: Andy Warhol’s Close cover before striking (Pepsi-Cola), (1962).

2 venues: 2000-01. Hitchcock and art: Fatal coincidences at the Montreal Museum of Fine Arts (16 November 2000 - 16 April 2001); and Centre Georges Pompidou, Paris (dates unknown). (Viewed 4 March 2019. AAA00899; K00129.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Ralston Crawford’s Lights in an aircraft plant, (1945).

7 December 2000 - 10 February 2002. Highlights from the permanent collection: From Pollock to today at the Whitney Museum of American Art, New York. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

5 June - 4 September 2001. Photographs: A decade of collecting at the Metropolitan Museum of Art, New York. (Viewed 28 January 2018. G01932.)

> Metropolitan Museum-owned Pollock and tureen, (1984) by Louise Lawler, a photo of the Tremaine’s dining room in New York, with cropped view of Jackson Pollock’s Frieze, (1953-55).

2 venues: 2001. Mondrian: The Transatlantic paintings at Harvard University Art Museums, Cambridge, Massachusetts (28 April - 22 July 2001); and the Dallas Museum of Art (19 August - 25 November 2001). (Updated 13 March 2019. F00566-72; K00040; K00180-83.)

> Formerly Miller Company (Collection of Abstract Art), San Francisco MoMA-owned, loaned artwork: Piet Mondrian’s Composition with red, yellow, and blue, 1935-42 (at both venues); formerly Miller Company (Collection of Abstract Art), Reynolda House Museum of American Art-owned, loaned artwork: Stuart Davis’s For internal use only, (1945) (Dallas venue only).

2001, specific dates unknown. Extended loan for use by Secretary Roderick R. Paige, US Department of Education, Washington, DC. (Viewed 23 February 2019. K00031.)

> Formerly Miller Company (Collection of Abstract Art), presumably formerly Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Matta’s Genesis, (1942).

18 November 2001 - 7 April 2002. A Century of Drawing: Works on Paper from Degas to LeWitt at the National Gallery of Art, Washington. (Updated 14 December 2017. A01483; G01872-75.)

> Former Miller Company Collection of Abstract Art, NGA-owned, exhibited artwork: Jacques Lipchitz’s Pierrot, (1916).

7 February - 1 April 2002. Warhol at Tate Modern, London, England. (Updated 13 August 2019. K00242-43; K00307-08).

> Formerly Mr. & Mrs. Burton Tremaine, Tate Modern-owned, exhibited artwork: Andy Warhol’s Marilyn diptych, (1962).

  • Offline - Marilyn diptych exhibition history - Tate Modern archive, London.
  • Online - exhibition webpage - Tate Modern, London website.
  • Exhibition review - Gayford, Martin. (9 February 2002). Repitition turned into original art [with mention of Marilyn diptych]. The Spectator (London), pp. 45-6.
2002; specific dates unknown. Affinités & particularités: L’art en Belgique et aux Pays-Bas, 1890-1945 at Museum voor Schone Kunsten, Ghent, Belgium. (Viewed 20 February 2019. K00014.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, Museo Thyssen-Bornemisza-owned, loaned artwork: Theo van Doesburg’s Composition XX, (1920).

2 venues: 2002-03. Henri Matisse - drawing with scissors masterpieces from the late years at Schirn Kunsthalle, Frankfurt (dates unknown); Staatlichen Museen zu Berlin, Sammlung Berggruen (dates unknown). (Viewed 18 January 2018. G01910-11.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artworks: Oceania, the sky, (1946) and Oceania, the sea, (1946).

20 March - 15 September 2002. New York Renaissance: Masterworks from the Whitney Museum of American Art at Palazzo Reale, Milan, Italy. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; loaned artwork: Jasper Johns’s Three flags, (1958).

2 venues: 2002-03. Barnett Newman at the Philadelphia Museum of Art (24 March - 7 July 2002); Tate Modern, London (19 September 2002 - 5 January 2003). (Viewed 24 February 2018. AAA00955-56; AAA00972.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, private collector-owned, loaned artwork: Barnett Newman’s Euclidian Abyss, (1947); formerly Mr. & Mrs. Burton Tremaine, private collector-owned, loaned artwork: Barnett Newman’s Outcry, (1958; Philadelphia exhibition only).

2002, specific dates unknown. Art Basel Miami Beach. (Viewed 15 March 2019. K00187-88).

> Presumably formerly Mr. & Mrs. Burton Tremaine; lender unknown, loaned / exhibited artwork: Yves Klein’s Monochrome Blue, (1957). (Exhibition context unknown at this juncture.)

  • Offline - artwork exhibition history - Yves Klein archive, Paris, France.
10 October 2002 - 2 March 2003. De Kooning to today: Highlights from the permanent collection at the Whitney Museum of American Art, New York. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

3 venues: 2002-03. Envisioning architecture: Drawings from the Museum of Modern Art at Royal Academy of Arts, London (7 December 2002 - 16 February 2003); the Shirn Kunsthalle, Frankfurt, Germany (29 April - 3 August 2003); and the Museu de Arte Contemporânea de Serralves, Porto, Portugal (10 October - 31 December 2003). (Viewed 19 May 2019. K00232-37).

> Formerly Miller Company Collection of Abstract Art, MoMA-owned, loaned artwork: Roberto Burle Marx’s Design for a garden, (1948); formerly Miller Company Collection of Abstract Art or Mr. & Mrs. Burton Tremaine, MoMA-owned, loaned drawings: Oscar Niemeyer with Roberto Burle Marx’s drawings for Tremaine House, Santa Barbara (MoMA accession nos. SC74.1966 and SC76.1966).

2 venues: 2003. Richard Artschwager: Bilder, Zeichnungen, Objekte at Kunstmuseum Winterthur, Switzerland (March - May 2003); Haus Lange und Haus Esters, Krefeld, Germany (June - September 2003). (The artwork below did not go to the later Munich venue). (Updated 11 March 2019. K00003-04; K00166.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Stiftung Froehlich-owned, loaned artwork: Richard Artschwager’s Relief I, (1965).

4 venues: 2003-04. Miracle in the scrap heap: The sculpture of Richard Stankiewicz at Addison Gallery of American Art, Andover, MA (19 April - 31 July 2003); AXA Gallery, New York (13 August - 18 October 2003); McNay Art Museum, San Antonio, TX (15 April - 15 July 2004); Museum Jean Tinguely, Basel, Switzerland (1 September - 1 November 2004). (Viewed 12 December 2017. G01846-47).

> Formerly Miller Company (Collection of Abstract Art); former private basis Mr. & Mrs. Burton Tremaine; Cleveland Museum of Art, loaned artwork: Richard Stankiewicz’s Untitled, (1961).

