Affandi: The existentialist self-portrait (1994)

artdesigncafé - art | 30 March 2012
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Affandi: 1 | Footnotes and references: 2

Affandi: The existentialist self-portrait - Footnotes & references

Footnotes

[1] This chapter in part draws on essays published as Supangkat and Wright, 1990, and Wright, 1990.

[2] Affandi is the only modern artist in South-East Asia to merit mention in the standard textbook of South-East Asian art— four sentences in the very last paragraph of the book (Rawson, 1990: 275).

[3] To a lesser degree, the same is true of S. Sudjojono, who died in 1986. However, I did not have the opportunity to interview him personally or see and photograph a representative selection of his work from all periods of his life. Furthermore, he is the subject of the late Sanento Yuliman’s Ph.D. dissertation (1981) which hopefully will be published as a monograph.

[4] Where no other reference is given, quotations are taken from an interview with Affandi in November 1987.

References

Popo Iskandar. (1977). Affandi. Jakarta: Akademi Jakarta.

Umar Kayam and Raka Sumichan. (1987). Affandi. Jakarta: Yayasan Bina Lestari Budaya.

Phillip Rawson. (1990). The art of Southeast Asia. London: Thames and Hudson; first published 1967.

Sudarmaji. (1978). Affandi 70 Tahun. Jakarta: Dewan Kesenian Jakarta.

Nugroho Sumaatmadja (Ed.). (1975). Affandi. Yogyakarta: Penerbitan Yayasan Kanisius.

Jim Supangkat. (1990). “Two forms of Indonesian art”. In Joseph Fischer, Ed. Modern Indonesian art: Three generations of tradition and change, Jakarta: Panitia Pameran KIAS and New York: Festival of Indonesia, pp. 158-62.

Jim Supangkat and Astri Wright. (1990). "Affandi: The Man and the Artist". Budaya, Vol. 1, No. 1 (October), pp. 54-68.

Astri Wright. (1990). "Affandi (1907-1990): The setting of a warming sun". Jakarta Post (25 May).

Sanento Yuliman. (1981). "Genèse de la peinture Indonésienne contemporaine: Le rôle de S. Sudjojono". PhD dissertation, Paris: École des Hautes Études en Sciences Sociales.

Affandi: 1 | Footnotes and references: 2