Art Design Publicity magazine:
2(2): Micro

See the content listing of the magazine issue below,
and click to see the articles.

Editorial 2(2): Micro (Automated video) > Less is more. Key messaging—with musical emotion. Most Art Sucks: 20th century art history recap (Corrective Plastic Surgery Remix) > (Automated music.) Here, Kim Min Su mixes Coagula readers’ takes on "leading" artists—with Marilyn Manson as Christina in Party Monster. Cosey Fanni Tutti vs. Donna Summer (Automated music) > Cosey informs: Love to love you baby was on heavy rotation around her influential work from the mid-late 70s. Cosey Fanni Tutti as triptych > A dedication to the in-your-face power of Cosey. Salvador Dali was a publicity junkie: Walker vs. shock rock by Undercover Slut (R-rated article) > For the publicity seekers out there, line up left and right to pay tribute to the Dalí “triptych”. Mark Kostabi: Con Artist, the movie (Automated video) > How on earth can it be conceptually justified that Kostabi is not in the UK-DL-CA exhibition Pop Life: Art in a Material World? Art historian Walker vs. artist John Latham vs. Dope’s You spin me round (Automated music) > Via the Internet, more real art world stories can get out. Tracey Emin launches her brand (1997) (Automated video) > Video clip from live national UK TV of the artist drunk and making her point, sort of. Retro 1999: "It’s got to be comfortable" > Rubell – Herrick – Schweitzer flashback: "If you’re doing a ’designy’ hotel because… Then you are not media worthy–you’re not really worthy at all." Spencer Tunick + Greenpeace = Publicity Extraordinaire (2007) > Publicité 2.0 focus: Greenpeace meets nude installation photographer Spencer Tunick. A glimpse at the media outputs three years on... and the result? Is Tunick now the leader of art + publicity? Damien Hirst et al. diamond skull publicity ft. Bloomberg (2007) > It can be fascinating watching details of the announcement of the "sale" (cough), resulting in a mass & social media performance... Paul McCarthy’s Complex shit crashes into building, steals editorial copy (2008) > Wonder how much this "performance"—and the publicity outputs—are worth monetarily to the artist and museum? Consult with your high-end PR evaluation professional... Damien Hirst auction 2008 vs. The Flying Lizards (Automated music & video) > "Art, art history, publicity, pundits, forget it—just give me money!" Cartrain: The interview, sort of > Artists can of course say "Yes" or "No" to a Q&A, but the arts can show ways to work around such minor technicalities. Damien Hirst + Tracey Emin = Cartrain: White Cube Annunciation > (Automated music & videos.) A tribute to the King, Queen and new Prince of British art (+ publicity). Roisin Byrne: The theft artist > Well if the artists are allowed to break the rules, so can the art journos, editors and PR people. Sorry. Belch & Belch’s Advertising and Promotion, an integrated marketing/communications textbook vs. Internet cannibalism vs. Tate Modern > Which entrepreneurial art students need art history beyond an overall survey and a couple of intensive post-Manet’s? Belch & Belch spell the rest out. UAE art/design publicity vs. Jeffree Star’s Get away with murder > (Automated music video) Come join the party... Come... Come...! Media request, White Cube archive > Will the ADP editor ever get back into the archive, today’s equivalent of the Sistine Chapel, for him at least...

Art Design Publicity Ed. Advisor Roger Klein, Peter King, D*Face and cool skaters’ art swimming pool project in the Badlands, Southern California (2009) which has viralled across the Internet.