4 venues: 2003-05. James Rosenquist: A Retrospective at the Menil Collection and the Museum of Fine Arts, Houston (17 May - 17 August 2003); Guggenheim Museum, New York (16 October 2003 - 18 January 2004); Guggenheim Museum Bilbao, Spain (July - October 2004); Kunstmuseum Wolfsburg, Germany (11 February - 29 May 2005). (Viewed 20 February 2019. K00016-17.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Philadelphia Museum of Art-owned, loaned artwork: James Rosenquist’s Zone, (1961).

18 June - 19 October 2003. Pop International at Wäinö Aaltosen Museo, Turku, Finland. (Viewed 28 February 2018. G01969.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Museum Ludwig-owned, loaned artwork: Andy Warhol’s Close cover before striking (Pepsi-Cola), (1962).

9 August - 27 October 2003. Stranger in the village at the Museum of Modern Art, New York. (Viewed 2 March 2019. K00123-24.)

> Private lender, Does Andy Warhol make you cry?, (1988) by Louise Lawler, photo of Andy Warhol’s Head of Marilyn Monroe/ Round Marilyn, (1962) at auction by Burton Tremaine.

20 October 2003 - 22 August 2004. From Rodin to Calder: Masterworks of Modern sculpture from the Nasher Collection at the Nasher Sculpture Center, Dallas, Texas. (Viewed 16 August 2019. K00313-17; K00321-22).

> Formerly Mr. & Mrs. Burton Tremaine, Nasher Sculpture Center, Dallas-owned, loaned artwork: Alberto Giacometti’s Spoon Woman, 1926 (cast 1954).

24 October 2003 - 1 February 2004. Georgia O’Keeffe at Kunsthaus Zurich, Switzerland. (Updated 7 March 2019. AAA00910; K00132-33.)

> Former Miller Company (Collection of Abstract Art), Minneapolis Institute of Arts-owned, loaned artwork: Georgia O’Keeffe’s New York night, (or City night), (1926).

14 March - 2 August 2004. A minimal future? Art as object 1958-1968 at MOCA Grand Avenue, Los Angeles. (Viewed 16 February 2018. AAA00937.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, MOCA LA-owned, exhibited artwork: Robert Irwin’s Untitled, (1963-65).

2004, specific dates unknown. Winter fairtales at Galerie Gmurzynska, (location presumably in Switzerland, currently unknown). (Viewed 15 March 2019. K00187-88).

> Presumably formerly Mr. & Mrs. Burton Tremaine; lender unknown, loaned / exhibited artwork: Yves Klein’s Monochrome Blue, (1957).

  • Offline - artwork exhibition history - Yves Klein archive, Paris, France.
15 May - 29 August 2004. Louise Lawler and others at Kunstmuseum Basel, Switzerland. (Viewed 15 February 2018. G02028; G02032.)

> Lenders unknown, loaned Monogram by Louise Lawler, a photo of Jasper Johns’s White flag, (1955-58) in a Tremaine interior; Does Andy Warhol make you cry?, (1988) by Louise Lawler, photo of Andy Warhol’s Head of Marilyn Monroe/ Round Marilyn, (1962) at auction by Burton Tremaine.

1 July - 24 October 2004. Pop / Concept: Highlights from the permanent collection at the Whitney Museum of American Art, New York. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

September - November 2004. Roy Lichtenstein at the Nagoya City Art Museum, Japan. (Viewed 28 February 2018. G01961.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Leo Castelli Gallery-owned, loaned artwork: Roy Lichtenstein’s Crying girl, (1964).

18 September 2004 - July 2005. Bodies past and present: The figurative tradition in the Nasher Collection at the Nasher Sculpture Center, Dallas, Texas. (Viewed 16 August 2019. K00313-17; K00322).

> Formerly Mr. & Mrs. Burton Tremaine, Nasher Sculpture Center, Dallas-owned, loaned artwork: Alberto Giacometti’s Spoon Woman, 1926 (cast 1954).

20 November 2004 - 21 March 2005. Architecture and design: Inaugural installation at the Museum of Modern Art, New York. (Viewed 7 March 2019. AAA00899; AAA00901; G01961).

> Formerly Miller Company Collection of Abstract Art, MoMA-owned, exhibited artwork: Roberto Burle Marx’s Design for a garden, (1948).

2 February - 31 March 2005. On top of the world at Galerie Gmurzynska, (location presumably in Switzerland, currently unknown). (Viewed 15 March 2019. K00187-88).

> Presumably formerly Mr. & Mrs. Burton Tremaine; lender unknown, loaned / exhibited artwork: Yves Klein’s Monochrome Blue, (1957).

  • Offline - artwork exhibition history - Yves Klein archive, Paris, France.
3 venues: 2005-06. Richard Pettibone: A retrospective at Institute of Contemporary Art, Philadelphia (30 April - 1 August 2005); Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York (19 November 2005 - 12 February 2006); and Laguna Art Museum, Laguna Beach, California (12 March - 28 May 2006). (Viewed 19 March 2019. K00201-05).

> Richard Pettibone’s Train destroys valuable art object; Andy Warhol, "Campbell’s Soup can (pepper pot)", 1962, (1964).

12 May - 14 August 2005. Do it Yourself at Hamburger Bahnhof – Museum für Gegenwart – Berlin, Germany. (Organized by the Nationalgalerie). (Viewed 19 February 2019. K00005; K00171.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Sammlung Marx loaned artwork: Robert Rauschenberg’s Stripper, (1962).

11 March - 19 June 2005. Piet Mondrian at Albertina, Vienna. (Viewed 11 March 2019. K00151; K00170).

> Formerly Miller Company (Collection of Abstract Art), Stephen Mazoh [& Co.]-owned, loaned artwork: Piet Mondrian’s Pier and ocean, (1914).

2 October 2005 - 21 May 2006. The Evolution of the Nasher Collection at the Nasher Museum of Art at Duke University, Durham, North Carolina. (Viewed 16 August 2019. K00313-17; K00323-28).

> Formerly Mr. & Mrs. Burton Tremaine, Nasher Sculpture Center, Dallas-owned, loaned artwork: Alberto Giacometti’s Spoon Woman, 1926 (cast 1954).

29 April - 23 October 2006. Architecture & design drawings: Rotation 3 at the Museum of Modern Art, New York. (Viewed 8 March 2019. AAA00901; AAA03404-05; G02025).

> Formerly Miller Company Collection of Abstract Art, MoMA-owned, exhibited artwork: Roberto Burle Marx’s Design for a garden, (1948).

29 June - 15 October 2006. Full house: Views of the Whitney’s Collection at 75 at the Whitney Museum of American Art, New York. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

26 July 2006 - 23 September 2007. Ways of seeing: John Baldessari explores the collection at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. (Viewed 30 January 2018. AAA00887.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Hirshhorn-owned, exhibited artwork: Claes Oldenburg’s 7-Up, (1961).

