Piet Mondrian. Pier and ocean, (1914).

ADC staff
Emily Hall Tremaine / Collection
15 March 2019 | Updated 10 October 2019

Piet Mondrian
Pier and ocean, (1914)
Colored gouache and ink on paper
19 3/4 x 24 3/4 in. (50.2 x 62.9 cm)
Acquired 1948 from Charmion von Wiegand
(L01264-70)


The following is an excerpt from: Miller Company Collection of Abstract Art. (1948). Painting toward architecture, p. 78. [Essay by Henry-Russell Hitchcock; foreword by Alfred H. Barr, Jr.; introduction by Burton Tremaine; acknowledgements by Emily Hall Tremaine, art director; certain artwork entries by Mary Chalmers Rathbun; graphic design by Bradbury Thompson].

"Mondrian’s work represents a lifelong search for what he felt lay at the heart of reality. Although influenced early in his career by the cubists, he came to realize that his own search must be carried out in a purer and more austere way. He believed that statements about the nature of reality must be made, not in terms of particular appearances and subjective feelings, but in terms of fundamental truth. In developing this philosophy in his painting he reduced his repertory of form to the intersection of short lines at right angles. This he considered to be the most basic attainable relationship."

"As his style matured in the 1920s the lines were continued across the canvas... Yet these rigid black lines were subtly contrasted in width so that they were plastic entities in themselves and not mere boundaries of the fields they enclosed. He used only the stable primary colors from which the transitory shades and hues we see in nature are combined. Space, as represented by the areas of white pigment on the canvas, because another kind of form, held in dynamic balance with the areas of color. The precise placing of the boundaries between these spaces and forms, between a red area and a blue, even between white and white, establishes the equilibrium. Mondrian’s relationships seem to achieve a new proportionality, based not on mathematical formulas and static balance, but on intuitional judgment and dynamic tension." (Mary Chalmers Rathbun)

Piet Mondrian’s Pier and ocean has been owned by Stephen Mazoh & Co. Inc. since 1995. (Click to see a photo of the artwork.)

To learn more about Piet Mondrian’s Pier and ocean since 1948, click the link(s) to articles and exhibition compilations with documentation below.



Photo by Louise Lawler showing Piet Mondrian’s Pier and ocean:

> Louise Lawler. Bedroom with fireplace, arranged by Mr. and Mrs. Burton Tremaine Sr., New York City, (1984 / 1989).

Tremaine Collection artworks and designs in publications (compilation; 1945-present)

→ artdesigncafé - art
ADC staff - 14 Jan 20

Tremaine Collection artworks and designs in publications (compilation; 1945-present) With her extensive communications experience from the 1930s, Emily Hall Tremaine marshalled those skills for the benefit of the artworks and designs that she worked with, 1945-87. This compilation focuses on...

The Tremaine Collection: 20th Century Masters exhibition catalogue (list of photos of artworks and designs) (1984)

→ artdesigncafé - art
ADC staff - 26 Aug 19

The Tremaine Collection: 20th Century Masters exhibition catalogue (list of photos of artworks and designs) (1984) The following is a photo index of the catalogue accompanying the exhibition at the Wadsworth Atheneum, Hartford, CT (26 February - 29 April 1984). The following photos of artworks...

Louise Lawler. The Tremaine pictures. List of photoworks (2007)

→ artdesigncafé - art
ADC staff - 15 Mar 19

Louise Lawler. The Tremaine pictures. List of photoworks (2007) The photoworks include views of several iconic artworks. The descriptions below highlight which works they are, with links to information sources. Louise Lawler’s The Tremaine pictures show at BFAS Blondeau Fine Art Services,...

Rethinking Painting toward architecture (1947-52) (2017)

→ artdesigncafé - art
R. J. Preece - 01 Jul 17

Rethinking Painting toward architecture (1947-52) (2017) Painting toward architecture exhibition as installed at the Contemporary Art Museum, Houston (January-February 1950). Courtesy the Karl Kamrath Collection, University of Texas at Austin architectural archives. (See FN "Photo A" for...

The Painting toward architecture exhibition (1947-52) by the Miller Company Collection of Abstract Art: The artworks and designs (2016)

→ artdesigncafé - art
ADC staff - 28 Aug 16

The Painting toward architecture exhibition (1947-52) by the Miller Company Collection of Abstract Art: The artworks and designs (2016) Artworks exhibited in Painting toward architecture (1947-52) It is important to note that over the 28(+) venues of Painting toward architecture, the...

The Painting toward architecture exhibition (1947-52), Miller Company Collection of Abstract Art: Documentation and historical information

→ artdesigncafé - art
ADC staff - 16 Jul 16

The Painting toward architecture exhibition (1947-52), Miller Company Collection of Abstract Art: Documentation and historical information "The part that the Medicis played in Renaissance Italy can be best approximated today by such great corporations as those that I have named...

Tremaine Collection artworks and designs in exhibitions (compilation; 1945-present)

→ artdesigncafé - art
ADC staff - 16 Jun 16

Tremaine Collection artworks and designs in exhibitions (compilation; 1945-present) Starting with their Miller Company Collection of Abstract Art, Burton Tremaine and Emily Hall Tremaine, known for her great eye, built a collection of works which were featured in hundreds of exhibitions. After...