White Cube, London
Sensation at Royal Academy of Arts, London (1997) press releases, list of works, in varied publications
R.J. Preece (ADP) - 17 Sep 21
Sensation at Royal Academy of Arts, London (1997) press releases, list of works, in varied publications Section A. Personal context; B. a 1940 predecessor: lady with diamonds, shocking disclosure, and sensational media coverage nationwide; C. Sensation exhibition press releases; D. exhibition...
Damien Hirst. For the love of God (2007) in publications, exhibitions
R.J. Preece (ADP) - 12 Sep 21
...White Cube, London (3 June - 7 July 2007). Beyond belief at White Cube Hoxton Square and White Cube Mason’s Yard, London. > Exhibition included Damien Hirst’s For the love of God. See publications section below for related documentation.2008 - Rijksmuseum, Amsterdam (November 1 - December 15,...
BANKquet etiquette: Too many announcements in your inbox? (2009)
R.J. Preece (ADP) - 21 Sep 09
BANKquet etiquette: Too many announcements in your inbox? (2009) BANK offers a simple solution… just grade them and send them back! Featuring communications by White Cube, Sadie Coles HQ and sophisticated Yanks. ADP has only been open for business for just three months, and it’s already...
White Cube’s PR guru: Now it’s Honey Luard’s turn (interview) - 2002 (2009)
R.J. Preece (ADP) - 31 Jul 09
White Cube’s PR guru: Now it’s Honey Luard’s turn (interview) - 2002 (2009) She’s part of future art history, and public relations history too. The following is an interview I published of Honey Luard of White Cube gallery with the support of then-Make editor Patricia Ellis in 2002. It remains...
Miroslaw Balka: The shadow of life’s mechanisms (2004)
R. J. Preece - 01 Nov 04
Miroslaw Balka: The shadow of life’s mechanisms (2004) Worn medicine balls— used in Poland for physical therapy exercises—slowly turn counter-clockwise threaded on a steel rope, evoking the passage of time and the unflattering effects of aging. Center stage, there is a slowly rotating wall that...
Tracey Emin: Artist over— and in— the broadsheets (2001)
R.J. Preece (ADP) - 01 Dec 01
Tracey Emin: Artist over— and in— the broadsheets (2001) “... the tent and the artist offer great copy generated by the artwork’s contained textual focal points— the artwork’s title, facilitation of a media-genic headline, the description the artwork generates, her brilliant Tracey quotes, and the...
Marc Quinn interview: Just a load of shock? (2000)
R.J. Preece (ADP) - 01 Sep 00
Marc Quinn interview: Just a load of shock? (2000) Marc Quinn interview Marc Quinn continues to shock the uninitiated with his materials—including his own blood and excrement. From unconventional materials and processes, he creates figurative forms such as Self (1991). Made by pouring nine...
Marc Quinn on artwriting (2000)
R. J. Preece - 01 Sep 00
Marc Quinn on artwriting (2000) Back in 2000 in interview, Marc Quinn, the British artist known for using unusual art materials like ice, blood and excrement, shared his thoughts about his experience with contemporary artwriting—and the positioning of his iconic work, Self, made from nine pints...
Itai Doron at Jay Jopling / White Cube & the Passmore Building, London (1993)
ADC staff - 14 May 93
Itai Doron at Jay Jopling / White Cube & the Passmore Building, London (1993) The following is the press release of the inaugural exhibitions organized by the London gallery that soon became an international art powerhouse. Itai Doron The Immaculate Stereoscopic Conception of Mr. D....