16 September - 31 December 2006. Twice untitled and other pictures (looking back) (Louise Lawler solo exhibition) at Wexner Center for the Arts, Ohio State University, Columbus, Ohio. (Viewed 9 March 2019. K00139-41).

> Unknown lenders, loaned artworks: Louise Lawler’s Bedroom with fireplace, arranged by Mr. and Mrs. Burton Tremaine Sr., New York City, (1984 / 1989), showing Piet Mondrian’s Pier and ocean (1914); Board of directors, (1989), showing cropped view of Jasper Johns’s White flag, (1955-58), at Tremaine Collection auction in 1988; Conditions of sale, (1990), showing Jasper Johns’s Grey numbers, (1963), Roy Lichtenstein’s Crying girl, (1964), Robert Rauschenberg’s Untitled, (1958), and possible unidentified work to the left, at Tremaine Collection auction in 1988; Lot #22, (1988 / 1991), showing cropped views of Jackson Pollock’s Frieze (1953-55) and undentified artwork to the left, at Tremaine Collection auction in 1988.

October 2006 - January 2007. The gold standard at P.S. 1 Contemporary Art Center, Long Island City, New York. (Viewed 2 March 2019. K00123.)

> Private lender, Does Andy Warhol make you cry?, (1988) by Louise Lawler, photo of Andy Warhol’s Head of Marilyn Monroe/ Round Marilyn, (1962) at auction of works owned by Burton Tremaine.

25 - 30 October 2006. FIAC, Grand Palais, Paris, France. (Viewed 15 March 2019. K00187-88).

> Presumably formerly Mr. & Mrs. Burton Tremaine; lender unknown, loaned / exhibited artwork: Yves Klein’s Monochrome Blue, (1957). (Exhibition context unknown at this juncture.)

  • Offline - artwork exhibition history - Yves Klein archive, Paris, France.
2007, specific dates unknown. Warhol • Rauschenberg • Lichtenstein • Twombly • Kiefer at Museum Frieder Burda, Baden-Baden. (Viewed 12 October 2018. AAA00931.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Stripper, (1962).

  • Offline - Stripper exhibition history - Marx Collection, Permanent Loan to the Nationalgalerie, Staatliche Museen zu Berlin, Germany.
2007, specific dates unknown. Loan to Commemoration of the 20th Anniversary of Andy Warhol’s Death, The Andy Warhol Museum, Pittsburgh, PA. (Viewed 22 December 2017. G01890-91.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Andy Warhol’s A boy for Meg, (1962).

25 January - 13 May 2007. CMA@MOCA at Cleveland Museum of Contemporary Art. (Viewed 12 December 2017. G01846.)

> > Formerly Miller Company (Collection of Abstract Art); former private basis Mr. & Mrs. Burton Tremaine; Cleveland Museum of Art, loaned artwork: Richard Stankiewicz’s Untitled, (1961).

February - June 2007. Optic nerve: Perceptual Art of the 1960’s at the Columbus Museum of Art, Ohio. (Viewed 26 February 2019. K00044; K00061; K00211.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artworks: Bill Komodore’s Vermont, (1964) and Bridget Riley’s Balm, (1964).

3 venues: 2007-08. Georgia O’Keeffe, Circling around abstraction at the Norton Museum of Art, Palm Beach, Florida (10 February - 6 May 2007); Georgia O’Keeffe Museum, Santa Fe, New Mexico (25 May - 9 September 2007); Minneapolis Institute of Arts (7 October - 6 January 2008). (Viewed 7 February 2018. AAA00910; G02018-20.)

> Former Miller Company (Collection of Abstract Art), Minneapolis Institute of Arts-owned, loaned artwork: Georgia O’Keeffe’s New York night, (or City night), (1926).

11 May - 19 August 2007. Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961-1968 at Oklahoma City Museum of Art. Updated 12 December 2017. AAA00390-91.)

> Formerly in the Miller Company Collection of Abstract Art; OKCMOA-owned, exhibited Ilya Bolotowsky’s Perpendiculars and diagonals, (1945).

1 June - 16 September 2007. Mexico and Modern printmaking— A revolution in the graphic arts, 1920 - 1950 at Phoenix Art Museum. (Viewed 16 February 2018. AAA00934-35.)

> Formerly Miller Company (Collection of Abstract Art), Phoenix Art Museum-owned, exhibited artwork: Carlos Orozco Romero’s La danza (The Dance), (1939).

before 2 July - 29 July 2007. True Dutterer: The work of William S. Dutterer at the American University Museum at the Katzen Arts Center, Washington, DC. (Viewed 21 March 2019. G01908-09.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: William Dutterer’s Equal, no. 2, (1968).

13 September - 20 October 2007. Louise Lawler: The Tremaine pictures 1984-2007. BFAS Blondeau Fine Art Services, Geneva, Switzerland (in cooperation with Metro Pictures Gallery, New York). (Viewed 13 December 2017. G01852-66.)

> The Tremaine’s interiors and art collection as photowork subjects, some Tremaine-owned artworks in the 1984 Tremaine Collection exhibition at the Wadsworth Atheneum (1984) as photowork subjects, some Tremaine-owned artworks at auction (1987) as photowork subjects. (Overall, there are 30 works in editions.)

25 October 2007 - 23 March 2009. DLA Piper Series: The Twentieth Century, How it looked and how it felt at Tate Liverpool, England. (Updated 13 August 2019. H00926; H00928-30; K00307-08).

> Formerly Mr. & Mrs. Burton Tremaine, Tate Modern-owned, loaned artwork: Andy Warhol’s Marilyn diptych, (1962).

  • Offline - Marilyn diptych exhibition history - Tate Modern archive, London.
  • Online - press release (25 June 2007) - Tate Liverpool website.
  • Online - exhibition webpage - Tate Liverpool website.
  • (14 September 2007). [Short announcement:] Tate to show collection masterpieces [with mention of Andy Warhol’s Marilyn diptych]. Liverpool Echo newspaper, p. 15. See worldcat.org for possible locations.
  • (28 September 2007). TATE of the ART [with mention of Andy Warhol’s Marilyn diptych to be installed the following month]. Liverpool Echo newspaper, p. 1. See worldcat.org for possible locations.
19 January - 9 November 2008. Pop to the present: New questions, new responses at the Wadsworth Atheneum, Hartford, CT. (Viewed 3 March 2019. K00131).

> Presumably formerly Mr. & Mrs. Burton Tremaine; Wadsworth Atheneum-owned, exhibited artwork: Robert Rohm’s Rope piece, (1970).

