Annie Lennox exhibition at Scottish National Portrait Gallery, Edinburgh (2013)

Annie Lennox exhibition at Scottish National Portrait Gallery

Edinburgh, Scotland
23 March - 30 June 2013

Press release text by Scottish National Portrait Gallery


annie lennox photo
Annie Lennox, (1991). Photograph © S. Saikusa.

The House of Annie Lennox, curated in partnership with The V&A, London, brings together an array of stunning photographs, iconic videos, and a dazzling selection of costumes, which chart Annie’s unique career from its early beginnings, through her time in The Tourists and Eurythmics, as well as her hugely successful solo career, to the present. The show also includes two photographic portraits of the artist from the Gallery’s permanent collection.

The range of work on show illustrates just how significant Annie Lennox is to the history of popular music and culture. The costumes in particular demonstrate the diversity of her style and her distinct command over identity and performance - from the androgynous two-piece leather suit worn during the Eurythmics 1980s Revenge tour, to the cabaret chic costume featured in the video for Little Bird, which was taken from the chart-topping 1992 solo album Diva. Another highlight is the striking outfit she donned for her show-stopping performance of the song Under Pressure with David Bowie at the Freddy Mercury Tribute Concert of the same year.

The House of Annie Lennox continues a theme in the Scottish National Portrait Gallery’s recent exhibition programme, focused on impressive, strong and socially or politically engaged women. As a musical artist Annie Lennox has brought joy and inspiration to millions of people, and as humanitarian campaigner she has championed socio-political issues, such as the plight of women and children affected by AIDS.

Commenting on exhibition, Annie Lennox, said, ‘It’s an incredible honour and privilege to have been given an opportunity to share and display aspects of my life’s work at the Scottish National Portrait Gallery. It has given me a tremendous sense of validation, and in doing so, brings a certain personal cycle to a place of arrival and completion. I hope that people will enjoy the exhibition, and garner a sense of whatever it is that’s driven and inspired me.’