Patricia Ellis, writer/curator
Die young stay pretty at ICA, London (1998)
→ Art Design Publicity magazine- 15 Nov 10
Die young stay pretty at ICA, London (1998) New Neurotic Realism & Charles Saatchi: 1 | 2 | Die Young Stay Pretty at ICA (1998): 3 | Martin Maloney: 4 | NNR: Tomoko Takahashi, Paul Smith, Brian Cyril Griffiths: 5 | Steven Gontarski, Martin Maloney: 6 | 7 | 8 | 9 Die young stay pretty...
New Neurotic Realism & Charles Saatchi (1999)
→ Art Design Publicity magazineRita Hatton, John A. Walker - 15 Nov 10
New Neurotic Realism & Charles Saatchi (1999) Excerpt fr. Supercollector: A critique of Charles Saatchi (4th ed.) by Rita Hatton & John A. Walker. While the crowds inside the galleries of [the Royal Academy of Arts] were still assimilating Sensation during the autumn of 1997, Charles...
Art writing workshop - RPProjects
→ RPProjectsADP staff - 17 Aug 09
Artwriting workshop: RPP Just get Published! To encourage students investing in a fine art-oriented education to get on with it and Just get published(!), RPProjects organized an initiative to work in partnership with art/design magazines and art-related programs with advanced-level BA and MA...
White Cube’s PR guru: Now it’s Honey Luard’s turn (2002)
→ Creative Business / EntrepreneurshipR.J. Preece (ADP) - 31 Jul 09
White Cube’s PR guru: Now it’s Honey Luard’s turn (2002) She’s part of future art history, and public relations history too. White Cube, Hoxton Square, London. The following is an interview I published of Honey Luard of White Cube gallery with the support of then-Make editor Patricia Ellis in...
Damien Hirst: Hype, buzz, glamour and art— Interview with Patricia Ellis
→ Creative Business / EntrepreneurshipR.J. Preece (ADP) - 01 Jan 08
Damien Hirst: Hype, buzz, glamour and art— Interview with Patricia Ellis While preparing [the article “Why I love Damien Hirst’s skull”, R.J. Preece contacted Patricia Ellis to inform her— and ask approval— about the footnotes mentioning her words and actions. This prompted a discussion dealing...
Why I love Damien Hirst’s skull: The international media / communications results are just too good (2008)
→ Creative Business / EntrepreneurshipR.J. Preece (ADP) - 01 Jan 08
Why I love Damien Hirst’s skull: The international media / communications results are just too good (2008) A diamond-encrusted skull…worth £50m (US $100m)…said to be the most expensive piece of contemporary art…entirely covered in 8,601 jewels… skull of a 35-year-old man from the 18th...