  • Offline - exhibition history of Rope piece - Wadsworth Atheneum archive, Hartford, CT.
30 January 2008 - 3 January 2010. The Whitney’s collection at the Whitney Museum of American Art, New York. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

2008; specific dates unknown. Painting in the United States at the Westmoreland Museum of American Art, Greensburg, PA. (Viewed 31 January 2018. AAA00899-900.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Ralston Crawford’s Lights in an aircraft plant, (1945).

2008, specific dates unknown. Action Painting - Jackson Pollock at the Fondation Beyeler, Basel, Switzerland. (Viewed 24 February 2019. K00042.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Franz Kline’s C & O, (1958).

20 February - 4 April 2009. Making Art: Explorations in Process at Academy Art Museum, Easton, MD. (Viewed 22 December 2017. G01888-89.)

> Presumably formerly private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Ernest Trova’s Falling man, (1970).

21 April - 2 August 2009. The pictures generation, 1974-1984 at the Metropolitan Museum of Art, New York. (Updated 5 March 2018. AAA00856; G01932; G02028; AAA01004.)

> Metropolitan Museum-owned Pollock and tureen, (1984) by Louise Lawler, a photo of the Tremaine’s dining room in New York, with cropped view of Jackson Pollock’s Frieze, (1953-55); private lender, loaned Monogram, (1984) by Louise Lawler, a photo of Jasper Johns’s White flag, (1955-58) in a Tremaine interior; unknown lender, Living room corner, arranged by Mr. & Mrs. Burton Tremaine, New York City, 1984, (1984) showing Robert Delaunay’s Premier disque, (1912) and presumably Roy Lichtenstein’s Ceramic head with blue shadow, (1966).

24 April - 12 July 2009. Soft sculpture at National Gallery of Australia, Canberra. (Viewed 14 February 2018. AAA00928-29.)

> Former Mr. & Mrs. Burton Tremaine, NGA Australia-owned, exhibited work: Jim Dine’s An animal, (1961).

7 June - 7 September 2009. Dove / O’Keeffe: Circles of Influence at Sterling and Francine Clark Art Institute, Williamstown, Massachusetts. (Viewed 8 February 2018. AAA00910; G02017.)

> Former Miller Company (Collection of Abstract Art), Minneapolis Institute of Arts-owned, loaned artwork: Georgia O’Keeffe’s New York night, (or City night), (1926).

12 July - 13 September 2009. Adventures in Modern art: The Charles K. Williams II Collection at the Philadelphia Museum of Art. (Updated 13 February 2018. AAA00437; G02033.)

> Formerly in Miller Company Collection of Abstract Art, artwork exhibited: Stuart Davis’s Composition (1863), (c. 1930).

17 October 2009 - 24 January 2010. Cézanne - Picasso - Mondriaan: A new perspective at Gemeentemuseum, The Hague, The Netherlands. (Viewed 11 March 2019. K00153; K00159).

> Formerly Miller Company (Collection of Abstract Art), Gemeentemuseum-owned (The Hague), exhibited artwork: Piet Mondrian’s Victory Boogie Woogie, (1942-44).

2 venues: 2009-10. Van Doesburg and the international avant-garde. Constructing a new world at Stedelijk Museum De Lakenhal, Leiden, The Netherlands (20 October 2009 - 3 January 2010); Tate Modern, London (4 February - 16 May 2010). (Viewed 14 February 2018. AAA00893; G01996-98.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, Museo Thyssen-Bornemisza-owned, loaned artwork: Theo van Doesburg’s Composition XX, (1920).

15 November 2009 - 12 July 2010. Collection: MOCA’s first 30 years at MOCA Grand Avenue, Los Angeles. (Viewed 16 February 2018. AAA00937.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, MOCA LA-owned, exhibited artwork: Robert Irwin’s Untitled, (1963-65).

2009 - 2010, specific dates unknown. In The Making... Werke aus den Sammlungen. Vanitas. Zwischen Tod und Eitelkeit at Nationalgalerie im Hamburger Bahnhof, Berlin. (Viewed 12 October 2018. AAA00931.)

> Presumably Mr. & Mrs. Burton Tremaine, loaned artwork: Robert Rauschenberg’s Stripper, (1962).

  • Offline - Stripper exhibition history - Marx Collection, Permanent Loan to the Nationalgalerie, Staatliche Museen zu Berlin, Germany.


2010s

17 September - 23 October 2010. 50 years at Pace at Pace Gallery, New York. (Updated 13 August 2019. AAA00861-63; K00013; K00227; K00307-08.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; loaned artwork: Jasper Johns’s Three flags, (1958); formerly Mr. & Mrs. Burton Tremaine, Fondation Beyeler-owned, loaned artwork: Robert Rauschenberg’s Windward, (1963); formerly Mr. & Mrs. Burton Tremaine, Tate Modern-owned, loaned artwork: Andy Warhol’s Marilyn diptych, (1962).

30 October 2010 - 30 October 2011. Figuring abstraction at Reynolda House Museum of American Art, Winston-Salem, NC. (Viewed 5 February 2018. G01974.)

> Formerly Miller Company (Collection of Abstract Art), Reynolda House Museum of American Art-owned, exhibited artwork: Stuart Davis’s For internal use only, (1945).

16 December 2010 - 5 August 2012. Singular visions at the Whitney Museum of American Art, New York. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

2 venues: 2011. Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art at the National Art Center, Tokyo, Japan (8 June - 5 September 2011) and Kyoto Municipal Museum of Art, Kyoto, Japan (13 September - 27 November 2011). (Viewed 22 December 2017. G01899-1901.)

> Formerly presumably private basis Mr. & Mrs. Burton Tremaine, NGA-owned, loaned artwork: Paul Cézanne’s Self-portrait, (1899), lithograph.

2 venues: 2011. The deconstructive impulse: Women artists reconfigure the signs of power, 1973-1991 at Neuberger Museum of Art, Purchase College, New York (specific dates unknown); Nasher Museum of Art, Duke University, Durham, North Carolina (15 September - 31 December 2011). (Viewed 2 March 2019. K00102; K00119.)

> Unknown lender, Board of Directors, 1988 / 1989 by Louise Lawler showing a cropped view (presumably) of the Tremaine-owned work, Jasper Johns’s White flag, (1955-58), at auction.

4 venues: 2011-13. Warhol: Headlines at National Gallery of Art, Washington, DC (25 September 2011 - 2 January 2012); Museum für Moderne Kunst, Frankfurt, Germany (11 February - 13 May 2012); Galleria nazionale d’arte moderna, Rome, Italy (11 June - 9 September 2012); The Andy Warhol Museum, Pittsburgh, PA (14 October 2012 - 6 January 2013). (Updated 20 December 2017. AAA00732; G01867-71.)

