See list of Tremaine artworks and designs below.
"The part that the Medicis played in Renaissance Italy can be best approximated today by such great corporations as those that I have named and the fact that the Miller [Company] recently won an award for having made the best use of the fine arts to promote high standard in the [caliber] of their own products is truly significant." (Adelyn D. Breeskin, Director, Baltimore Museum of Art, excerpt from speech, 4 April 1948.)
The Baltimore museum was the fourth venue of 28(+) that exhibited the Painting toward architecture exhibition (1947-52), featuring art and architecture crossovers in relation to design and technology development at the Miller Company. The PtA-era at the Miller Co. was powerful engine that drove the later art purchasing and extensive lending work of Burton and Emily Hall Tremaine into the 1980s, until they passed away. The power of their work can be seen in the extensive lending of works to exhibitions continuing to this day.
This Tremaine / Miller Company micro-site at artdesigncafe is the centralized, online disseminator of information focused on the Modernist art and design achievements of the Tremaines. Overlooked for too many years and falling through various cracks, artdesigncafe took action starting in 2016 with this documentation recovery and dissemination pursuit. The effort has resulted in many taking another closer look at the work, and has deepened understandings of the Tremaine work beneath the surface and increased appreciation.
With the Modernist PtA crossover power engine, it is expected that the Tremaine work will be of historical impact for decades and centuries to come, and also be of continued significant relevance to crossover contemporary art, design, promotion, business and technology. In fact, project leader and international arts journalist and communications professional R. J. Preece describes the Tremaine work as "a very rare jewel deeply hidden away in plain sight, partly just down the road in the decaying, post-industrial town where I grew up long ago. I just really found out about it not long ago. Personally, finding out about the parallels of interest across crossover fields, and the historical location, is deeply intense. In fact, at times, it is almost mind-boggling."
Over the years, there were many art finds by the Tremaines. This started with Victory Boogie Woogie (1942-44), Piet Mondrian’s last, unfinished painting, which in part was an inspiration for the travelling Painting toward architecture show. The finds continued most notably concerning early Pop Art, including Marilyn diptych (1962) by Andy Warhol, now at Tate Modern, London, and Jasper Johns’s Three flags, (1958), now at the Whitney Museum of American Art in New York. Design commissions over the years included the unbuilt Tremaine House (1948) by Oscar Niemeyer and Roberto Burle Marx, recognized for fusing rectilinear and organic orientations in art and design. The Tremaines even had a hand in Walter de Maria’s iconic Lightning field (1977), letting the artist set up and test the work on their land in Arizona, prior to the siting in New Mexico.
Before PtA, Mrs. Tremaine worked in the publishing field, achieving national level media attention. (Above, see cropped photo of a sample press clipping, to the left of Warhol’s A boy for Meg). However, it was only after meeting and marrying Burton Tremaine that her interest and exhibition of artworks took off. It is their conversations that developed the Tremaine Collection and the power of their selections can be seen in the exhibitions of the works through today.
Also contributing to the discussion are Louise Lawler’s Tremaine Pictures— photoworks and new, related editions, over 200 so far— showing the Tremaine-owned artworks in their New York and Connecticut interiors, on view at the 1984 Tremaine Collection exhibition entitled The spirit of Modernism, and selected Tremaine-owned works in the well-known 1988 Christie’s auction after Mrs. Tremaine’s death. Further, criticism by the Guerrilla Girls for the male-only artist selection of works that ended up at auction (while numerous works by female artists collected by the Tremaines over the years were left out) also continue the discussion with continued exhibition of their critical poster. Lastly, exhibitions partly enabled by the Emily Hall Tremaine Exhibition Award since 1998 continue the legacy.
Click to see:
> 5: Article - "Painting toward architecture: Three works, three histories, three Modern mysteries" (2017) (on Mondrian’s Victory Boogie Woogie and other VBW representations; unbuilt Tremaine House designed by Niemeyer and Burle Marx; and the unbuilt design by Frank Lloyd Wright for Meteor Crater)
The following developing compilation of artworks and designs relate to the former Tremaine Collection and Miller Company Collection of Abstract Art. Click the following works listed below to see articles and documentation concerning the works and their connections to the collections.