English for Art and Design: Depth (1996/2012)
English for Art & Design | 24 June 2012
Click to see the English for Art and Design overview page.
Illusion of depth and decorative space
Are you a teacher, researcher, working in the art/design industries, or a student of English for Art and Design? Join our new quarterly newsletter to learn the latest news and views on the English for Specific Purposes sub-field. Go to the contact page and put "English for Art and Design" in the message.
In this section, you will learn about the illusion of depth and decorative space.
The illusion of depth
Sometimes pictures appear flat or shallow, and sometimes they appear to be naturalistic windows into a world that the artist has created. When the artist creates flatness or shallowness, s/he usually is interested in decorative space, or the idea that the two-dimensional image is a flat surface. Meanwhile, in the second situation, the artist uses plastic space and is concerned with creating the illusion of depth, or creating the illusion of three-dimensionality.
For example, in Last Supper, Leonardo da Vinci presents a strong illusion of depth, or deep space. Not only are figures in the foreground overlapping a back wall and windows in the middle ground, they are also overlapping other figures in the foreground. Also, linear perspective is used to create the illusion of depth— parallel lines in the foreground are far apart and closer in the middle ground. These lines lead our eye to the middleground and background of the picture. In addition, the figures in the foreground are larger, more clearly defined, have more intense colors, and have greater detail than the smaller and less clearly defined landscape in the background.
Further, Leonardo uses atmospheric perspective for the landscape in the background behind the windows. With this technique, he makes things that appear in the background unclear. This is the same way that we see things in nature and is another technique to create a stronger illusion of depth.
In contrast, in The Scottish Musical Review, Charles Rennie Mackintosh appears to be more interested in decorative space as opposed to plastic space, or the illusion of depth. Here, space is relatively shallow, perhaps even flat. Forms throughout the image are clearly defined, have the same size; the textures throughout are smooth, and the colors have the same intensity. However, Macintosh was interested in creating the illusion of some depth through the use of some limited overlapping.
Exercise 1: Reading comprehension
How did the image maker approach the illusion of depth? For what purpose— for example, was a more naturalistic image desired?
A. Which techniques were used in The Last Supper? Put a check next to the ones mentioned in the reading.
B. Which techniques were used in The Scottish Musical? Put a check next to the ones mentioned in the reading.
C. With these techniques, what is the effect? Decorative surface? Shallow space? Deep space? Why do you think the Mackintosh did this? Explain.
D. In this essay, the writer didn’t write examples to support his assertions. With each assertion about depth in The Scottish Musical Review, give a clear example that supports the assertion.
English for Art and Design: Depth - 1 | 2