> Formerly private basis: Mr & Mrs Burton Tremaine; NGA-owned, artwork exhibited: Andy Warhol’s A boy for Meg, (1962). (Inclusion in venues after Washington, DC is not confirmed.)

11 February - 28 May 2012. Alexander Calder: The great discovery at Gemeentemuseum, The Hague, The Netherlands. (Viewed 11 March 2019. K00153-54).

> Formerly Miller Company (Collection of Abstract Art), Gemeentemuseum-owned (The Hague), exhibited artwork: Piet Mondrian’s Victory Boogie Woogie, (1942-44).

3 venues: 2012-13. This will have been: Art, love, politics in the 1980s at the Museum of Contemporary Art, Chicago (11 February - 3 June 2012); Walker Art Center, Minneapolis (30 June - 30 September 2012); and the Institute of Contemporary Art, Boston (15 November 2012 - 3 March 2013). (Viewed 9 March 2019. AAA01008; K00134-35; K00137-38.)

> Glenstone-owned (Potomac, MD), loaned photo works: Louise Lawler’s Living room corner, arranged by Mr. & Mrs. Burton Tremaine, Sr., (1984), showing Robert Delaunay’s Premier disque, (1912) and presumably Roy Lichtenstein’s Ceramic head with blue shadow, (1912) in the Tremaine’s New York flat; and Lawler’s Who are you close to (red), (1984 / 1990), showing Andy Warhol’s S&H Green Stamps, (1962), in the Tremaine’s dining room in Connecticut.

26 February - 20 May 2012. Mondrian - Nicholson: In parallel at the Courtauld Gallery, London, England. (Viewed 11 March 2019. (Viewed 11 March 2019. K00160-63; K00167-68).

> Formerly Miller Company (Collection of Abstract Art), San Francisco MoMA-owned, loaned artwork: Piet Mondrian’s Composition with red, yellow, and blue, 1935-42.

April - June 2012. Frank Stella: Black, Aluminum, Copper Paintings at L & M Gallery, New York. (Viewed 5 February 2018. G01983.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, private collection, loaned artwork: Frank Stella’s Telluride, (1961).

4 venues: 2012-13. Roy Lichtenstein: A Retrospective at Art Institute of Chicago (16 May - 3 September 2012); National Gallery of Art, Washington, DC (14 October 2012 - 13 January 2013); Tate Modern, London (21 February - 27 May 2013); Centre Georges Pompidou, Paris (3 July - 4 November 2013). (Updated 11 March 2019. G01962; K00155-58.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned artwork: Roy Lichtenstein’s Ceramic sculpture #7, (1965).

2 venues: 2012-13. Regarding Warhol: Sixty artists, fifty years at the Metropolitan Museum of Art, New York (10 September - 31 December 2012); Andy Warhol Museum, Pittsburgh (4 February - 28 April 2013).

> Metropolitan Museum-owned Pollock and tureen, (1984) by Louise Lawler, a photo of the Tremaine’s dining room in New York, with cropped view of Jackson Pollock’s Frieze, (1953-55).

11 venues: 2012-14, part I (see part II below). Harry Seidler: Architecture, art and collaborative design at Museum of Estonian Architecture, Tallinn (4 October - 25 November 2012); Vivacom Art Hall, Sofia, Bulgaria (10 January - 10 February 2013); Latvian National Museum of Art, Riga (22 February - 17 March 2013); AIA Center, Houston (4 April - 31 May 2013); Black Mountain Museum, Asheville, NC (14 June - 21 August 2013); University of Manitoba, Winnipeg, Canada (12 September - 10 October 2013); University of Virginia, Charlottesville (8 November - 4 December 2013); Museu da Casa Braseleira, Sao Paulo, Brazil (11 February - c. 23 March 2014); Instituto de Arquitetos do Brasil, Rio de Janeiro (11 April - 16 May 2014); Vitoria Commercial & Cultural Center, Vitoria, Brazil (18 June - 31 July 2014); Universidad de Palermo, Buenos Aires (6 - 16 September 2014). (Viewed 16 March 2019. AAA00906-07; F00573-74; G01987.)

> Exhibition and book show direct influence of Henry-Russell Hitchcock’s Painting toward architecture book (1948) on Harry Seidler.

14 April - 5 August 2013. Claes Oldenburg: The street and the store at the Museum of Modern Art, New York. (Viewed 30 January 2018. AAA00887.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Hirshhorn-owned, loaned artwork: Claes Oldenburg’s 7-Up, (1961).

17 May - 7 October 2013. Vues d’en haut ("Views from above" in English) at Centre Pompidou-Metz, Metz, France. (Viewed 22 December 2017. AAA00735; G01883-85.)

> Former Miller Company (Collection of Abstract Art), Ernst Schwitters Collection owned, loaned artwork: Josef Albers’s Flying, (1929/35).

10 July 2013 - 5 January 2014. Cut ’n’ paste: From architectural assemblage to collage city at the Museum of Modern Art, New York. (Viewed 5 March 2019. G01963-64; G01981; G01992).

> Formerly Miller Company Collection of Abstract Art, MoMA-owned, exhibited artwork: Oscar Niemeyer with Roberto Burle Marx. Beach House for Mr. and Mrs. Burton Tremaine, project, Santa Barbara, California (site photos and map). (1948).

8 September 2013 - 19 January 2014. Piet Mondrian, Barnett Newman, Dan Flavin at Kunstmuseum Basel, Switzerland. (Viewed 1 March 2019. K00097.)

> Formerly Mr. & Mrs. Burton Tremaine, private collector-owned, loaned artwork: Barnett Newman’s The moment II, (1969).

11 October 2013 - 26 January 2014. Not Yet Titled. Neu und für immer im Museum Ludwig at Museum Ludwig, Cologne, Germany. (Updated 21 February 2018. G01969; AAA00954.)

> Formerly Mr. & Mrs. Burton Tremaine, Museum Ludwig-owned, exhibited artwork: Andy Warhol’s Close cover before striking (Pepsi-Cola), (1962) and Jasper Johns’s Tango, (1955).

11 October 2013 - 26 January 2014. Louise Lawler: Adjusted at Museum Ludwig, Cologne. (Viewed 13 February 2018. G02034-35; AAA00856.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

16 October 2013 - 9 March 2014. Paul Klee - making visible at Tate Modern, London. (Viewed 11 February 2018. AAA00844.)

> Former Miller Company (Collection of Abstract Art), private collection-owned, loaned artwork: Paul Klee’s Structural II, (1924).

c. 16 December 2013 - 29 June 2014. American legends: From Calder to O’Keeffe at the Whitney Museum of American Art, New York. (Viewed 21 February 2019. K00026-28.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

24 April - 27 June 2014. Pierre Soulages: New paintings at Dominique Lévy Gallery, New York. (Viewed 3 February 2018. G01967-68.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art-owned, loaned artwork: Pierre Soulages’s Peinture 195 x 130 cm, 1955, (1955).

