Barbara Hepworth
Finn Juhl at Designmuseum Danmark (press release) (2012)
→ café libraryADP staff - 14 Mar 12
...Barbara Hepworth and Erik Thommesen but was often displayed alongside works by these artists. Finn Juhl. Model 45 chair. An exponent of Danish organic modernism Finn Juhl’s furniture calls out and sparks admiration, because it possesses a certain light, sculptural elegance that reaches...
Grayson Perry curates: Unpopular culture (press release) (2008)
→ café libraryADP staff - 01 Jun 09
...Barbara Hepworth; L.S. Lowry; Henry Moore, Paul Nash; Eduardo Paolozzi; Martin Parr; Tony Ray-Jones and Homer Sykes as well as two striking new works by Grayson Perry himself. It opens at De la Warr Pavilion, Bexhill-on-Sea before embarking on a national tour. Unpopular Culture examines a...
Sydney Besthoff: Collecting New Orleans-style (2004)
→ café libraryR.J. Preece - 01 Oct 04
...Barbara Hepworth, Jacques Lipchitz, Allan McCollum, Henry Moore, Arnaldo Pomodoro, George Rickey, George Segal, Joel Shapiro, and Ossip Zadkine. (The remaining nine were museum purchases or gifts from other donors.) Previously, most of the Besthoffs’ sculpture collection was on view at K&B...
St Martins School of Art Sculptors (1992)
→ café libraryJohn A. Walker (glossary) - 17 Jun 92
...Barbara Hepworth. They also avoided the “geometry of fear” style, submitting instead to the influence of American artists like the sculptor David Smith and the abstract painter Kenneth Noland. The British sculptors first attracted public attention at the New Generation exhibition held at the...
St Ives School (1992)
→ café libraryJohn A. Walker (glossary) - 17 Jun 92
...Barbara Hepworth, Naum Gabo, Alfred Wallis, Christopher Wood, and the potter Bernard Leach. During the late 1940s and early ’50s a number of younger artists, working in a wide variety of idioms, took up permanent residence in St Ives or visited for the summer months: John Wells, Bryan Wynter,...
Contemporary Style (1992)
→ café libraryJohn A. Walker (glossary) - 03 Jun 92
...Barbara Hepworth. Wallpaper and textile design favoured geometric patterns: snow crystals, coffin shapes or elongated hexagons. Peter Cook said of the design of 1952 that it was "a mixture of post-war spin off (the technology of laminates, alloys and micro-mechanics) and latter-day thirties...