5 June - 25 July 2014. No drones at Metro Pictures gallery, New York. (Viewed 17 February 2018. AAA00914-16.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

2 July - 22 August 2014. No drones at Sprüth Magers London. (Viewed 17 February 2018. AAA00917; AAA00919.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

17 July - 19 October 2014. Shaping a collection: Five decades of gifts at the Whitney Museum of American Art, New York. (Viewed 21 February 2018. AAA00861-63.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

2 August - 13 October 2014. Make it new: Abstract painting from the National Gallery, 1950 - 1975 at The Clark, Williamstown, Massachusetts. (Updated 25 March 2019; F00589-91; K00219-21).

> Presumably formerly Mr. & Mrs. Burton Tremaine, National Gallery of Art, Washington, DC-owned, loaned artworks: Franz Kline’s Four square, (1956); and Larry Poons’s Tristan da Cugna, (1964).

2 October 2014 - 11 January 2015. Ludwig goes Pop at Museum Ludwig, Cologne, Germany. (Updated 21 February 2018. AAA00954; G01969.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Museum Ludwig-owned, exhibited artwork: Andy Warhol’s Close cover before striking (Pepsi-Cola), (1962) and Jasper Johns’s Tango, (1955).

16 October 2014 - 24 April 2016. At the hub of things: New views of the collection at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. (Viewed 30 January 2018. AAA00887.)

> Presumably Mr. & Mrs. Burton Tremaine, Hirshhorn-owned, exhibited artwork: Claes Oldenburg’s 7-Up, (1961).

9 October 2014 - 11 January 2015. Pop departures at the Seattle Art Museum, Washington. (Viewed 2 March 2019. K000125-27; K00207-08).

> Presumably formerly Mr. & Mrs. Burton Tremaine, Ebsworth Collection-owned, loaned artwork: Claes Oldenburg’s Strong arm, (1961).

20 October 2014 - 16 February 2015. Cubism: The Leonard A. Lauder Collection at the Metropolitan Museum of Art, New York. (Updated 3 February 2018. G01966; A01218-19.)

> Formerly Miller Company Collection of Abstract Art, Metropolitan Museum of Art-owned, exhibited artwork: Juan Gris’s Pear and grapes on a table, (1913).

2 venues: 2014-15. Paul Klee - Sonderklasse, unverkäuflich at Zentrum Paul Klee, Bern, Switzerland (21 October 2014 - 1 February 2015); Museum der bildenden Künste Leipzig, Germany (1 March - 25 May 2015). (Viewed 11 February 2018. AAA00844; G02026-27.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, private collection-owned, loaned artwork: Paul Klee’s Kopf ("Head" in English), (1919).

22 October 2014 - 18 January 2015. Hubert de Givenchy at Museo Thyssen-Bornemisza, Madrid. (Viewed 6 February 2018. AAA00893; G01995.)

> Formerly Miller Company (Collection of Abstract Art), formerly Mr. & Mrs. Burton Tremaine, Museo Thyssen-Bornemisza-owned, exhibited artwork: Theo van Doesburg’s Composition XX, (1920).

16 venues: 2014-18; part II (see part I above). Harry Seidler: Painting toward architecture at Museum of Sydney, Australia (1 November 2014 - 8 March 2015); The University of Western Australia, Perth (23 March - 15 April 2015); Planungswerkstatt, Vienna, Austria (13 May - 3 July 2015); Escola Tecnica Superior d’Arquitectura de Barcelona, Spain (17 September - 15 October 2015); Moholy-Nagy University of Art and Design, Budapest, Hungary (5 November - 19 December 2015); Colegio Oficial de Arquitectos de Madrid (COAM) (21 -29 January 2016); Technische Universität Berlin Architekturmuseum, Germany (11 February - 17 March 2016); University of Ulster, Belfast School of Architecture, NI, UK (4 -28 April 2016); (title: Seidler / Dupain) - St. Petersburg Design Week, Russia; Australian Embassy, Paris, France (7 September - 4 November 2016); Tianjin University Research Institute of Architectural Design and Urban Planning, China (13 -23 January 2017); Shanghai Study Centre, Hong Kong University, Shanghai (17 February - 19 March 2017); Architecture and Design Center at Tsinghua University, Beijing, China (30 March - 14 April 2017); Facultad de Arquitectura, UNAM, Mexico City (3 May - 9 June 2017); AIA Center, New Orleans, LA (30 June - 1 August 2017); Bernard and Anne Spitzer School of Architecture, City College of New York (25 September - 22 November 2017); Crown Hall, IIT School of Architecture, Illinois Institute of Technology, Chicago, Illinois (22 August - 5 September 2018). (Viewed 17 March 2019. AAA00906-07; F00573-74; F00593; G01987.)

> Former Miller Company (Collection of Abstract Art), National Gallery of Australia, Canberra-owned, loaned artwork, Sydney venue: Theo van Doesburg’s Space-time construction no. 3, (1923). For all of the other venues, a reproduction of the Van Doesburg work was on view. Also, the Painting toward architecture book was in the installation at least in the Chicago venue. [Exhibition and book show direct influence of Henry-Russell Hitchcock’s Painting toward architecture book (1948) on Harry Seidler.]

7 November 2014 - 8 February 2015. Transmitting Andy Warhol at Tate Liverpool, England. (Updated 13 August 2019. H00926; K00153; K00307-08).

> Formerly "Mr. & Mrs. Burton Tremaine, Meriden Connecticut", Tate Modern-owned (London), loaned artwork: Andy Warhol’s Marilyn diptych, (1962).

15 November 2014 - 17 January 2015. No drones at Sprüth Magers Berlin. (Viewed 13 February 2018. AAA00921.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) and Pollock and tureen (traced and painted), third, (1984 / 2013 / 2014), referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

30 January - 26 April 2015. Guerrilla Girls 1985 - 2015 at Matadero Madrid art center, Spain. (Viewed 15 March 2019. K00194-97).

> Unknown lender, lent / exhibited artwork: Guerrilla Girls’ Q. How many works by women artists were in the Andy Warhol and Tremaine auctions at Sotheby’s?, (1989). Format unknown.

7 March - 10 May 2015. Parasophia at Kyoto International Festival for Contemporary Culture, Japan. (Viewed 1 March 2019. K00102-03.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55). (Installed at Kyoto Municipal Museum of Art and Kyoto BAL.)

3 venues: 2015-16. International Pop at Walker Art Center, Minneapolis (11 April - 29 August 2015); Dallas Museum of Art (11 October 2015 - January 17, 2016); Philadelphia Museum of Art (24 February - 15 May 2016). (Viewed 30 January 2018. AAA0893-96.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Philadelphia Museum of Art-owned, loaned artwork: James Rosenquist’s Zone, (1961).

1 May - 27 September 2015. America is hard to see at the Whitney Museum of American Art, New York. (Viewed 14 February 2018. AAA00861-63.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

15 May - 20 June 2015. Works on paper at Green Naftali gallery, New York. (Viewed 15 February 2018. AAA00925.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced and painted), number unknown, (1984 / 2013 / 2014), referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

30 May - 29 November 2015. See you at the barricades at the Art Gallery of New South Wales, Sydney, Australia. (Updated 28 February 2018. G01936-37.)

> Art Gallery of New South Wales-owned, Guerrilla Girls’ Q. How many works by women artists were in the Andy Warhol and Tremaine auctions at Sotheby’s?, (1989; lithograph; 13/50), exhibited.

10 July - 20 September 2015. Et in Arcadio Ego – World-chaos & Idyll at Museum Kurhaus Kleve, Germany. (Viewed 17 February 2018. AAA00856; AAA00940.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

29 August 2015 - 24 January 2016. Von Bildern at Kunstmuseum Basel, Switzerland. (Viewed 5 March 2018. AAA00856; AAA01006-07.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) (edition number unknown) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

17 September 2015 - 30 January 2016. No drones at Blondeau & Cie gallery, Geneva, Switzerland. (Viewed 13 February 2018. AAA00922.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) and Pollock and tureen (traced and painted), seventh, (1984 / 2013 / 2015), referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

2 venues: 2016-17. Roberto Burle Marx: Brazilian Modernist at Jewish Museum, New York (6 May - 18 September 2016); Deutsche Bank KunstHalle, Berlin, Germany (7 July - 3 October 2017). [Later planned exhibition at Museu de Arte do Rio, Rio de Janeiro, Brazil cancelled.] (Updated 14 January 2018. AAA00280-87; AAA00737-40; AAA00781; G01918-19; G01930.)

> Formerly Miller Company Collection of Abstract Art associated design project and artwork; formerly private basis: Mr. & Mrs. Burton Tremaine; MoMA-owned, exhibition documentation: exhibited a drawing and maquette by Oscar Niemeyer; gouache work by Roberto Burle Marx, c. 1948, part of Painting toward architecture-era project from a Brazilian source.

2 June - 23 July 2016. Pièces - meublés at Galerie Patrick Seguin, Paris, France. (Viewed 17 February 2018. AAA00924; G02040.)

> Unknown lender, Louise Lawler’s Pollock and tureen (traced and painted), number unknown, (1984 / 2013 / 2014), referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

4 venues: 2016-18. Stuart Davis: In full swing at the Whitney Museum of American Art, New York (10 June - 25 September 2016); National Gallery of Art, Washington, DC (20 November 2016 - 5 March 2017); de Young Museum, San Francisco (1 April - 6 August 2017); Crystal Bridge Museum of American Art, Bentonville, Arkansas (16 September 2017 - 1 January 2018). (Updated 28 February 2018. G01989; G01993; G02021-23.)

> Former Miller Company (Collection of Abstract Art), Reynolda House Museum of American Art, Winston-Salem, NC-owned, loaned artwork: Stuart Davis’s For internal use only, (1944-45).

10 September - 4 December 2016. Transitions: States of being at Zuckerman Museum of Art, Kennesaw, Georgia. (Viewed 17 February 2018. AAA00856; AAA00941.)

> Louise Lawler’s Pollock and tureen (traced), (1984 / 2013; courtesy of the artist) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

2 November 2016 - 28 January 2017. Chamberlain / De Kooning at Mnuchin Gallery, New York. (Viewed 12 December 2017. G01848-49.)

> Formerly private basis, Mr & Mrs. Burton Tremaine, Meriden, Connecticut. Exhibited artwork, John Chamberlain’s Arch Brown, (1962).

11 November - 31 December 2016. Kaleidoscope, the vanished reality at Modern Art Oxford, United Kingdom. (Viewed 17 February 2018. AAA00856; AAA00995.)

> Sprueth Magers gallery, loaned artwork, Louise Lawler’s Pollock and tureen (traced), (1984 / 2013) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

12 February - 21 May 2017. Piet Mondriaan & Bart van der Leck: De uitvinding van een nieuwe kunst at Gemeentemuseum, The Hague, The Netherlands. (Viewed 10 March 2019. K00151-52).

> Formerly Miller Company (Collection of Abstract Art), Stephen Mazoh & Co.-owned, loaned artwork: Piet Mondrian’s Pier and ocean, (1914).

28 April 2017 - 15 January 2018. Where we are: Selections from the Whitney’s Collection, 1900-1960 at the Whitney Museum of American Art, New York. (Viewed 6 February 2018. AAA00861-63.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; exhibited artwork: Jasper Johns’s Three flags, (1958).

30 April - 30 July 2017. Louise Lawler: Why pictures now at Museum of Modern Art, New York. (Viewed 26 January 2018; AAA00858-60.)

> Works exhibited include Louise Lawler’s photograph Monogram, (1984) showing Jasper John’s White flag, (1955-58) in Tremaine interior; also Lawler’s photograph Does Marilyn Monroe make you cry?, (1988) showing Head of Marilyn Monroe by Andy Warhol (1962), owned by the Tremaines, and presumably at auction; Lawler’s Pollock and tureen (traced), (1984 / 2013) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

3 June - 24 September 2017. The discovery of Mondrian at the Gemeentemuseum, The Hague, The Netherlands. (Viewed 29 December 2017. G01916-17.)

> Former Miller Company (Collection of Abstract Art), Gemeentemuseum-owned, exhibited artwork: Piet Mondrian’s Victory Boogie Woogie, (1943-44).

12 June - 1 October 2017. Frank Lloyd Wright at 150: Unpacking the archive at Museum of Modern Art, New York. (Viewed 3 November 2017. AAA00741-46; G01920-21.)

> Former Miller Company Collection of Abstract Art associated design project, Frank Lloyd Wright archive-owned, illustration of Project for Meteor Crater, Arizona.

3 venues: 2017-18. Cézanne Portraits at the Musée d’Orsay, Paris (13 June - 24 September 2017); National Portrait Gallery, London (26 October 2017 - 11 February 2018); National Gallery of Art, Washington, DC (25 March - 1 July 2018). (Viewed 28 February 2018. AAA00997.)

> Formerly Mr. & Mrs. Burton Tremaine, NGA-owned artwork: Paul Cézanne’s Self-portrait with beret, (c. 1899).

30 June - 29 October 2017. Replicas at Musée des beaux-arts la La Chaux-de-Fonds, Switzerland. (Viewed 5 March 2018. AAA00856; AAA01003.)

> "Courtesy the artist, Metro Pictures, New York and Spruth Magers, Berlin": Louise Lawler’s Pollock and tureen (traced), (1984 / 2013; exhibition example) referring to her photograph Pollock and tureen from a Tremaine interior, partly showing Jackson Pollock’s Frieze, (1953-55).

29 September 2017 - 14 February 2018. Guerrilla Girls grafica, 1985-2017 at Museu de Arte de São Paulo, Brazil. (Viewed 17 March 2019; F00585-88.)

> Presumably Museu de Arte de São Paulo-owned, exhibited: Guerrilla Girls’ Q. How many works by women artists were in the Andy Warhol and Tremaine auctions at Sotheby’s?, (1989; digital print on paper).

2 venues: 2017-18. James Rosenquist: Painting as immersion at Museum Ludwig, Cologne, Germany (18 November 2017 - 4 March 2018); ARoS, Aarhus, Denmark (14 April - 19 August 2018). (Updated 15 February 2018. AAA00909; G02015; G02036.)

> Both works formerly Mr. & Mrs. Burton Tremaine: Philadelphia Museum of Art-owned, loaned artwork: James Rosenquist’s Zone, (1961); private collector-owned Mask (Come play with me / Hey, let’s go for a ride), (1961), sometimes known as Hey let’s go for a ride.

10 February - 13 May 2018. Jasper Johns: "Something resembling truth" at The Broad, Los Angeles. (Viewed 5 February 2018. AAA00861-63; G01988.)

> Presumably formerly Mr. & Mrs. Burton Tremaine, Whitney Museum of American Art-owned; loaned artwork: Jasper Johns’s Three flags, (1958).

17 February - 13 May 2018. The New Art: A milestone collection fifty years later at the Oklahoma City Museum of Art. (Viewed 21 December 2017. G01876-77.)

> Former Miller Company Collection of Abstract Art, OKCMOA-owned: Ilya Bolotowsky’s Perpediculars and diagonals, (1945).

14 February - 13 May 2018. Brand new: Art and commodity in the 1980s at the Hirshhorn Museum and Sculpture Garden, Smithsonian, Washington, DC. (Viewed 22 February 2018. AAA00953; G02046.)

> Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY-owned, loaned artwork: Louise Lawler’s Who are you close to? (Red), (1984-1990), showing Andy Warhol’s S&H Green Stamps, (1962) in the Tremaine’s dining room in Connecticut.

2 venues: 2018-19. Cult of the machine: Precisionism and American art at de Young Museum / Fine Arts Museums of San Francisco (24 March - 12 August 2018); and Dallas Museum of Art, Texas (16 September 2018 - 6 January 2019). (Viewed 28 February 2019. K00092-96).

> Former Miller Company (Collection of Abstract Art), Minneapolis Institute of Arts-owned, loaned artwork: Georgia O’Keeffe’s New York night, (or City night), (1926).

19 April - 12 August 2018. Unexchangeable at WIELS contemporary art centre, Brussels, Belgium. (Viewed 28 February 2019. K00083-84; K00087-88; K00128.)

> Lender unknown, loaned Monogram, (1984) by Louise Lawler, a photo of Jasper Johns’s White flag, (1955-58) in a Tremaine interior.

20 May - 12 August 2018. Brice Marden at Daros Collection, Hurden, Switzerland. (Viewed 15 August 2019. K00311).

> Formerly Mr. & Mrs. Burton Tremaine, Daros Collection-owned, exhibited artwork: Brice Marden’s Elements I, (1981-82).

31 August - 18 November 2018. Robert Delaunay and the City of Lights at Kunsthaus Zürich, Switzerland. (Viewed 28 February 2019. K00089-91).

> Formerly presumably Mr. & Mrs. Burton Tremaine, Esther Grether Familensammlung-owned, loaned artwork: Robert Delaunay’s Premier disque, (1912).

3 venues: 2018-20. Andy Warhol— from A to B and back again at the Whitney Museum of American Art, New York (12 November 2018 - 31 March 2019); San Francisco Museum of Modern Art (11 May - 15 September 2019); and Art Institute of Chicago (20 October 2019 - 26 January 2020). (Updated 13 August 2019. K00147-48; K00164; K00246-47; K00307-08).

> Formerly "Mr. & Mrs. Burton Tremaine, Meriden, Connecticut"; Tate Modern-owned (London), loaned: Andy Warhol’s Marilyn diptych, (1962).

15 November 2018 - 20 April 2019. She’s here: Louise Lawler at Vertical Gallery, Sammlung Verbund Collection, Vienna. (Viewed 15 March 2019. K00198-200).

> Sammlung Verbund Collection-owned, exhibited work: Louise Lawler’s Monogram, (1984 / 1999), a B/W photo showing Jasper Johns’s White flag, (1955-58) in a Tremaine interior; lender unknown, loaned artwork: Louise Lawler’s Pollock and tureen (traced), (1984 / 2013), exhibition print, showing a drawing based on Lawler’s photo Pollock and tureen (1984), showing a cropped view of Jackson Pollock’s Frieze (1953-55) in the Tremaine’s New York dining room.

22 January - 14 April 2019. From the permanent collection at the Miyagi Museum of Art, Sendai, Japan. (Viewed 14 March 2019. K00189).

> Formerly Miller Company (Collection of Abstract Art); Miyagi Museum of Art-owned (Sendai, Japan), exhibited artwork: Wassily Kandinsky’s Animated stability (1937).


2020s

4 venues: 2020-21. Andy Warhol at Tate Modern, London (12 March - 6 September 2020); Museum Ludwig, Cologne (10 October 2020 - 21 February 2021); Art Gallery of Ontario, Toronto (27 March - 23 May 2021); Dallas Museum of Art (20 June - 17 October 2021). (Updated 13 August 2019. K00245; K00307-08).

> Formerly Mr. & Mrs. Burton Tremaine, Tate Modern-owned and loaned artwork: Andy Warhol’s Marilyn diptych, (1962). (Possible other former Tremaine-owned works in the exhibition.)



READ MORE:
Overview: Tremaine / Miller Co. art & design | 1: Painting toward architecture - Miller Co. press release | 2: Painting toward architecture: Documentation and historical information | 3: Painting toward architecture - artworks and designs | 4: Article - "Rethinking ’Painting toward architecture’ (2017)" | 5: Article - "Painting toward architecture: Three works, three histories, three Modern mysteries" (2017) | 6: Article - "Van Doesburg artworks in PtA" | 7: Miller Co / Tremaine art & design in exhibitions (1945-present)